Superman riappare dopo una lunga assenza, ma viene sfidato da un vecchio nemico che usa tecnologia di Krypton nel tentativo di dominare il mondo.Superman riappare dopo una lunga assenza, ma viene sfidato da un vecchio nemico che usa tecnologia di Krypton nel tentativo di dominare il mondo.Superman riappare dopo una lunga assenza, ma viene sfidato da un vecchio nemico che usa tecnologia di Krypton nel tentativo di dominare il mondo.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 12 vittorie e 47 candidature totali
- Jor-El
- (filmato d'archivio)
- Ben Hubbard
- (scene tagliate)
Riepilogo
Recensioni in evidenza
Directed by Bryan Singer (X-Men, X-Men 2) Superman Returns is a reboot/loose sequel to the 1978 original. But even though it references a little bit from that film (be it a Marlon Brando cameo or the original John Williams music score) it's less a sequel and more of a homage to that film. It's done considerably well however it's best viewed as its own film. If it was a real sequel Lois Lane and Clark Kent would be in their late 50's with it being 28 years later.
Kevin Spacey is the highlight as Lex Luther, he's over the top and sometimes hammy but he appears to be the only one enjoying himself. The other actors do good jobs but they are often bland, but in a way that's oddly a relief because there are no goofy comedic performances. Clark Kent is not the cliché clumsy nerd this time and Lois Lane isn't as whinny as she was in the other films. There's also no annoying background extras.
There are a few intense action sequences, the plane rescue being the highlight but they tend to rely on CGI that looks dated even for the time. There are so many shots where Superman is recreated using CG effects and it looks like something taken straight out of a video game. His suit has a plastic look to it, but to be honest the Superman suits have never looked great, it was only until Man of Steel (2013) when they got his suit right. The bright colours and underwear are fine for the comic but they don't translate very well on screen.
Running well over two hours, the film runs at a sometimes plodding pace and some scenes are drawn out a lot. However the film has a solid story and great performance from Kevin Spacey. The tone of the film isn't too dark drawing a fine line between its lighthearted and serious themes. The cinematography, set designs, music score and editing are all great. It's a film that deserves to be watched even if it suffers from a slow pace.
'Superman Returns' is set five years after Christopher Reeve's 'Superman II' (thankfully ignoring the events in the lacklustre 'Superman III and IV'). Superman, after five years of searching for the remains of his homeplanet Krypton, has returned to Earth to resume his life as Clark Kent only to find things moved on without him. Lois Lane is now mother to five-year-old son Jason and engaged to Perry White's nephew Richard. She is also thoroughly disenchanted with Superman although it soon becomes clear there is much unresolved feelings between the two. But between juggling his conflicting emotions for Lois and his duties to protecting the population, Superman has to face his arch-enemy Lex Luthor, who has stolen the crystals from the Fortress of Solitude and is intent on using them to rule the world.
It was never going to be easy Brandon Routh to step into Christopher Reeve's shoes but he takes it in his stride, managing to capture the bumbling but kindly nature of Clark and the strong, reserved demeanour of a Superman who strives to find a balance between his alien heritage and the life he has made for himself on Earth. He both makes the role his own yet does well in succeeding where Reeve left off. Kate Bosworth was also another surprise. I was very disappointed in her casting initially but seeing her perform in the film left me realising that she was perfect for the job as she portrays the cocky and determined yet vulnerable Lois to a tee. Kevin Spacey was great as the obsessive, slightly unhinged Luthor who possesses a real hatred for our hero while Parker Posey gave us a nicely-portrayed 'shades of grey' character in Kitty, a villain with a heart. Even the little moppet who played Jason gave a decent performance without being wooden or grating.
What I loved most about the film is that it delivered an interesting storyline that didn't reject the first two 'Superman' films, which are classics in the heart of any Superman fan and had already done a good job in covering the origins story. But at the same time, it didn't shirk in giving us deeper insights into the character of Superman, the solitary hero and the man who just wants to fit in. What was a pleasant surprise was that the film also refused to dumb down to small children in the audience, which is a growing problem with many Hollywood films that over-dose on infantile humour to appeal to kids resulting in boredom for anyone over fourteen. There was humour, some on a level to make children laugh, but overall there was a nice mix of action, romance and darkness aimed more at an older audience. They even avoid the clichéd pitfall of portraying Lois' love interest to be a sanctimonious twit and instead he came across as a genuinely nice guy who shows that it's understandable why she has problems choosing between him and Superman
In fact, my only real problem was that there wasn't enough interaction between Lois and Clark, which would have been nice as Clark's jealousy towards his alter-ego and the attention Lois lavishes on him is a large part of the story yet in the film, you felt as if Clark and Superman really were two different people with Clark just being some rather random guy. However, it can be over-looked by the fact that Clark was so happy to just have Lois' attention that he didn't care whether it was projected onto himself in his real personality or on Superman.
