Aggiungi una trama nella tua linguaAfter a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by stagi... Leggi tuttoAfter a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 candidature totali
- Michael
- (as Robin De Jesus)
Recensioni in evidenza
Some of the best scenes in Camp were between Micheal, a camper, and Vlad, the new guy at camp. The dialogue in these scenes is adorable. I love how Micheal is direct about his attraction to Vlad. In one scene, when Vlad whipes his face with his shirt, Micheal looks Vlad over and says, "Sorry, I am only human." In another scene, when Vlad tries to get Micheal to call his parents by telling him how they can't resist him, and accuses Micheal of blushing, Micheal answers, "Are you kidding? I am doing everything but batting my eyes." Boy, I only wish I had a friend like Micheal when I was a teenager. I have to mention the fabulous musical numbers. "The Ladies Who Lunch," "Promises, Promises," "Father, Sister," "Turkey Lurky," just to name a few. I wanted to get up out of my seat and sing out loud. Camp is one of the best films I have had the privilage to see all year. I loved it! _Josh Weinman_
I can understand why this film didn't make a massive splash when it hit UK cinemas basically I saw a trailer for it then the next time I saw it, it was on DVD! It is very different from your average teen movie as well as being different from many musicals (not always a massive genre in themselves). I will be the first to admit that this film has weaknesses but I enjoyed it from the opening song, through to the final show there was barely a moment where I was bored or uninterested. The basic plot is a mix of minor story lines around an array of characters various romances happen, lessons are learned, eyes are opened and friendships made. It all sounds rather ordinary and, in a way, I suppose that it does do just what you expect it to. However, pretty much every other aspect of the film comes together to lift the film to be better than the script suggested it would be.
Primarily, if you hate musicals, then avoid this for it is a big part and, for me, it served as a superb foundation. The overall soundtrack is really good and is an enjoyable mix of music but it is the actual musical numbers that really lift the film. They are really enjoyable both the well known ones and the new songs; they fit in well with the narrative and act as good bits of punctuation. The narrative could have been stronger but the musical numbers mean that even if the narrative causes a slight dip, then the songs are there to provide a lift.
The characters are very well drawn, even if they don't use them that well. The fact that we have so many diverse teenagers who seem at ease with who they are is perhaps rather difficult to swallow but it certainly helps make the film feel a bit different from the usual. At first I was a bit put off by how the gay characters all seemed to be of the 'flaming' variety, but as the film went on I got over this and got to know their characters and not just their characteristics. More impressively, the whole cast (mainly teenagers) are really good they cope with the demands of the narrative (and the limitations as well) but they are very impressive when it comes to the musical numbers. One time tutor at one of these camps himself, writer/director Graff does a really good job with the direction here it never feels as low budget as I imagine it must have been and he frames many shots in involving ways.
Overall this is a standard teenage movie with all the hurts, lessons, romances and friendships that you would expect from the genre but it manages to rise above many of the genre by having different (if unrealistic) characters, roundly good performances and frequent musical numbers that never let the fun level of the film dip for too long.
This is a wonderful movie. Admittedly, the pace is not perfection. But the music is great, the jokes are funny and most importantly it portrays a specific milieu. And movies that bring the audience into a milieu they might not know exists are almost always interesting. I've seen this movie once and I'll see it again.
Ignore the critics who want to tell you what the movie isn't and what it should be. They'll only keep you from enjoying a good movie. Todd Graff has something to say. This is his movie and it works. One magazine reviewer noted that the kids in this movie emerge as full-blown professionals. Well -- they are! Most of these kids have never done anything before. That's part of what is being said here. There's all this talent that no one has ever seen. There are kids who are this good. Todd Graff found them.
Lo sapevi?
- QuizWhen Fritzi reintroduces herself to Jill at the start of the movie and Jill fails to remember her, Fritzi reminds Jill that the previous summer, they had been in the play "'night, Mother" together. The joke is that "'night, Mother" only has two actors in it, and is an extremely intense, wrenching, emotional experience (it is about an adult daughter preparing her elderly mother for the fact that the daughter is going to commit suicide), so there is no way that Jill could have forgotten having already met Fritzi without Jill being incredibly self-absorbed.
- BlooperWhen Fritzi insults the fat girl they are discussing casting of "Promises, Promises", but that had already been settled earlier. The same problem comes up during what appears to be auditions for "Follies", which was also already settled (during the cast sheet montage, we see that the role of Carlotta, who they are singing for, has already been cast).
- Citazioni
Bert: I'm gonna call it off.
Glen: I think you'd better.
Fritzi: Wait!
Bert: Fritzi, what in the hell are you doing here?
Fritzi: Well I... I knew you'd be discussing stopping the show and I just thought how disappointed all the kids would be after...
Bert: You scheming little bitch!
Fritzi: Oh please! I'm a child.
Bert: If you think for one...
Fritzi: Oh save the speech, rummy. She's fucked, I'm ready, and the goddamn show must go on. So let's get cracking, shall we?
- Curiosità sui creditiMidway through the credits, Fritzi and Patrick are shown playing Martha and George in an adaptation of "Who's Afraid of Virginia Woolf?"
- ConnessioniFeatured in The 2004 IFP/West Independent Spirit Awards (2004)
- Colonne sonoreHow Shall I See You Through My Tears
Written by Robert Telson and Lee Breuer
Published by Boodie Music (BMI) and Otis Lee Music (ASCAP)
Performed by Sasha Allen, Steven Cutts and The Company
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 1.629.862 USD
- Fine settimana di apertura Stati Uniti e Canada
- 54.294 USD
- 27 lug 2003
- Lordo in tutto il mondo
- 2.707.738 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1