Main Hoon Na

New to the Bollywood genre, I was curious so got this DVD to see what it was all about. In the next several hours I had wept repeatedly, laughed hysterically, wanted to join in dancing, and caught myself with my mouth hanging open more than once in stunned appreciation of the shift between moods on screen. And I was amazed the entire time at what a good time I was having, and spent the rest of the evening humming the songs from it.

This film is really evidence of a completely different mindset and world, and one that I find that I like so much! There was no swearing, no blatant sex, no sneering or nastiness, which I am so tired of; all was color, music, beautiful saris, people of all ages participating, silly support characters, appealing leads, lots of action, and all set against a poignant story line about a peace initiative between the traditional enemies,India and Pakistan. I am SO impressed, and want to see many more of these Indian films from now on. I recommend it!

Major Ram Prasad Sharma (Shah Rukh Khan) is a straight-laced military man walking in the footsteps of his father, General Shekar Sharma (Naseerudin Shah). When the General is killed by terrorists, he reveals on his deathbed that Major Ram has a half-brother, and gives him a dual mission: to protect a fragile peace initiative with Pakistan, called Project Milap, and to find his estranged brother and heal his fractured family.

Major Ram is assigned to protect the daughter of General Bakshi, the commander in charge of Project Milap, which takes him undercover to St. Paul's College in Darjeeling. By an amazing coincidence that only a true Bollywood fan could swallow, the Major's younger brother Lakshman Prasad (Lucky) Sharma studies at the same college.

After having his career emasculated by Karan Johar, I am happy to see that first time director Farah Khan has made a man of SRK again. How ironic that it took a woman director to give Khan a role he could finally get down and dirty with, after playing the teary-eyed lover-boy for so long.

Main Hoon Naa is a great summer time masala entertainer. It has dollops of action, romance, family angst, and a little medicinal dose of patriotic preaching about peace (estranged brothers Ram and Lakshman neatly symbolize India and Pakistan, separated by the folly of their leaders and elders).

But its greatest strength is that it doesn't take itself too seriously. The action could best be described as The Matrix meets Jackie Chan, with special effects that are one minute thrilling and the next minute laughable. But it's such fun to see SRK back in action, after his much publicized neck troubles, and encouraging to see Hindi filmmakers experimenting with cutting edge special effects technology.

The comedy revolves around the obviously over-aged Major Ram as a returning college student. Shah Rukh plays it just right, and not only neatly parodies his college role in Kuch Kuch Hota Hai, but also does a fantastic job of remaining in character and keeping his ram-rod straight military bearing whether he's doing comedy, drama or action.

Newcomer Zayed Khan (Lucky) has a way to go with his acting craft, but I found that he grew on me as the movie progressed, and he just sort of meshed with the elder Khan. They have a nice chemistry together. Amrita Rao (the general's daughter) is talented and gorgeous, and a great dancer. See her in Masti, where she also sparkles. Suniel Shetty does an excellent job underplaying the villain, and resists the urge to go overboard in his scenes. I loved the way Farah emphasizes his sexy badness by blaring heavy metal music whenever he makes an entrance. It made me chuckle every time.

Unfortunately the classy and sexy Sushmita Sen has little to do, but she and Shah Rukh fairly set the screen on fire in their few scenes together. Her seductive chemistry teacher is the perfect foil for his shy, sexually naive character. I'd love to see them in another film together, where she gets full screen time. She has a strength and maturity about her that plays very well off of his vulnerability and boyishness.

First time director Farah Khan takes the skills and creative genius she has displayed in her choreography (the Chaiyya Chaiyya dance atop a moving train in Dil Se alone has earned her a place in Bollywood legend) and demonstrates an exuberant love for the films of her youth. Main Hoon Naa either parodies or pays tribute to dozens of other Bollywood films, from Sholay to Kuch Kuch Hota Hai. The running gag where Major Ram bursts into uncontrollable singing whenever he sees Ms. Chandni, the chemistry teacher, is hilarious and endearing. And the outrageous chase scene with Ram on a rickshaw in hot pursuit of a jeep is just great. As a relative new-comer to Bollywood myself, I know that a lot of the references were lost on me, but I got a lot of them, too.

