Main Hoon Na

After the not-so-impressing promos and posters, one doesn't expect much when walking into the theatre to see Main Hoon Na. But Farah Khan makes a sensational debut in direction with the movie. Main Hoon Na is a 3-hour rollercoaster ride. It has everything in the right place. It has Action, Comedy, Romance and all the other ingrediants in perfect proportions.

The story is Indian. But the packaging is western. The movie is not recommend for those who think while watching movies. It has a touch of those movies of the 70s where content took a backseat and entertainment was all that mattered. The presentation of the movie is one of its key asseets.

Another asset is the music. Anu Malik's score is easy on the ears. What compliments the songs is their picturisation and placement. The title track and 'Chale Jaise Hawayein' are the picks of the lot. The tributes to R.D. Burman are clear and effective. Production is grand. Sabu Cyril does a fantastic job with the sets. Allan Amin's action is top notch. Specially the scenes in the beginning and the climax have been executed with panache. Though some of the effects are a little hackeneyed, they are better than most Hindi movies. Abbas Tyrewala's dialogues are sure to earn him another nomination next year. With this he proves that Munnabhai was not a lucky chance.

Now to the performances! Shah Rukh gives yet another fine performance. Like wine, he gets finer with age. Also, this movie should shut those mouths which said that he could not do action sequences. His stunts in this film will surely multiply the number of his fans. Another great performance is that of Sushmita Sen's. In fact, people here are calling her 'Discovery of the Year!' Never has an actress looked so ravishing in a sari. Zayed Khan also gives a decent performance. Amrita Rao is another rising sun. Her performance is sure to be noticed. In the smaller roles, Kirron Kher, Kabir Bedi and Nasseruddin Shah impress.

In one word, Main Hoon Na can be called a 'must-see'. 10/10

Main Hoon Na is a completely crazy and an extremely entertaining flick. Done with much comedy and funny action (and a little bit of insignificant drama), this one is a film that can be watched again and again and still be an absolute treat. The film has a story, and the greatest thing about it is that it actually does not even matter. This film is made for fun, and succeeds thoroughly for that purpose.

And what does it have to work as much as it did? Well, it has a Shahrukh Khan (sorry, The Shahrukh Khan), two cool youngsters (Zayed Khan and Amrita Rao), a sexy and classy chemistry teacher (Sushmita Sen), a hilarious spit-spraying teacher (Satish Shah), another funny elderly teacher (Bindu), and a motherly, warm Kirron Kher.

Shahrukh is as always great and is fairly restrained in this role, Sushmita is damn too hot to handle, Zayed and Amrita suit their parts, Kirron is lovable as usual, Satish Shah and Bindu will have you floored, and Sunil Shetty will annoy you as he does in most of his films.

The film has an amazing soundtrack with many catchy songs composed by Anu Malik. It has a twisted, messy and senseless story that manages to provide utmost fun and pastime, and it has many great and heart-warming moments. It flows very well throughout with all the nice songs and the rather humorous proceedings.

Films are made mainly to entertain us. This film does not take itself too seriously and it is not to be taken seriously. It has some inexplicable and genuine sense of fun, and as such, can be rightfully called a successful, special and very profound Hindi entertainment.

Major Ram Prasad Sharma (Shah Rukh Khan) is a straight-laced military man walking in the footsteps of his father, General Shekar Sharma (Naseerudin Shah). When the General is killed by terrorists, he reveals on his deathbed that Major Ram has a half-brother, and gives him a dual mission: to protect a fragile peace initiative with Pakistan, called Project Milap, and to find his estranged brother and heal his fractured family.

Major Ram is assigned to protect the daughter of General Bakshi, the commander in charge of Project Milap, which takes him undercover to St. Paul's College in Darjeeling. By an amazing coincidence that only a true Bollywood fan could swallow, the Major's younger brother Lakshman Prasad (Lucky) Sharma studies at the same college.

After having his career emasculated by Karan Johar, I am happy to see that first time director Farah Khan has made a man of SRK again. How ironic that it took a woman director to give Khan a role he could finally get down and dirty with, after playing the teary-eyed lover-boy for so long.