For anyone who has yet to see the film, I do recommend it and don't allow yourself to be put off by nitpickers complaining about the actors' being too young (better they be a shade on the younger side than going the 'Smallville' route where you have adults in their late twenties and thirties prancing around pretending to be teens and just looking ridiculous for it) or that the film is too long (even the eight-year-olds in the audience sat quietly, glued to the screen, for the entire film) or that it's bland (no more so than 'Spiderman'). I, for one, thoroughly enjoyed it and am looking forward to a sequel. After a rather dull summer at the cinema, this film renewed my faith in the summer blockbuster!
Good - using the Williams score, original titles style and Brando voice-over for the start sequence: all good calls;
Bad - Kate Bosworth: bad casting. No charisma. Never for a second convinced me that she was a spunky reporter;
Good - Brandon Routh: I thought nobody could fill Christopher Reeve's shoes, but this lad does well;
Bad - costume. They got it right in the 70s movies. The effect of darkening the colours, reducing the shield size and dropping the waistline of the trunks is well-known to clothes designers - it makes the wearer look tall and thin. Reeve looked broad and imposing.
Good - saving the shuttle/plane, and dealing with the Metropolis "quake";
Bad - not enough of that stuff;
Good - Spacey's Luthor. Clearly grown from the same seeds as Hackman's, but much more definitely a villain. I believed that this Luthor was fundamentally evil;
Bad - Kitty Kowalski. What an underwhelming character. Miss Tesmacher-lite;
Good - Richard White - a potentially interesting new character, to sit in a potentially very interesting group dynamic;
Bad - Tristan Lake Lebeau. Superman's son is autistic? Sorry, kid - you were rubbish.
Good - tweaking the franchise back into life again;
Bad - forgetting that Superman isn't Batman. Superman is supposed to be light. Superman is supposed to be FUN! Don't take it so seriously, next time!
Lo sapevi?
- QuizIn interviews, Kal Penn revealed he originally had a much greater role. It would have been revealed that his character was a disgraced former Daily Planet science reporter who was bribed by Lex Luthor to plant false evidence of Krypton's possible survival, thus inspiring Superman to leave Earth and explore Krypton's ruins.
- Blooper(at around 1h 23 mins) When Lois is talking to Lex Luthor in the piano room on the boat, her engagement ring constantly moves from her ring finger to her middle finger between shots.
- Citazioni
Superman: [Quoting Marlon Brando/Jor-el from 1978's SUPERMAN:THE MOVIE to Jason asleep in his bed] You will be different, sometimes you'll feel like an outcast, but you'll never be alone. You will make my strength your own. You will see my life through your eyes, as your life will be seen through mine. The son becomes the father and the father becomes the son.
- Curiosità sui creditiThe opening credits are seen in a trip through space, from Krypton to Earth, in a manner reminiscent of the Superman (1978) opening credits sequence.
- Versioni alternativeIn the IMAX presentation, four scenes (totalling about 20 minutes) were converted from 2D to 3D: The flashback to Clark Kent's youth on the farm, the Shuttle/777 rescue, the rescue of the sinking ocean liner, and the final flyover before the credits. Bryan Singer developed a cue featuring an icon of Clark's glasses flashing in green at the bottom of the screen when it is time to put them on, and then with a red circle/slash over when it is time to take them off.
- ConnessioniEdited from Superman (1978)
- Colonne sonoreQuando, Quando, Quando
Written by Pat Boone (as Charles E. Boone), Tony Renis and Alberto Testa
Performed by The Drifters
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
I più visti
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Superman regresa
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 270.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 200.081.192 USD
- Fine settimana di apertura Stati Uniti e Canada
- 52.535.096 USD
- 2 lug 2006
- Lordo in tutto il mondo
- 391.081.192 USD
- Tempo di esecuzione2 ore 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1