VALUTAZIONE IMDb
6,2/10
1631
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen samurai Hiromasa comes to Seimei, Kyoto's court Onmyoji (a fortune teller in commune with the spirits), to warn of a plot against the government, the two discover that the court's formi... Leggi tuttoWhen samurai Hiromasa comes to Seimei, Kyoto's court Onmyoji (a fortune teller in commune with the spirits), to warn of a plot against the government, the two discover that the court's formidable magician, Doson, is indeed planning a coup.When samurai Hiromasa comes to Seimei, Kyoto's court Onmyoji (a fortune teller in commune with the spirits), to warn of a plot against the government, the two discover that the court's formidable magician, Doson, is indeed planning a coup.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 9 candidature totali
Mai Hôshô
- Uri no onna
- (as Mai Hosho)
Kenichi Ishii
- Fujiwara no Kaneie
- (as Ken'ichi Ishii)
Richard Cansino
- Fujiwara no Morosuke
- (English version)
- (voce)
- (as Edward Zilla)
Peter Doyle
- Nagamasa
- (English version)
- (voce)
- (as Jim Taggert)
Recensioni in evidenza
This movie's plot is difficult to follow. If you rent the movie sit back and let the costumes, sets, imagination, and special effects take you away.
I think the director just had an idea to do a costume movie about wizards with special powers. He got everything but a compelling story
I think the director just had an idea to do a costume movie about wizards with special powers. He got everything but a compelling story
This one definitely had me from start to finish. It introduces the Onmyoji and definitely draws you into their world. The costumes and setting are stunning with vibrant colors and makes the time period look authentic. Mitsumishi is my favorite with her chirpy, fluttering nature while Lady Aone really shines as a woman with deep sorrow. Seimei and Hiromaki have this friendly rapport which shows the bond of friendship the two share; almost brotherlike. Hideaki Ito does well here and didn't recognize him as same actor in Blister and the Princess Blade. Overall, Seimei's carefree, yet enigmatic nature and brave (yet naive) Lord Hiromaki form this chemistry which provides for funny moments. Plus, relationships enfold as the story progresses. The CG effects amplify this eerie magical world, but are not overdone which is a credit to the film as well.
Overall, Onmyoji is surprisingly a great example of modern japanese cinema. Great story, characters, I definitely want to see the sequel.
Overall, Onmyoji is surprisingly a great example of modern japanese cinema. Great story, characters, I definitely want to see the sequel.
An extraordinary period piece, Onmyoji masquerades as a simple fantasy morality tale, but it has many more layers than are immediately obvious. There's an enigmatic quality to the characters' relationships that actually makes the viewer think about what's taking place between the characters. Not only is it a strikingly beautiful film, but the performances are flawless all around. The story is fresh, the actors are interesting. With a couple of very minor exceptions, the special effects are interesting in a way that they often aren't in the standard American blockbuster. In some ways it's what Star Wars - wished- it were, but isn't. Now that Onmyoji is available on DVD, I hope it becomes more accessible in America. This film easily deserves the level of success attained by Crouching Tiger, Hidden Dragon
This film could have been fabulous, but rather weak direction and a mediocre budget drops it to the "Good" category in my book.
Its chief attraction is the wonderful world of Buddhist sorcery that it conjures up, sorcerers chanting macabre spells in contest with each other in chants of increasing tension and beauty. Central to the plot is the relationship of the enigmatic magician Abe no Seimei (Holmes) and his young "ii otoko" apprentice Minamoto no Hiromaki, strolling around Heian Kyoto solving mysterious magical crimes.
Abe no Seimei and all his graceful rituals is a joy to watch and hear. Mansai Nomura really get top acting chops here for creating a wonderfully wierd and brilliant magician with an unforgettable grin like a sly fox. His contests with the equally well acted Doson (Hiroyuki Sanada) are the heights of the film in my opinion.
There is so much wonderful magic in this film, it is hard to say why it is not totally satisfying. The costumes are brilliant, but many of the sets look a bit shoddy. The story starts out complex and mysterious but then sort of falls into one dimensional "end of the world" boredom. Nomura and Sanada are brilliant, but many of the other actors can be amateurish. Overall it was hard to put my finger on, but I blamed the direction and cinematography most. There just was so much here that could have made a masterpiece, but one left with mixed feelings.
Highly recommended though despite its flaws. If the idea of seeing 11th century Kyoto YinYang master magicians duel it out in all their occult glory fascinates you, don't miss this.
Its chief attraction is the wonderful world of Buddhist sorcery that it conjures up, sorcerers chanting macabre spells in contest with each other in chants of increasing tension and beauty. Central to the plot is the relationship of the enigmatic magician Abe no Seimei (Holmes) and his young "ii otoko" apprentice Minamoto no Hiromaki, strolling around Heian Kyoto solving mysterious magical crimes.
Abe no Seimei and all his graceful rituals is a joy to watch and hear. Mansai Nomura really get top acting chops here for creating a wonderfully wierd and brilliant magician with an unforgettable grin like a sly fox. His contests with the equally well acted Doson (Hiroyuki Sanada) are the heights of the film in my opinion.
There is so much wonderful magic in this film, it is hard to say why it is not totally satisfying. The costumes are brilliant, but many of the sets look a bit shoddy. The story starts out complex and mysterious but then sort of falls into one dimensional "end of the world" boredom. Nomura and Sanada are brilliant, but many of the other actors can be amateurish. Overall it was hard to put my finger on, but I blamed the direction and cinematography most. There just was so much here that could have made a masterpiece, but one left with mixed feelings.
Highly recommended though despite its flaws. If the idea of seeing 11th century Kyoto YinYang master magicians duel it out in all their occult glory fascinates you, don't miss this.
This Japanese period piece/fable/fantasy/comic-book adaption hybrid film was the second highest grossing movie of 2001, just behind the superb "Spirited Away". It's not as good as that aforementioned film. A fantasy that long to be epic, yet falls a tad bit short thanks to sub-par special effects. That's not to say it's not enjoyable, as it is. Very much so. Just that, for me, the effects turned a film that could have been great into one that's merely pretty good. That said I still look forward to viewing the sequel.
My Grade: B
Where i saw it: Showtime Beyond
My Grade: B
Where i saw it: Showtime Beyond
Lo sapevi?
- QuizFrom the Making-Of Documentary on the Special Edition DVD: - Total number of cuts: 1026 - Concept planning: 5 years - Number of days filming: 93 days - Number of days in post-production: 128 days - Location crew: 86 people - SFX crew: 31 people - CG integration staff: 37 people - Total number of crew: 154 people - Those who camped out for the first show: 400 people (at Nihon Gekijo Theater) - Number of theaters: 225 theaters - Number of viewers: 2.2 million people (as of Summer 2001) - Gross at box office: Approx. 3 billion yen (roughly $30 million USD)
- ConnessioniFollowed by Onmyoji 2 (2003)
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- Onmyoji: The Yin Yang Master
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 16.234 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6258 USD
- 27 apr 2003
- Lordo in tutto il mondo
- 16.234 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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