VALUTAZIONE IMDb
5,6/10
6283
LA TUA VALUTAZIONE
King David ha deciso di redimersi ma, invece di trovare riscatto, va incontro ad una morte violenta. Prima di morire consegna un'audiocassetta a Paul, un aspirante giornalista la cui vita vi... Leggi tuttoKing David ha deciso di redimersi ma, invece di trovare riscatto, va incontro ad una morte violenta. Prima di morire consegna un'audiocassetta a Paul, un aspirante giornalista la cui vita viene sconvolta.King David ha deciso di redimersi ma, invece di trovare riscatto, va incontro ad una morte violenta. Prima di morire consegna un'audiocassetta a Paul, un aspirante giornalista la cui vita viene sconvolta.
- Premi
- 1 candidatura in totale
Tom Lister Jr.
- Rockie
- (as Tommy 'Tiny' Lister)
Peak Winbush
- Airport Security
- (as L.K. 'Peak' Winbush)
Jalil Jay Lynch
- Earl
- (as Jay Lynch)
Recensioni in evidenza
The new movie from the freshly retired rapper DMX is like nothing else that has been out in theaters in the past six months. DMX goes back to the streets in this gritty gangster movie. You will be pleased to see him return to a role more similar to the one in his movie debut Belly. He fits perfectly into the equation of the urban gangster movie. Never Die Alone is based on the novel of the same title by Donald Goines. DMX plays King David a drug king pin that has came back home to set things strait. The movie is set in present day New York. It is told mostly in flash backs, and voice-overs which make the movie very unique.
The strong plot and acting will keep you interested through the whole movie. Another aspect, and one that is sometimes over looked is the camera work and picture. At times the picture is grainy. This may sound cheap, but it goes perfectly with the harsh and raw story. The camera angles and shots are also awesome. Small things like this can make the biggest differences in a movie. If I had four hands I'd give this movie four thumbs up.
The strong plot and acting will keep you interested through the whole movie. Another aspect, and one that is sometimes over looked is the camera work and picture. At times the picture is grainy. This may sound cheap, but it goes perfectly with the harsh and raw story. The camera angles and shots are also awesome. Small things like this can make the biggest differences in a movie. If I had four hands I'd give this movie four thumbs up.
The movie starts with King David in a casket.
Then he starts telling us about his life. He came to Los Angeles to start his life over. Two days earlier, Moon needed Mike and Blue to collect some money from him.
Something goes terribly wrong, and David is left lying in the street. Paul, a white writer with a black girlfriend (Nancy), couldn't just let him die. On the way to the hospital, David pleads with Paul to tell his son his story. Interestingly, Paul was living the life of a black man, while Nancy seemed to have rejected her culture (I'm basing this on one scene, but we never got to know her) and disapproved of his living in that world, but Paul felt he had to in order to write what he wanted.
Paul finds out from a hospital worker that David had rewarded him by leaving him everything--lots of cash, jewelry, and a nice car. And cassette tapes with his autobiography.
As Paul listens to the tapes, we see the events described. Once again, David says he is starting over in Los Angeles. In a scene with three bikini beauties, Paul meets blonde white actress Janet. She becomes the first of his girlfriends that we see. With her connections, and the fact that no one on the west coast has quality merchandise, David becomes a major drug dealer. David meets Juanita, a waitress studying to be a social worker, so Janet is tossed out like yesterday's trash. And she's not making it as an actress, so guess what she does for a living? Poor Juanita. And wait until you see what he does to Edna, who may have had his baby.
To say David is not a nice person is a major understatement. But he's so charming that women want to be his girlfriend. Then they find out what he's really like.
Why would I watch this movie? I'm white and a few months older than Barack Obama. These days, I'll watch anything I haven't seen. At least I'll get it over with. But for me personally, the movie had a few redeeming qualities.
I won't say there's music for every taste. No classical, rock, or country. But nearly every style of jazz is represented. Some examples include muted trumpet with a rap beat, muted trumpet without a rap beat, a beautiful vocal performance in a club, and piano jazz in a nice restaurant. Of course there is gangsta rap. Two rap songs played for the closing credits are actually catchy, even for me.
And then there is the bartender at The Blue Room. She has the same edgy charm that made her so appealing on an episode of My Network's "Tony Rock Project". At least I think that's her.
The crazy judge from "Boston Legal" is a funeral director, but he's on very briefly and doesn't speak. That's a shame.