Main Hoon Naa is a great summer time masala entertainer. It has dollops of action, romance, family angst, and a little medicinal dose of patriotic preaching about peace (estranged brothers Ram and Lakshman neatly symbolize India and Pakistan, separated by the folly of their leaders and elders).

But its greatest strength is that it doesn't take itself too seriously. The action could best be described as The Matrix meets Jackie Chan, with special effects that are one minute thrilling and the next minute laughable. But it's such fun to see SRK back in action, after his much publicized neck troubles, and encouraging to see Hindi filmmakers experimenting with cutting edge special effects technology.

The comedy revolves around the obviously over-aged Major Ram as a returning college student. Shah Rukh plays it just right, and not only neatly parodies his college role in Kuch Kuch Hota Hai, but also does a fantastic job of remaining in character and keeping his ram-rod straight military bearing whether he's doing comedy, drama or action.

Newcomer Zayed Khan (Lucky) has a way to go with his acting craft, but I found that he grew on me as the movie progressed, and he just sort of meshed with the elder Khan. They have a nice chemistry together. Amrita Rao (the general's daughter) is talented and gorgeous, and a great dancer. See her in Masti, where she also sparkles. Suniel Shetty does an excellent job underplaying the villain, and resists the urge to go overboard in his scenes. I loved the way Farah emphasizes his sexy badness by blaring heavy metal music whenever he makes an entrance. It made me chuckle every time.

Unfortunately the classy and sexy Sushmita Sen has little to do, but she and Shah Rukh fairly set the screen on fire in their few scenes together. Her seductive chemistry teacher is the perfect foil for his shy, sexually naive character. I'd love to see them in another film together, where she gets full screen time. She has a strength and maturity about her that plays very well off of his vulnerability and boyishness.

First time director Farah Khan takes the skills and creative genius she has displayed in her choreography (the Chaiyya Chaiyya dance atop a moving train in Dil Se alone has earned her a place in Bollywood legend) and demonstrates an exuberant love for the films of her youth. Main Hoon Naa either parodies or pays tribute to dozens of other Bollywood films, from Sholay to Kuch Kuch Hota Hai. The running gag where Major Ram bursts into uncontrollable singing whenever he sees Ms. Chandni, the chemistry teacher, is hilarious and endearing. And the outrageous chase scene with Ram on a rickshaw in hot pursuit of a jeep is just great. As a relative new-comer to Bollywood myself, I know that a lot of the references were lost on me, but I got a lot of them, too.

If you prefer Karan Johar three hanky tear-jerkers, this isn't for you. But if you want some thrills and comedy and family drama with your romance, then see Main Hoon Naa! Even the closing credits are fun. And Farah's director's commentary in the DVD special features is one of the best I've ever heard.

New to the Bollywood genre, I was curious so got this DVD to see what it was all about. In the next several hours I had wept repeatedly, laughed hysterically, wanted to join in dancing, and caught myself with my mouth hanging open more than once in stunned appreciation of the shift between moods on screen. And I was amazed the entire time at what a good time I was having, and spent the rest of the evening humming the songs from it.

This film is really evidence of a completely different mindset and world, and one that I find that I like so much! There was no swearing, no blatant sex, no sneering or nastiness, which I am so tired of; all was color, music, beautiful saris, people of all ages participating, silly support characters, appealing leads, lots of action, and all set against a poignant story line about a peace initiative between the traditional enemies,India and Pakistan. I am SO impressed, and want to see many more of these Indian films from now on. I recommend it!

I am not into Bollywood movies that much, but I really enjoyed watching Main Hoon Na ( I asked my friend, and she said it means "I'll be there for you"). As you would expect from Bollywood movies, there is a mishmash of genres in this movie: romance, drama, comedy, action, political thriller, and the odd musical number now and then. Imagine True Lies meets Grease meets Toy Soldiers meets Never Been Kissed meets Matrix. I know it has been parodied so many times, but that slow-mo back ward flip when Shar Rukh Khan tried to evade the Spitty teacher's bullets ala Matrix really cracks me up! I also liked the characterisation of the female characters in this movie. They really stand their ground against the male leads.They are not clingy and naive as I find some Bollywood movies portrays women... And no wonder... it was directed by a woman. I also enjoyed the soundtrack. Like the movie, it aims to sound contemporary while paying tribute to the traditional styles. With tongue firmly in cheek