Garfield: Il film

And only marginally redeemed by Garfield.

There's not much to separate this from rubbish like Cats and Dogs and Stuart Little. Everything that happens on screen is there to appeal to the youngest of kids. No one over the age of 8 will get much out of this movie. Unlike movies such as Shrek 2 or Brother Bear, there's absolutely NOTHING in this for adults at all. A shame really as the humor in the Garfield comic strip can sometimes be very clever and observant.

It's worse when you go see this with a bunch of screaming kids (and a baby-honestly why bring a baby to the cinema?!?) who laugh at every single thing. And that's including the stuff that isn't meant to be funny. It did get very irritating and proves furthermore that this is a movie for infants.

The tiny bit of humor the movie does have comes ENTIRELY from Garfield. Bill Murray is great, his delivery is catatonically laid-back and dry. The CGI of Garfield is also very good. He looks to cute that you just want to keep him. But any positive the movie has begins and ends right there.

Breckin Meyer may look the part of Jon but he has less than nothing to do in the role. Jeniffer Love Hewitt (gorgeous as she is) is totally slumming it in a role that requires her to do even less than Breckin Meyer and the other animal cast members resemble nothing like their comic-strip counterparts.

I was a little annoyed at seeing Garfield talk in the trailers but in the movie no humans can hear him or the other animals. There are some other things they have changed. Odie comes straight from the vet, though in the comic-strip he came from Jon's friend Lyman. Nermal does not appear to be Garfield's cousin and Arlene doesn't appear to be his girlfriend either.

The story of Garfield rescuing Odie from an 'evil' TV host is completely uneventful and nothing much happens around it. The ending is an unentertaining, unexciting anti-climax and disgustingly childish. I appreciate kid's stuff. I could watch 100 episodes of Sesame Street back to back. But this film was the most brain dead excuse for low, low-grade kid's entertainment in a long, long time. Jim Davis should be ashamed for allowing his wonderful creation to me made into such a lousy movie.

The 3 stars are for Garfield himself ONLY. Otherwise, without him, it's a hardcore 1-star experience. You wouldn't find Calvin and Hobbes behaving this way.

After engaging in an effort to find a good review - much harder than I ever imagined it would be - and finding the movie listed at the bottom of the barrel, I felt almost an obligation to go see this on opening day - either to prove the critics wrong, or to get fodder for a scathing letter to Jim Davis. I ended up with neither.

The problem, admittedly, is what some critics have said: Garfield is old and busted. A walk in the theater revealed the new hotness: Harry Potter. The movie is, sadly, 10 years overdue. Just look at the long listing of Garfield TV specials, most of which are 1982-1992, and "Garfield and Friends" began in 1988. It was delayed, I read, because Jim Davis believed the technology wasn't there. It was; it's called regular animation. Garfield is a 2-D medium, either on the comics page or on animated cels. But, I guess, since no one does that anymore, 2004 couldn't have a 2-D Garfield.

The problem is not necessarily with the CGI Garfield and his actions, although some of the characteristics displayed are not those I associate with the cat. The problem is with the supporting cast who look, by and large, not like their animated counterparts. Who made Odie a wiener dog with talent? Why is Nermal Siamese and not the "world's cutest kitty-cat"? Shouldn't Arlene be a lot nicer to Garfield? (By the way, since Odie has no speaking lines in either the strip or show, the movie's similar lack is accurate.)

The set design, in bright hues, can't decide whether it's in the real world or in a real-life comic strip. Breckin Meyer ("Inside Schwartz") is just not the right fit for Jon. He's too likable to be our comic-strip loser. While I can accept the whole high-school-crush of Jon and Liz on each other (something definitely not in the comic strip), the payoff would have been better had the tension not vanished prematurely.

The plot arc is not necessarily departed from all of Garfield. It fits more in the mid-1980s, when the strip actually did have week-plus-long plots. In one series, for example, Odie DID leave home, and Garfield DID follow him, and they ended up running away from the circus together. Those citing ripoffs from "Toy Story" and other similar movies should note the 1982 TV special "Here Comes Garfield" shares many elements of both movies and so this movie doesn't take from Pixar, but rather from itself 20 years ago.

The comments that the strip has declined are not off-base. It's times like this that remind me where I got my sense of humor. It came from the politically neutral wit and social commentary of the late 1980s - Garfield (both newspaper and television), Calvin and Hobbes, even the Teenage Mutant Ninja Turtles. That's why I can't disagree with this line from the Chicago Tribune: "He's been declawed; the swiping humor and Monty Python meanness of his early years have been surgically removed for a PG audience, and with it, most of his appeal." And that hurts.