DMX delivers a very good performance. Like I said, his character is not a nice man at all. And yet you sort of want to like him. You won't when you find out about him.
Some unusual camera and editing techniques should be mentioned. One act of violence is shown from the victim's point of view. We see what he sees. In the scene with Edna everything is green or blue and seems to move in slow motion. The bikini babes disappear gradually as we jump forward in time several times from David's arrival to his first conversation with Janet.
Of course I saw this on a My Network station, so the sound went out many times and the mouth of the character speaking was blurred. Something tells me I should be very glad of that. Once (I mention this because it could happen to you) the sound of dialogue went out for no apparent reason though I could hear music. The violence wasn't as bad as it could have been.
I have a feeling this was a story worth seeing.
Then he starts telling us about his life. He came to Los Angeles to start his life over. Two days earlier, Moon needed Mike and Blue to collect some money from him.
Something goes terribly wrong, and David is left lying in the street. Paul, a white writer with a black girlfriend (Nancy), couldn't just let him die. On the way to the hospital, David pleads with Paul to tell his son his story. Interestingly, Paul was living the life of a black man, while Nancy seemed to have rejected her culture (I'm basing this on one scene, but we never got to know her) and disapproved of his living in that world, but Paul felt he had to in order to write what he wanted.
Paul finds out from a hospital worker that David had rewarded him by leaving him everything--lots of cash, jewelry, and a nice car. And cassette tapes with his autobiography.
As Paul listens to the tapes, we see the events described. Once again, David says he is starting over in Los Angeles. In a scene with three bikini beauties, Paul meets blonde white actress Janet. She becomes the first of his girlfriends that we see. With her connections, and the fact that no one on the west coast has quality merchandise, David becomes a major drug dealer. David meets Juanita, a waitress studying to be a social worker, so Janet is tossed out like yesterday's trash. And she's not making it as an actress, so guess what she does for a living? Poor Juanita. And wait until you see what he does to Edna, who may have had his baby.
To say David is not a nice person is a major understatement. But he's so charming that women want to be his girlfriend. Then they find out what he's really like.
Why would I watch this movie? I'm white and a few months older than Barack Obama. These days, I'll watch anything I haven't seen. At least I'll get it over with. But for me personally, the movie had a few redeeming qualities.
I won't say there's music for every taste. No classical, rock, or country. But nearly every style of jazz is represented. Some examples include muted trumpet with a rap beat, muted trumpet without a rap beat, a beautiful vocal performance in a club, and piano jazz in a nice restaurant. Of course there is gangsta rap. Two rap songs played for the closing credits are actually catchy, even for me.
And then there is the bartender at The Blue Room. She has the same edgy charm that made her so appealing on an episode of My Network's "Tony Rock Project". At least I think that's her.
The crazy judge from "Boston Legal" is a funeral director, but he's on very briefly and doesn't speak. That's a shame.
DMX delivers a very good performance. Like I said, his character is not a nice man at all. And yet you sort of want to like him. You won't when you find out about him.
Some unusual camera and editing techniques should be mentioned. One act of violence is shown from the victim's point of view. We see what he sees. In the scene with Edna everything is green or blue and seems to move in slow motion. The bikini babes disappear gradually as we jump forward in time several times from David's arrival to his first conversation with Janet.
Of course I saw this on a My Network station, so the sound went out many times and the mouth of the character speaking was blurred. Something tells me I should be very glad of that. Once (I mention this because it could happen to you) the sound of dialogue went out for no apparent reason though I could hear music. The violence wasn't as bad as it could have been.
I have a feeling this was a story worth seeing.
Interesting attempt to adapt a Donald Goines novel for the big screen, Never Die Alone is reminiscent of early blaxploitation classics like BLACK CAESAR, with both the pluses and minuses that entails.
DMX stars as drug dealer King David. "Exiled" in LA for the last ten years, he comes back home to NYC to repay his debts. The movie wanders around between the present day and flashbacks in LA, where we learn more of his past.
Essentially this is three movies lumped together. The first movie, which lasts for the first half-hour or so, is an excellent, gritty crime drama, as good as anything I've seen recently on the big screen. The second movie, mainly the flashbacks, is true to the Goines source material, portraying the horrors of drug addiction and Goines's peculiar, glum view of the world as a violent, basically loveless place. The third one deals with David Arquette, an aspiring writer who fetishizes the gangster lifestyle exemplified by King.