If you prefer Karan Johar three hanky tear-jerkers, this isn't for you. But if you want some thrills and comedy and family drama with your romance, then see Main Hoon Naa! Even the closing credits are fun. And Farah's director's commentary in the DVD special features is one of the best I've ever heard.

The story was a fantasy, not plausible in any way - yet this movie was fun. This was the first time I'd seen an Indian film, at the urging of someone who has already seen it twice (she is a big Shah Rukh Khan fan). It's quite different in every way from the American films I've always seen, but very entertaining and had almost every type of movie one can imagine all rolled into one film: action, drama, romance, musical and comedy. Some of the acting was a bit "hammed up", but was still right for the material. The woman who played Lucky's mom was quite good. I liked the Matrix references and how it was done in an obvious way, more of a fun "hats off"(let's look like what they did in Matrix) instead of merely copying. Even though I speak English and no Hindi, I easily followed along with the story and had no problem with the subtitles. This was a long movie (3 hours), yet time flew. The end of the movie was touching with the exchange (don't want to spoil it) and loads of "real people" cast in the parts. At the very end the credits were fun, too, with the cast and crew holding up different signs with their names - if these people didn't have a great time doing this film, they fooled me! I'd say this film is good for most all ages. Even though there are loads of pretty girls, nothing seems too suggestive and seemed more in fun. I left feeling good and as if I had honestly been entertained. Good work!

I am not into Bollywood movies that much, but I really enjoyed watching Main Hoon Na ( I asked my friend, and she said it means "I'll be there for you"). As you would expect from Bollywood movies, there is a mishmash of genres in this movie: romance, drama, comedy, action, political thriller, and the odd musical number now and then. Imagine True Lies meets Grease meets Toy Soldiers meets Never Been Kissed meets Matrix. I know it has been parodied so many times, but that slow-mo back ward flip when Shar Rukh Khan tried to evade the Spitty teacher's bullets ala Matrix really cracks me up! I also liked the characterisation of the female characters in this movie. They really stand their ground against the male leads.They are not clingy and naive as I find some Bollywood movies portrays women... And no wonder... it was directed by a woman. I also enjoyed the soundtrack. Like the movie, it aims to sound contemporary while paying tribute to the traditional styles. With tongue firmly in cheek

Great flick that was a blast from start to finish! When the "Red Chillies Entertainment" logo came up at the start, I had no idea this film was going to be such a celluloid party! Farah Khan delivers one mega punch after another. The song "Chale Jaise Hawaien" is priceless -- reminiscent of K2H2 -- but her choice to shoot the song in two long-take sequence shots was phenomenal --> exhibiting some of the best human and camera choreography since Welles's classic opening to Touch of Evil. All the songs shine in the film, but the qawaali "Tumse Milke Dilka Jo Haal" -- coming right after the interval -- is an absolute showstopper; the choreography, set design, and costuming come as close to Hindi cinema perfection as any mere mortal can get! Shah Rukh kicks as an action hero, and ALL the actors play their characters with conviction and just the right amount of tongue-in-cheek! And the comic punch of this film is brilliant --> when Satish Shah first appears on the screen (no spoiler here), I laughed so hard I had tears streaming down my face (appropriate, I guess....). There are also some absolutely amazing digital effects shots, particularly during some of the Shah Rukh-Sunil Shetty fight scenes (I don't think anyone has ever had so much fun lampooning The Matrix [thanks, Farah!]). Finally, Anu Malik delivers what I think must be his absolutely finest pop-Indian soundtrack. The songs are totally addictive and immensely hummable. I am looking forward to snatching up the DVD when it's released so I can hear the songs in a proper surround-sound mix.

Overall, this is an incredibly entertaining mix of all that is wonderful in contemporary Hindi films -- great story (inspired by the Ramayana), terrific choreography and acting, rib-splitting comedy, just the right amount of pathos, stunning cinematography, catchy songs, and dynamite directing. Both thumbs up!