Today, Garfield is trapped in a one-day-only three-panel set of running gags that still make me laugh, but don't capture the same attitude of years past. However, I still prefer it to the overtly political commentary that you see today, found in strips like "Boondocks" and others. The Garfield calendar on my desk still gives me laughs.

As for the product placements, yes, they were a bit much, but at least part of the time they were well integrated. To those smacking the "dated" references, it was a relief compared to "Shrek 2" to see them come naturally instead of chock-full and fast-pitched.

Had a full-length movie been released around 1994, done by the same animation team that did "Garfield and Friends," with Lorenzo Music doing the voice, it might have been wonderful. Live action does not suit the characters; the departure from 25 years of what we have known is too much. The animated half-hour shows of the 1980s work so much better that they might have been able to make more money simply by scrapping the film and putting out DVDs. I hear "Garfield and Friends" is going to be out on DVD, a TV show that captured the essence of the strip at its peak so much better than this movie did. Those that liked the show should buy that, and only rent this movie.

I wish that the networks would put "A Garfield Christmas" and some of his other specials back on the air; it would build more interest in him. I still love the character. The movie doesn't deserve to be ranked as low as it is by the critics. At the same time, though, it reminds you of how good it might have been. As Garfield has attempted to extend its "brand" by licensing to Cub Scouts and 4-H, you can't help but think it's grasping for an audience that never became fans like the previous generation did.

6/10, because I can't bring myself to demolish a character that still makes me laugh, even if his best work was from when I was young enough to be in the target audience. And even that rating is being nice compared to those who want this cat and its empire put to sleep.

I don't see why people blast this movie so much. It is funny, well acted and well animated. Breckin Meyer plays the nerdy Jon very well and acts like the pet loving dork that we loved so much in the cartoon. Garfield looks amazing, almost identical to what he looked like in the cartoon. Bill Murray is perfect to play him and his voice is similar to Lorenzo Music. They included all the trates of Garfield- lasagne, TV and being a lazy fat cat. Thye kept Odie the moronic but lovable dog. They kept the fact that Garfield has an agreement with the mice and gets on with them. They kept Liz the vet, which brings so much more to Jon. This is a great kids movie, that i am sure adults who watched this as a kid will love too.

All the years I've been a loyal reader of the Garfield comics, I never had the impression it's merely meant for kids. On the contrary, most of the dry humor and charismatic Garfield poses are difficult to 'get' for young children. And yet, the film completely aims for a youthful audience. I have no problem with a movie being pro-children, but this is exaggerated and hardly accessible for adult viewers. The movie totally lacks all the elements that make the comics so entertaining. Garfield's clever and sarcastic remarks, Jon's clumsy womanizing techniques… All this has been replaced with an unhealthy dose of feel-good messages and lame jokes. The computer engineered Garfield doesn't appeal and the other, real pets are badly chosen. The plot is standard-sentiment, with Garfield saving his new housemate puppy from a sneaky, fame-chasing TV host. Breckin Meyer (as Jon Arbuckle) and Jennifer Love Hewitt (as the yummy vet Liz) walk around without anything to do and Bill Murray voices Garfield like it's some sort of dire job he wants to get rid of asap. The first (long-awaited?) cinema adventure of everybody's favorite cat appears to be a quickly produced and unprofessional flick soon to be forgotten. Too bad, since you're left behind with the feeling they could have done something better with this.

Jon is a lovable schmuk with a crappy life, not a faceless "nice guy" who seems to have a good house, car and presumably job.

Nermal is a terminally cute yet astute grey kitten, not some idiot Siamese neighbour.

Arlene is the gawky, gap-toothed girlfriend, not a grey bitchy neighbour.

Garfield's bed, as ANYONE who has read the comics should know, is a box with a plain blanket in it, not some kind of cutesy, oak, mini-human-bed affair.

Garfield is a lazy, witty smart-arse, not an annoying, dancing(?!?!?!?) loud-mouth who just never shuts up.

Garfield stories are existential little comments on life, how it sucks for Jon, how stupid Odie is and how wonderful lasagna and sleep are, not extremely, extremely lame, generic, feel-good, I-hate-you-but-now-I'm-going-to-rescue-you rubbish. (I stopped the movie at 25 minutes and correctly predicted exactly everything that was going to happen from then on.)

In short, apart from having a large orange cat in it (well animated though he is) - this has nothing whatsoever to do with Garfield. Did the makers actually read ANY of the comics?