Danny the Dog

Luc Besson's signature style is all over the writing of this very fine little film. His ability to push the buttons on the most violent screen business while gradually developing a tale of warm sentiment is well served by director Louis Leterrier and a perfect cast of actors. UNLEASHED is one of the few examples of how martial arts and bona fide drama can be mutually supportive in creating a film that is at once thrillingly athletic and gently tender.

Bart (Bob Hoskins) is a brutish loan shark thug who makes his 'collections' accompanied by his 'dog' Danny (Jet Li), a silent man Bart has raised form childhood to be a caged killer, a human with a dog collar that when removed unleashes a ferocious beast who kills on command of his master Bart. Bart keeps him in a cage, feeds him, and uses him solely for his criminal doings. Danny unleashed is simply a Pavlovian animal and when the collar is replaced, he becomes docile with the sad eyes of a puppy.

During a 'collection' gone bad, Danny escapes and finds shelter in an antique shop basement where he meets blind piano tuner Sam (Morgan Freeman), a gentle man who gradually introduces Danny to music, trains him as his assistant, and introduces him to his 'family' - his step daughter Victoria (Kerry Condon). With the two of these welcoming, tender people Danny discovers how beautiful life can be. The story from this point is how Danny chooses between his Pavlovian response life as a killer and the simple life of Sam and Victoria. The journey is not without stressors and it is a difficult transition that keeps the viewer on seat's edge.

The wonder of this film lies in the extraordinary performances not usually associated with martial arts films. Jet Li does some of his finest athletic fighting on film, but thankfully at the same time creates a character who is multidimensional and memorable - a very fine acting job by Li. Bob Hoskins is brilliant as the despicably cruel Bart, Morgan Freeman adds a luster to his fine portrayal of blind Sam, and Kerry Condon makes Victoria zany and lovable at the same time. The action is superbly captured by cinematographer Pierre Morel with the aura of darkness in Danny's caged life serving as a perfect foil to the martial arts sequences.In short, this is a fine little film about characters worth knowing and provides audiences with both action and drama of a very high level of achievement. Grady Harp

DANNY THE DOG

(USA/UK: Unleashed)

Aspect ratio: 2.39:1

Sound formats: Dolby Digital / DTS

Raised as a fighting machine by thuggish Glasgow loan sharks, a young man (Jet Li) finds happiness after falling into the care of a kindly old piano teacher (Morgan Freeman) and his musical-protégé granddaughter (Kerry Condon). But Li's past catches up with him, threatening the safety of his newfound family...

Terrific combination of heartfelt drama and bone-crunching action scenes (choreographed by Yuen Wo-ping), anchored by strong performances (including Bob Hoskins as Li's brutal 'mentor') and a finely-tuned script by French action maestro Luc Besson. Grainy filmstock and an excess of closeups (typical of the ghastly Super 35 'widescreen' process) render it less cinematic than it ought to be, and the narrative is predictable, but the movie works on a visceral level whilst simultaneously pulling the heartstrings. Li's best non-HK film since KISS OF THE DRAGON (2001).

(English dialogue)

The style of this movie and how the story unfolded makes me rank this an 8. As a fan of massive attack I was taken by how dark and edgy the texture of the movie became due to their soundtrack.

It's obvious that the production team of Luc Besson's has a larger budget to work with. And they are exploring ways to tell an action story. Transporter 1 was better than 2 because of the soundtrack. And here again the music compliments the emotional content.

Granted, some of the characters and scenes did appear amateurish, but the pieces are being put together. If the production team keep going, they'll strike the right chord.

And yes, Jet Li is beginning to evolve as an actor, which I suspected after watching Lethal Weapon 4 again. He's the best thing in that movie.

However, this movie does require an appreciation for the medium and not just a need for escapism.

The film concerns about Danny(an incredible Jet Li) a young man who lives like a slave . He is treated like a dog by his proprietary Bart(a magnificent villain Bob Hoskins)a nasty mobster from Glascow who raised him since child like a savage animal . When Bart unleashes his collar Danny is behaving like a rabid dog and starts hitting and knocking people practicing his natural talent for martial arts.His amazing slickness united to a risk sense converted him in a tournaments champion.Later a car accident is executed by an opposite gangster(a tough Vincent Regan) and Danny flees and shelters at home of a blind tuner of piano named Sam(as always an excellent Morgan Freeman) and his stepdaughter(a charming Kerry Condon).Danny is haunted by the musical sounds which remember him his anterior life.

The picture gets frenetic action, impressive fights with bound and leaps and no stunts but the same actors are the fighters.The struggles are well staged with spectacular choreography in charge of the specialist Woo Ping Yuen(Kill Bill and Matrix).But not only fights but the film has an interesting story(well written by Luc Besson) where a violent Danny is attracted for a familiar feeling .In spite of the crude violence the picture has its agreeable moments here and there narrated with ductility and delicacy and developed with great sense of fairness and sensitivity.The music with a bit of go by Massive attack.The film is produced by the French producer Pierre Spengler with a long career and by the same Jet Li(Cradle 2,Hero,The one,Kiss of dragon) .The motion picture is well directed by Louis Leterrier(Tansporteur I and II). The movie will like to Jet Li fans and martial arts enthusiastic. Rating Better than average, well worth watching.

So in the last few years we have seen Jet Li in Romeo must die and Cradle to the grave, both modern and with Jet Li approaching the subject of acting, though hardly touching it. So far Jet Li has not acted he has merely been that kung fu guy, another Bruce Lee.

But here, we see him act, not for just five minutes when there is a break in the fighting, but for the entire film. At times there is over half an hour between any kind of fighting, and it is very much appreciated. We really see a different side of Jet Li, this is not 'you killed my master; I have come to avenge him'. But a new, modern martial arts film, where we have a plot we can believe in.

Bob Hoskins takes a nice dramatic turn here, 'that man sure can talk', as Danny's 'owner' and it's a gangster role that suits him well. His angry growl is both fearsome and less put on but unleashed.

But don't get me wrong here; this is still a martial arts film. You'll find yourself cringing and laughing from fright at the fight scenes. Jet Li is not a sleek, showy performer here, but real fighter, intense and scary in his brutality. But equally brutal is the realisation of human freedom and human nature, in some ways were all somebody's dog.

Danny the Dog is clearly Jet Li's best work, and hopefully marks a new direction for him, one I am very much looking forward to seeing.