VALUTAZIONE IMDb
6,2/10
1625
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen samurai Hiromasa comes to Seimei, Kyoto's court Onmyoji (a fortune teller in commune with the spirits), to warn of a plot against the government, the two discover that the court's formi... Leggi tuttoWhen samurai Hiromasa comes to Seimei, Kyoto's court Onmyoji (a fortune teller in commune with the spirits), to warn of a plot against the government, the two discover that the court's formidable magician, Doson, is indeed planning a coup.When samurai Hiromasa comes to Seimei, Kyoto's court Onmyoji (a fortune teller in commune with the spirits), to warn of a plot against the government, the two discover that the court's formidable magician, Doson, is indeed planning a coup.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 9 candidature totali
Mai Hôshô
- Uri no onna
- (as Mai Hosho)
Kenichi Ishii
- Fujiwara no Kaneie
- (as Ken'ichi Ishii)
Richard Cansino
- Fujiwara no Morosuke
- (English version)
- (voce)
- (as Edward Zilla)
Peter Doyle
- Nagamasa
- (English version)
- (voce)
- (as Jim Taggert)
Recensioni in evidenza
This one definitely had me from start to finish. It introduces the Onmyoji and definitely draws you into their world. The costumes and setting are stunning with vibrant colors and makes the time period look authentic. Mitsumishi is my favorite with her chirpy, fluttering nature while Lady Aone really shines as a woman with deep sorrow. Seimei and Hiromaki have this friendly rapport which shows the bond of friendship the two share; almost brotherlike. Hideaki Ito does well here and didn't recognize him as same actor in Blister and the Princess Blade. Overall, Seimei's carefree, yet enigmatic nature and brave (yet naive) Lord Hiromaki form this chemistry which provides for funny moments. Plus, relationships enfold as the story progresses. The CG effects amplify this eerie magical world, but are not overdone which is a credit to the film as well.
Overall, Onmyoji is surprisingly a great example of modern japanese cinema. Great story, characters, I definitely want to see the sequel.
Overall, Onmyoji is surprisingly a great example of modern japanese cinema. Great story, characters, I definitely want to see the sequel.
I rented this movie expecting it to be cool in certain ways, which only goes to prove the old adage: never judge a DVD by its cover. Especially not in a dusty, abandoned corner of your local Blockbuster. In any case, Onmyouji was pretty much not-cool at all in any of the ways I had anticipated coolness; its wholly unique brand of cool came from somewhere else, somewhere unexpected, somewhere completely different. In the end, that's what won me over -- Onmyouji is the cool you just don't expect.
Most of that cool stems from the acting and, therefore, from the characters themselves; the former operating on multiple levels of "fantastic" and the latter managing to intrigue, amuse and inspire great fondness by the movie's conclusion. I think the main joy of watching Onmyouji is Nomura Mansai's stellar performance; you get the picture early on that he's the real deal. He moves like some otherworldly spirit gracing his audience with his at once delicate and wry presence; some sort of living embodiment of mono no aware with a smirking edge and quirky eyebrows. I felt instinctively that it was an honor just to be watching him on my living room TV.
Sanada Hiroyuki, while I felt sometimes that he'd stumbled onto the wrong set by accident and then figured "Hey, what the hell, maybe I'll get paid," delivered a wonderful performance as well. I was a fan of his before this movie, and I remain a fan.
The special effects and some of the stages may be a bit on the cheap side but part of me feels that it was an intentional super-awareness of the movie-as-a-stage. The whole film watched and felt like traditional Japanese theatre, and not just because of Nomura Mansai's traditional Japanese theatre aura. As some sort of wild throwback to Murasaki Shikibu's classic and the literary tropes of Heian court culture, this film is a definite winner. Listen not to the people who were expecting a grand and lavish cinematic spectacular; this movie wanted to look like a stage and so it created one, on which its excellent stage actors excelled.
Most of that cool stems from the acting and, therefore, from the characters themselves; the former operating on multiple levels of "fantastic" and the latter managing to intrigue, amuse and inspire great fondness by the movie's conclusion. I think the main joy of watching Onmyouji is Nomura Mansai's stellar performance; you get the picture early on that he's the real deal. He moves like some otherworldly spirit gracing his audience with his at once delicate and wry presence; some sort of living embodiment of mono no aware with a smirking edge and quirky eyebrows. I felt instinctively that it was an honor just to be watching him on my living room TV.
