4 inyong shiktak

This is not really a horror film; form-wise it has more in common with a mystery or drama. The intent is not to scare or gross out the viewer, but to examine the central themes and characters.

On that level it's fairly successful. There is a lot going on in the movie, and as another reviewer has mentioned, the focus tends to wander, so it's often hard to determine exactly what the movie is trying to say. Sometimes that works to The Uninvited's advantage; I like movies to have a little ambiguity in them where I can apply my own imagination, and there are several deliberately ambiguous moments here.

At other times, it's more of a distraction, as we wait in vain for the story to return to and possibly resolve an earlier theme. Instead, the film moves on to examine other ideas, and while they are usually interesting ideas, the inevitable result is that by the film's conclusion it seems like there's a lot left unresolved. I don't mean "loose threads" in the usual sense of plot elements that are unexplained (although there are a few of those), but more like bigger themes that seemed like what the movie was about at the beginning of the film and didn't at the end of the film.

The acting is decent, overall, but the two leads both play the sort of shell-shocked, alienated characters that are hard to relate to even if we're sympathetic to begin with, and most of the other characters are not terribly fleshed out. The direction is good although the pace is slow (unnecessarily slow at times).

(Parenthetically, one shot used in The Uninvited seems so obviously ripped off from Ringu that I figure it's got to be an homage, but the movie seems like it takes itself too seriously to throw in a Ringu homage.)

Overall, a worthy but flawed effort that is much more complex and rewarding than most Asian horror movies of recent years.

CAUTION: This movie is very very long and very very slow! Although it is a very good movie, and well worth seeing, I would strongly advise that you do not watch this movie just before bed time. Watch it when you are fully rested, or you will fall asleep.

Another cautionary note, is that IMDb should remove the categories, Horror and Thriller, because this movie is strictly a Drama, and a very slow moving one at that. It does have some ghosts in it, maybe 2 or 3 scenes in the beginning, but they are really not that scary, nor are they really meant to scare. And they are long forgotten once you have reached the 90mins mark.

It is a very sad movie with most of the characters going through some really deep trauma, so if you are looking for something upbeat, look somewhere else.

This is a very good movie though. With some terrific performances by the actors and a very good effort by the director. Definitely worth seeing. Just be ready for something sad, slow and long.

Like other IMDb'ers who have commented on The Uninvited, I expected the film to be a supernatural tale along the lines of The Eye. Instead, the movie turns out to be a rather depressing (and somewhat overlong) study of fractured psyches, depression and dealing with death. This movie is more about people who are haunted by the ghosts of their pasts, rather than by real spooks.

Whilst travelling home from work, Jeong-won, a man with no memory of his childhood, witnesses the death of two small children (poisoned by their mother and abandoned on a train). Soon after, he begins to see the dead kids in his apartment and leaves in a panic.

He meets Yeon, a narcoleptic who is a witness in an infant murder case and who is also able to see the ghosts. Together they unravel the shocking secrets of his past.

An extremely slow moving movie with a sometimes confusing plot, The Uninvited is certainly hard going. Replete with suicides, accidental deaths and murder, and with some genuinely shocking scenes that will sear themselves into your memory, this isn't exactly a feel-good movie. With absolutely no lighter moments to lift the mood, be prepared to feel 'down' after the credits have rolled.

And if you think I'm exaggerating, see if you can watch the scene with the 'truck/child interface' without wincing!

The look of the film is amazing and there are some lovely sweeping camera movements which are technically superb. The cast give excellent performances given the difficult subject matter. Unfortunately, the dreadful pacing of the film spoils what may have been a really great film. The tale meanders aimlessly in parts and really drags, making it almost as difficult for the viewer to stay awake as it was for poor old Yeon.

Not exactly essential viewing then, but still worth having a look if this kind of thing floats your boat.

Uninvited isn't your typical ghost story though it has familiar South Korean horror themes like suicide and infanticide.

Honestly I found it to be a bit too slow at times, and it is a whole two full hours long. However, this subtle slowness eventually winds around you like some malicious seaweed dragging you slowly under the water.

The ending is heavy and bleak rather than shocking or horrifying. In some ways this film is more of a supernatural drama that draws upon subjects like childhood trauma and its impact on adult phobias and mental illness. I highly recommend it but don't expect the usual Korean horror flick.

The first time I watched "The Uninvited" (2003, Korea) I thought it was boring. The second time I watched it I thought it was good but needed approximately 20 minutes edited out. Last night I watched it for the third time and was captivated from start to finish. It's truly one of the most effectively depressing films of the past decade, and is essential viewing for lovers of slow-burning, psychological, dramatic horror films with heaping quantities of character development.

The key to enjoying this film is to pay attention to the subtle details. Even the most ordinary dialogue is used meaningfully here. These characters have experienced horrific acts of death and violence in their pasts and have also experienced dysfunctional relationships with others. These dysfunctional relationships are communicated in a fragmented, nonchronological manner that's similar to most East Asian horror films. There's also some slight ambiguity, but only in little patches that can be filled quite easily with some common sense and logic. It's important to achieve that understanding though, because absent this understanding the viewer will never be able to appreciate the characters' suffering nor the motivations for their actions. And let me tell you, these are some of the most gloomy, disheartened, and interesting characters you'll ever see.

The acting is what we've come to expect from South Korea, first rate. Ji-hyun Jun gives one of the best performances of her entire career. She's utterly convincing in an atypical, dark role that establishes her diverse acting range once and for all. Her depression isn't presented in a typical, psychotic, over-the-top manner. It's a very restrained exhibition, even in those few cases where she suffers a mental breakdown of sorts. The film uses her character's interaction with others, a steady tone, and a longer running time (2 full hours) to slowly but surely communicate her despair to the viewer. It's impossible not to sympathize with her and hope for her recovery. The quality of acting doesn't begin and end with Ji-hyun though. Everyone comes off looking well here.

Another important point to make is that the entire foundation of this film is human suffering inflicted by humans. Contrary to what one might expect, there's really no ghostly activity present at all. Even the opening 30 minutes, which makes the film seem like it's going to travel oft-explored ghostly themes, can be interpreted as entirely psychological. Almost all of the horror sequences focus on disturbing historical events involving horrific accidents or murders that are presented in disturbing ways despite the absence of graphic violence. It might seem like an oxymoron to say that "The Uninvited" has more balls than the slew of vacation torture movies of recent years, but it really does trump those movies in pure guts because the acts of violence here are inflicted upon very fragile, defenseless victims. Some sequences are, in fact, jaw-dropping because most filmmakers (and their producers) are too timid to show such things.

This is a damn good film that somehow fell between the cracks during the oft-referenced (but not entirely accurate) period known as the "hey day" of Asian horror (circa 1998-2005). I never hear it mentioned or referenced, but it deserves more attention than overrated, boring tripe like "Gozu" (2003). Watch both films and it's fairly obvious that "The Uninvited" is the better of the two in almost every conceivable aspect of film-making.