Aggiungi una trama nella tua linguaDuring World War II, more than 70,000 Finnish children were evacuated to neutral Sweden to avoid the conflict. From the award-winning Klaus Härö (Elina (2002)), "Mother of Mine" tackles that... Leggi tuttoDuring World War II, more than 70,000 Finnish children were evacuated to neutral Sweden to avoid the conflict. From the award-winning Klaus Härö (Elina (2002)), "Mother of Mine" tackles that painful patch of history in a tale of 9-year-old Eero, a child who increasingly feels aba... Leggi tuttoDuring World War II, more than 70,000 Finnish children were evacuated to neutral Sweden to avoid the conflict. From the award-winning Klaus Härö (Elina (2002)), "Mother of Mine" tackles that painful patch of history in a tale of 9-year-old Eero, a child who increasingly feels abandoned by his biological Finnish mother, yet not attached to his Swedish surrogate mom. Wh... Leggi tutto
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- Sceneggiatura
- Star
- Premi
- 16 vittorie e 10 candidature totali
Recensioni in evidenza
2. Great cinematography! Many beautiful shots of the Swedish countryside and other nicely-framed shots. One that impressed me was the shot of Eero sitting inside the concrete bunker with the sea and sky in the window next to his head. This movie is worth it just for the camera work.
3. Great acting by all of the actors.
4. Excellent story/plot that kept moving at a good pace.
The one negative comment I would make is regarding Eero's young female peer. She tries to be his friend, but he ignores her and their friendship is never developed, so I wondered what was the use of her character, since she had such a minor role. Maybe it ended up on the cutting room floor?
All in all, I highly recommend this movie.
On the other hand, those parts where grown-up Eero (played by Esko Salminen) converses about the past with his mother feel a bit too much like commentaries, and they might have benefited from a little more liveliness. On the first viewing I thought also that Eero's relationship with the foster mother Signe (Maria Lundqvist) doesn't ever really open and warm up like the narration implies later. However, on the second viewing I noticed that the scene in the graveyard is honestly trying to deal with this point. So that part of the theme is not completely left undeveloped.
Michael Nyqvist as Hjalmar Jönsson does a pretty good job, but one of the best virtues of the film is the fact that director Klaus Härö has been able to cultivate an extremely believable Eero-boy from young Topi Majaniemi. Praises also belong to the numerous incredibly beautiful scenes, of which one of the finest is a shot where a bus comes from the left side of the panorama picture and continues its drive to a stop in the middle of desolation with Eero as its only passenger traveling towards his new home.
In short, "Mother of Mine" is a recommendable movie for everyone who considers him-/herself to be a friend of honest and straightforward drama. See it by yourself or show it to the mother of yours.
Not this film. I can't think of a reason why I shouldn't give this beautiful film a 10. It had me literally from the opening shot, right through to the credits. When I see a film like this, it makes me wonder what American film makers are doing, offering rehashes of stuff we saw thirty years ago (think Batman, Star Wars, even King Kong).
Here is a wonderful story, gut wrenching at times, painful to see, but compelling. Maria Lundqvist as Signe is amazing to watch, as is Topi Majaniemi as Eero. Michael Nyqvist (Hjalmer) is sublime in the supporting role.
Beautiful cinematography, fabulous acting, a great thought provoking story. What more could you ask for at the cinema?
My final comment on "Mother of Mine:" Find a way to see this film.
The film highlights a significant event in Finnish history -- that during WWII, around 70,000 Finnish children were sent to Sweden among other countries to be temporarily hosted as their real parents stayed in Finland to continue in the war. The story is made accessible and immediate by taking us through the experiences of one child -- Eero (Topi Majaniemi) -- who as a 9-year old boy is dealing with language differences, a desire to return home, and a host family that can provide materially, but maybe not in the non-material ways that Eero really needs.
That the film stays true to the viewpoints and desires of the child really makes this movie work. From the opening sequences, the warring environment was clear. As the movie continued, the sense of the unknown, a certain amount of foreboding and the ever-present desire to connect with family was also subtly introduced to give a very full sense of the conflict within this child's mind. The soundtrack nicely complemented everything the movie was going for.
This is a great total package with a movie that is assured, concise and crafted from a very fine director. This film gets my recommendation. Moreover, I'm very much looking forward to seeing the next film from this decidedly capable director!
Lo sapevi?
- QuizLike the main character Eero, writer Heikki Hietamies was a war-child and was evacuated from Finland to Skåne, Sweden.
- ConnessioniFeatured in Jussi-gaala 2023 (2023)
- Colonne sonoreKaunis Satu Vain
Written by Georg Malmstén & Roine Richard Ryynänen
Performed by Georg Malmstén
© Warner-Chappell Music Finland
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Due madri per Eero
- Luoghi delle riprese
- Ystad, Skåne län, Svezia(Exterior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.900.000 € (previsto)
- Lordo in tutto il mondo
- 2.851.888 USD
- Tempo di esecuzione
- 1h 51min(111 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1