Sanada Hiroyuki, while I felt sometimes that he'd stumbled onto the wrong set by accident and then figured "Hey, what the hell, maybe I'll get paid," delivered a wonderful performance as well. I was a fan of his before this movie, and I remain a fan.
The special effects and some of the stages may be a bit on the cheap side but part of me feels that it was an intentional super-awareness of the movie-as-a-stage. The whole film watched and felt like traditional Japanese theatre, and not just because of Nomura Mansai's traditional Japanese theatre aura. As some sort of wild throwback to Murasaki Shikibu's classic and the literary tropes of Heian court culture, this film is a definite winner. Listen not to the people who were expecting a grand and lavish cinematic spectacular; this movie wanted to look like a stage and so it created one, on which its excellent stage actors excelled.
A fantasy martial arts film set in feudal Japan, Onmyoji uses a good cast of characters and a mystical setting to keep the audiences entertained.
When I caught this film on TV (Showtime, I believe), I was immediately drawn in. There are demons, Shinto-like priests, curses, spells, and impressive costume designs to entertain.
The story is basic-- a young well-to-do member of the court finds himself relying on help from an half-demon Onmyoji priest to protect the kingdom-- but the world of Onmyoji is fascinating and fun to watch. It's not everyday you get to watch people battle it out with chants and prayers, evil demons, and people can fly.
Despite a previous bad review, I recommend this film to anyone who has the opportunity to see it. It's a fantasy film, but the world of Onmyoji is compelling and will draw you in.
When I caught this film on TV (Showtime, I believe), I was immediately drawn in. There are demons, Shinto-like priests, curses, spells, and impressive costume designs to entertain.
The story is basic-- a young well-to-do member of the court finds himself relying on help from an half-demon Onmyoji priest to protect the kingdom-- but the world of Onmyoji is fascinating and fun to watch. It's not everyday you get to watch people battle it out with chants and prayers, evil demons, and people can fly.
Despite a previous bad review, I recommend this film to anyone who has the opportunity to see it. It's a fantasy film, but the world of Onmyoji is compelling and will draw you in.
If your looking for martial arts this isn't your movie. But, being the Vincent Price/Boris Karloff scorcerer fight fan that I am, It's a fun movie to watch. The scorcerer chants are enthralling. The special effects are pretty good about 70% of the time but fall short to sometimes quite poor here and there. I'd give it a 6.5 to 7 outta 10. Worth the rent if your into magic ;)
10tkleeman
Contrary to some of the more unfavorable comments, this is Japanese movie, has nothing to do with the Chinese genre of wuxia or martial hero movie, and does not prominently feature martial arts. Instead, it is a movie about an Onmyoji or Master or Yin and Yang, an ancient Japanese master of the occult arts, including exorcism, necromancy, foreknowledge, etc. The recreation of these arts is quite authentic and the movie is suitable for use in the classroom to help students understand the jumble of Chinese Daoism and Indian Buddhism that made up Chinese esoteric learning for the early Japanese. The hero, Abe no Seimei, is played by a noted Noh actor. His style is arresting, so mannered that it might seem artificial. But in this performance it gives Seimei an otherworldly, superhuman air that ads mystery to the character. If you rent it on DVD, be sure to choose to hear it in Japanese with subtitles rather than in the dubbed version. Much of the magic depends on chants and spells and I can't imagine how they could have dubbed those. THis movie requires close attention to follow the story, but it is worth it. An engrossing story of a totally different world, where the fate of nations is determined by sorcerers and wrathful spirits, and imperial forces rely as much on exorcists and priests as on generals. Highly recommended.
Lo sapevi?
- QuizFrom the Making-Of Documentary on the Special Edition DVD: - Total number of cuts: 1026 - Concept planning: 5 years - Number of days filming: 93 days - Number of days in post-production: 128 days - Location crew: 86 people - SFX crew: 31 people - CG integration staff: 37 people - Total number of crew: 154 people - Those who camped out for the first show: 400 people (at Nihon Gekijo Theater) - Number of theaters: 225 theaters - Number of viewers: 2.2 million people (as of Summer 2001) - Gross at box office: Approx. 3 billion yen (roughly $30 million USD)
- ConnessioniFollowed by Onmyoji 2 (2003)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Onmyoji: The Yin Yang Master
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 16.234 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6258 USD
- 27 apr 2003
- Lordo in tutto il mondo
- 16.234 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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