Onmyôji

This movie's plot is difficult to follow. If you rent the movie sit back and let the costumes, sets, imagination, and special effects take you away.

I think the director just had an idea to do a costume movie about wizards with special powers. He got everything but a compelling story

Contrary to some of the more unfavorable comments, this is Japanese movie, has nothing to do with the Chinese genre of wuxia or martial hero movie, and does not prominently feature martial arts. Instead, it is a movie about an Onmyoji or Master or Yin and Yang, an ancient Japanese master of the occult arts, including exorcism, necromancy, foreknowledge, etc. The recreation of these arts is quite authentic and the movie is suitable for use in the classroom to help students understand the jumble of Chinese Daoism and Indian Buddhism that made up Chinese esoteric learning for the early Japanese. The hero, Abe no Seimei, is played by a noted Noh actor. His style is arresting, so mannered that it might seem artificial. But in this performance it gives Seimei an otherworldly, superhuman air that ads mystery to the character. If you rent it on DVD, be sure to choose to hear it in Japanese with subtitles rather than in the dubbed version. Much of the magic depends on chants and spells and I can't imagine how they could have dubbed those. THis movie requires close attention to follow the story, but it is worth it. An engrossing story of a totally different world, where the fate of nations is determined by sorcerers and wrathful spirits, and imperial forces rely as much on exorcists and priests as on generals. Highly recommended.

This film could have been fabulous, but rather weak direction and a mediocre budget drops it to the "Good" category in my book.

Its chief attraction is the wonderful world of Buddhist sorcery that it conjures up, sorcerers chanting macabre spells in contest with each other in chants of increasing tension and beauty. Central to the plot is the relationship of the enigmatic magician Abe no Seimei (Holmes) and his young "ii otoko" apprentice Minamoto no Hiromaki, strolling around Heian Kyoto solving mysterious magical crimes.

Abe no Seimei and all his graceful rituals is a joy to watch and hear. Mansai Nomura really get top acting chops here for creating a wonderfully wierd and brilliant magician with an unforgettable grin like a sly fox. His contests with the equally well acted Doson (Hiroyuki Sanada) are the heights of the film in my opinion.

There is so much wonderful magic in this film, it is hard to say why it is not totally satisfying. The costumes are brilliant, but many of the sets look a bit shoddy. The story starts out complex and mysterious but then sort of falls into one dimensional "end of the world" boredom. Nomura and Sanada are brilliant, but many of the other actors can be amateurish. Overall it was hard to put my finger on, but I blamed the direction and cinematography most. There just was so much here that could have made a masterpiece, but one left with mixed feelings.

Highly recommended though despite its flaws. If the idea of seeing 11th century Kyoto YinYang master magicians duel it out in all their occult glory fascinates you, don't miss this.

This Japanese period piece/fable/fantasy/comic-book adaption hybrid film was the second highest grossing movie of 2001, just behind the superb "Spirited Away". It's not as good as that aforementioned film. A fantasy that long to be epic, yet falls a tad bit short thanks to sub-par special effects. That's not to say it's not enjoyable, as it is. Very much so. Just that, for me, the effects turned a film that could have been great into one that's merely pretty good. That said I still look forward to viewing the sequel.

My Grade: B

Where i saw it: Showtime Beyond

This one definitely had me from start to finish. It introduces the Onmyoji and definitely draws you into their world. The costumes and setting are stunning with vibrant colors and makes the time period look authentic. Mitsumishi is my favorite with her chirpy, fluttering nature while Lady Aone really shines as a woman with deep sorrow. Seimei and Hiromaki have this friendly rapport which shows the bond of friendship the two share; almost brotherlike. Hideaki Ito does well here and didn't recognize him as same actor in Blister and the Princess Blade. Overall, Seimei's carefree, yet enigmatic nature and brave (yet naive) Lord Hiromaki form this chemistry which provides for funny moments. Plus, relationships enfold as the story progresses. The CG effects amplify this eerie magical world, but are not overdone which is a credit to the film as well.

Overall, Onmyoji is surprisingly a great example of modern japanese cinema. Great story, characters, I definitely want to see the sequel.