These three movies sit awkwardly together. Arquette's character is potentially very interesting, but never developed as much as it should have been. The flashbacks and the main storyline are both well done, but bump up against each other awkwardly. DMX's motivations are more stated that portrayed, so that the primary character arc doesn't really feel very believable.
DMX is fine -- if you're familiar with Goines you'll see how well he exemplifies a typical Goines character, the "noble gangster who's morally compromised by a depraved past". Dickerson's direction is excellent, although the final metaphorical shot is a little heavy and obvious, I thought.
I would like to see more cracks at the Goines novels -- they are promising source material.
DMX stars as drug dealer King David. "Exiled" in LA for the last ten years, he comes back home to NYC to repay his debts. The movie wanders around between the present day and flashbacks in LA, where we learn more of his past.
Essentially this is three movies lumped together. The first movie, which lasts for the first half-hour or so, is an excellent, gritty crime drama, as good as anything I've seen recently on the big screen. The second movie, mainly the flashbacks, is true to the Goines source material, portraying the horrors of drug addiction and Goines's peculiar, glum view of the world as a violent, basically loveless place. The third one deals with David Arquette, an aspiring writer who fetishizes the gangster lifestyle exemplified by King.
These three movies sit awkwardly together. Arquette's character is potentially very interesting, but never developed as much as it should have been. The flashbacks and the main storyline are both well done, but bump up against each other awkwardly. DMX's motivations are more stated that portrayed, so that the primary character arc doesn't really feel very believable.
DMX is fine -- if you're familiar with Goines you'll see how well he exemplifies a typical Goines character, the "noble gangster who's morally compromised by a depraved past". Dickerson's direction is excellent, although the final metaphorical shot is a little heavy and obvious, I thought.
I would like to see more cracks at the Goines novels -- they are promising source material.
I watched this movie expecting nothing. I was actually surprised by how good DMX could pull off his role as the King. This movie really shows the gritty, nasty truth of drug induced violence. There are no good people in this film, and there are no heroes to speak of. There are just ugly, evil, menacing things and people sewn completely through any attempt at good morals. This movie definitely hold no bars on how far it goes. It shows practically rape, murders of innocents, hard drugs, and intentionally making someone you love addicted to heroin. DMX truly shows the King as an evil and god-awful person and by the end of the movie, it is quite satisfying to connect it to the beginning. I can't say this is a great movie because there aren't any redeeming values to it, and there is really no point in it. It does however chill your bones in it truthfulness, and sparks an issue that can be debated after the movie is complete. Decent job guys, but give us a point and a good guy in there! 6/10
I watched this movie as I read one or two viewers opinions of it. Both must have been white men or women who have lived a protected life. A life that has never been touched by the harsh realities that life as a black person in a large city in the USA faces.
I agree that there is no clear hero or villain in this movie. What upsets me about the reviews I read was the lack of compassion the reviewers of this movie had about it.
The reviews of this movie that I read clearly have not experienced the terrible reality that this movie portrays.
I believe that the persons that dished this movie have never been tested by environment of poverty.
I have. I'm white. I can tell you that to spend your youth in settings of LA will test the mettle of anyone.
It seems obvious to me that viewers commentaries that I read have not.
I didn't like the movie but I thought it was honest.
I agree that there is no clear hero or villain in this movie. What upsets me about the reviews I read was the lack of compassion the reviewers of this movie had about it.
The reviews of this movie that I read clearly have not experienced the terrible reality that this movie portrays.
I believe that the persons that dished this movie have never been tested by environment of poverty.
I have. I'm white. I can tell you that to spend your youth in settings of LA will test the mettle of anyone.
It seems obvious to me that viewers commentaries that I read have not.
I didn't like the movie but I thought it was honest.
Lo sapevi?
- QuizIn this film, DMX plays Michael Ealy's father. In real life, DMX is only 3 years older than Ealy.
- ConnessioniReferences Scarface (1983)
- Colonne sonoreGo for Dat
Written by DMX (as Earl Simmons) and Lil Jon (as Jonathan H. Smith)
Performed by DMX featuring Lil Scrappy
Produced by Lil Jon
DMX appears courtesy of Ruff Ryders/Def Jam Records
Courtesy of Warner Bros. Records
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Nunca mueras solo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 5.645.298 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.089.993 USD
- 28 mar 2004
- Lordo in tutto il mondo
- 5.923.000 USD
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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