Ainoa

having recently watched the Austrian horror film " in drei tagen bist du tot" (english international title "dead in three days"), which was, as far as I'm concerned, a very decent experiment, I was interested in recent developments inside the Austrian film scene towards making genre flicks; so the prospect of seeing a science fiction film made in Austria instantaneously spiked my curiosity. But, to make it short, I was deeply, deeply disappointed by what I saw. if it wasn't for the score that makes a huge effort in trying to generate at least some kind of suspense, this movie simply is unutterably boring. having seen the German original version, I was suffering immensely from the poor dialogs, which are equally poorly executed by the actors. after the first 15 minutes the story seemed to turn in circles- which actually was a good thing for a friend of mine, who got out of the theater to buy some drinks and returned 15 minutes later: I didn't have to tell him what was going on while he was gone, because actually nothing happened at all. I know how difficult film making with a small budget is and that the production of a film like AINOA should therefore be considered as an achievement in its own right, but to me this would only be true if the result was in any way at least interesting to watch. but watching tranquillized actors in poor star wars/mad max replica standing around saying things like "it is meant to be" over and over again, my initial goodwill concerning this project evaporated- by the end of the show, I considered "AINOA" to be my personal "ground zero"- in this sense, a "groundbreaking" movie.

I saw the Austrian movie Ainoa in a test screening and i was more than surprised. I didn't really expect anything great, as Austrian movies (except comedies) usually lack any entertainment factor and are consumable for a small, intellectual audience only. Ainoa is quite the opposite. Although based on a deeply poetic and philosophic thought, the film convinced me with its narrative quality, the surprisingly well performing actors and the enormous love for detail that these guys show in every scene of the movie. Hard to imagine this film has been shot entirely in Austria, the locations throw you into another world. And hard to imagine they hardly had any money for that. Of course Ainoa cannot be compared with big Hollywood blockbuster movies, but i think these filmmakers id a good job in making that NOT the point at all. That's what i really enjoyed about it. Its not just a poor "Austrian Star Wars", much more than that this movie has a soul and a quality of its own, although the story might irritate some people with its very simple, sometimes even naive but always thoughtful approach. Instead of relying on big special effects, it convinces with its heart and poetry. Its worth while watching it for those who like Sci Fi and fairy tales, or simply a movie not seen every day in cinema.

I saw two sneak previews in Vienna at UCI Millennium City past may 2006. They screened both the original German version as well as the English dubbed one. Although one and the same film, the perception of the movie differs. Somehow and for a German native speaker the visuals and dialog seem to be more convincing in the dubbed version, yet the movie is entirely - and for native Austrians recognizably - shot in Austria. Truly interesting phenomenon that is and potentially headache causing in the commercial exploitation of the film. Apparently, AINOA is being released in Austria in fall this year by Buena Vista International, a highly reputable distributor world wide as we all know, primarily known for family entertainment. "Chapeau" in every sense if this is true, I think the movie deserves it though. Despite some crucial character flaws and weaknesses as far as the overall dramaturgy, pace and speed is concerned, the movie leaves you with a certain sense of satisfaction and urge for discussion after wards (which I personally like about movies). The images are epic and carefully composed, the score supports and elevates the futuristic sense and settings convincingly, sound design is precise, realistically supportive and embedded in the picture in a detailed and sophisticated manner. Direction is acceptable considering the director (and DP) seemingly coming from doing commercials (numerous internationally successful filmmakers went that path), still, for a "first-timer" in the world of epic scifi features even remarkable. I cannot think of a single movie done in Austria dealing that proper and professional with such a demanding genre, highly ambitious production value and courageous effort in the low budget field. It certainly will be interesting to see how the Austrian audience will cope with and accept AINOA once released. I think it depends on where you set your personal perceptive bench mark and what you are comparing an Austrian scifi flick with. Despite the rather obvious nodding towards existing scifi elements and ingredients (Star Wars springs to mind), the movie bears charm and sometimes puts a condoning smile on your face, but not in a denouncing way. All in all, given the limited financial means and long period of time it apparently took shooting the film, I see AINOA as a remarkable and equally ambitious effort in setting a new bench mark in Austria. I can imagine the movie entering unchartered territory in Austria amongst film enthusiasts and identity driven critics, but hey - no risk no fun as they say - thus "may the force be with you, young AINOA!"