My Best Friend's Birthday

Tarantino is the man! The movie is watchable (surprising for how old it is), obviously its lacking the polish (both script and video) of his later movies but who cares. This movie probably cost him the price of a six pack and it shows. Whats great about it, is that it shows this generations greatest director in his youth giving this whole "movie" thing a shot. In that respect this movie really succeeds. It's one of those things that you watch and then say "Hey I could do that... why arn't I doing that?". Really cool to know that this guy started with this... offbeat... film and then went on to direct the Pulpiest of Fiction (hands down, best film ever). The best part of this movie is not the script, directing or acting. The BEST part of this movie is that it has inspired me to get going on a film of my own.

Thanks QT No time like the present.

(32%) A curiosity piece that's for Tarantino fans only as about half of it is 100% missing forever, and what's left is largely a mixed bag. Quentin himself is about the best thing here and gives a good dose of effort and comic timing to his performance. The writing is somewhat decent at times; although like a lot of things here it's clearly the product of the inexperienced, and many will claim that it's nothing more than typical Tarantino movie name dropping, which really is only partly true. For a very low budget first attempt this isn't too bad, and it does at least show some future potential of what was yet to come.

Clarence Pool, a radio DJ, is planning a birthday party for his best friend, Mickey Burnett. However, his great intentions and best efforts don't always work out as planned.

Written and directed by and starring Quentin Tarantino, this should have been his first film. However, the second and final reel of the film was lost in a fire and the complete version was hardly ever viewed. What remains is and incomplete movie of about 36 minutes (technically making it a short).

Hence it not been counted among Tarantino's movies (plus, wouldn't you rather say that Reservoir Dogs was your debut film?).

What remains isn't bad, though isn't great either. The first thing that strikes you is that it is a comedy. Tarantino's dramas always have an element of comedy about them, due to the clever, stylised dialogue but this is a pure comedy, not an action-drama with comedic elements. Moreover, it works, mostly. Tarantino takes the clever dialogue and moves it from entertaining filler to centre stage. Add in some physical gags and you realise that Tarantino may have a gift for comedy (though I'm glad he ended choosing a different cinematic path).

There's also a stoner-slacker aspect to the whole thing which reminds me of Clerks. Tarantino could have been Kevin Smith before Kevin Smith was Kevin Smith!

(This said, I have no idea what path the second half of the movie took, so it could have ended more like the Tarantino we know and love).

In addition to the clever dialogue, there's another Tarantino trademark: long discussions about movies or music. Always entertaining, and edifying.

As mentioned, not great though. The plot is a bit disjointed. Tarantino was clearly still learning his art as a director and editor: the scenes are quite choppy. The whole movie has an overly rough-around-the-edges feel to it.

Also, difficult to rate a movie highly when you're only able to see half of it!

You can, however, see glimpses of what was to come. As mentioned, the sharp dialogue is there. In addition, some of the plot details remind me of True Romance.

Just wish that the whole movie had survived. But then Tarantino would have already made 10 movies and, due to his self-imposed quota, would now be in retirement, so maybe it was for the best!

Needless to say, due to the movie being in this state it is in, this is really only for Tarantino fans, to see where it all began and complete the collection.

We will never see this movie in it's full glory. The final reel of this movie was destroyed in a lab fire that broke out during editing and the only surviving parts were edited together to make this 34 minutes short movie. Still you never get the feeling that you're ever really missing any sequences while watching this movie.

This is a Tarantino movie alright. It has some absolutely amazing dialog. The story isn't really about much but the dialog makes sure that this movie is an interesting enough one to watch. The line 'Your ass is grass, and I'm the lawnmower.', right before two persons get into a fight, is an absolute classic in my book and now actually one of my favorite movie quotes. The movie is interestingly told and divided in several different parts, in the same style as "Pulp Function". This movie would latter also form the basis for Tarantino's script for "True Romance".

Real problem with this movie is that it lacks style. It's a very amateur like looking movie and it uses standard camera-positions and weak editing. Because of this not everything in the movie works very well, such as most of the comical moments and the weird kung-fu fight toward the ending. Tarantino's vision was obviously already present but he didn't had the right tools and persons around him to make the right movie he had in mind with it. Oh well, he eventually ended up alright with that!

Probably only truly recommendable to Tarantino fans though.

7/10

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SPOILERS AHEAD

To those who wonder how I discovered My Best Friend's Birthday, I found this video on ebay, and it was definitely worth the money despite the deteriorated quality of the copy. This is filmmaker Quentin Tarantino's first independently funded film, and from what was assembled (the film wasn't completed and this can be seen since a couple of plot points are left un-answered at the end of 40 minutes) I can tell that it was one of those well-intentioned (if slight) signs-of-things-to-come.

Clarence Pool (Tarantino, with a full-on "Elvis Man" look) is a disc jockey at K-BILLY Radio (Reservoir Dogs' music conductor in a sense), and is planning to give his friend Micky Burnett (co-writer Craig Hamann) a call-girl for his birthday party (a story later re-used for True Romance). This is used as more of a signpost for the film to follow as the characters, in particular Clarence, go off on riffs of Dialog - the "I'd f*** Elvis" speech is in its first revelation - and it's often very funny. Even a kung-fu fight between Mickey and the call girl's pimp (Al Harrell) is executed with the similar sense of dark hilarity that has made Tarantino the pro he is now. Truth be told, the film isn't without its shortcomings for a budget of so little, and a couple of the scenes really don't work at all. Yet for what it's worth it's a small ruby of underground cinema.