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Mangal Pandey: The Rising

  • 2005
  • T
  • 2h 30min
VALUTAZIONE IMDb
6,5/10
10.881
LA TUA VALUTAZIONE
Aamir Khan, Rani Mukerji, Ameesha Patel, and Toby Stephens in Mangal Pandey: The Rising (2005)
Guarda Mangal Pandey: The Rising (2005) trailer
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24 foto
BiografiaDrammaGuerraStoria

Aggiungi una trama nella tua linguaThis is a film about the leader of the 1857 mutiny and his fight against the British rule.This is a film about the leader of the 1857 mutiny and his fight against the British rule.This is a film about the leader of the 1857 mutiny and his fight against the British rule.

  • Regia
    • Ketan Mehta
  • Sceneggiatura
    • H. Banerjee
    • Farrukh Dhondy
    • Ranjit Kapoor
  • Star
    • Aamir Khan
    • Rani Mukerji
    • Toby Stephens
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    10.881
    LA TUA VALUTAZIONE
    • Regia
      • Ketan Mehta
    • Sceneggiatura
      • H. Banerjee
      • Farrukh Dhondy
      • Ranjit Kapoor
    • Star
      • Aamir Khan
      • Rani Mukerji
      • Toby Stephens
    • 83Recensioni degli utenti
    • 26Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 7 candidature totali

    Video1

    Mangal Pandey: The Rising (2005) trailer
    Trailer 0:53
    Mangal Pandey: The Rising (2005) trailer

    Foto23

    Visualizza poster
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    Interpreti principali98

    Modifica
    Aamir Khan
    Aamir Khan
    • Sepoy Mangal Pandey
    Rani Mukerji
    Rani Mukerji
    • Heera
    Toby Stephens
    Toby Stephens
    • Captain William Gordon
    Coral Beed
    Coral Beed
    • Emily
    Ameesha Patel
    Ameesha Patel
    • Jwala
    Kirron Kher
    Kirron Kher
    • Lol Bibi
    Om Puri
    Om Puri
    • Narrator
    Ben Nealon
    Ben Nealon
    • Hewson
    Habib Tanvir
    • Bahadur Shah Zafar
    • (as Tanveer Habib)
    Varsha Usgaonkar
    Varsha Usgaonkar
    • Rani Laxmibai
    • (as Rani Lakshmibai)
    Kenneth Cranham
    Kenneth Cranham
    • Kent
    Tom Alter
    Tom Alter
    • Watson
    Mukesh Tiwari
    Mukesh Tiwari
    • Bakht Khan
    Shahbaaz Khan
    Shahbaaz Khan
    • Azimullah
    Amin Hajee
    Amin Hajee
    • Vir Singh
    Dibyendu Bhattacharya
    Dibyendu Bhattacharya
    • Krupashankar Singh
    • (as Dibiyendu Bhattacharya)
    Ahsan Baksh
    • Hassan Ali
    Irfanouzzaman
    • Deendayal Awasthi
    • Regia
      • Ketan Mehta
    • Sceneggiatura
      • H. Banerjee
      • Farrukh Dhondy
      • Ranjit Kapoor
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti83

    6,510.8K
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    Recensioni in evidenza

    9pwteatros

    Sweet amazing surprise

    I went to see this movie with a friend of mine from India. I was going because of her, expecting to be bored to death. I was wrong! The Rising is one of these movies that are larger, bigger than life. The amazing powerful music sets the tone to a legend of a great folk hero for Indians. The acting, in most cases, was haunting. The cinematography was breathtaking and the songs, and I am not a big fan of people singing and dancing in movies, were magical and helped move the story along. Of course, it was a big history lesson form me (though the producers warn you that some of this is fictionalized), but I have a better understanding of the Indian culture now. I finally get to see Toby Stephens\playing a role that doesn't involve him being mean, a villain or plain evil.
    8Chris_Docker

    Fusion of history, colour, romance, mythology, love and heroism

    This epic tale of the first Indian uprising (mid 19th century) has so much going for it, it's hard to know where to begin. Firstly, it documents a period of history that tends to be airbrushed under the carpet in British history lessons. Germany and Japan are still constantly reminded of the atrocities their countries committed, but we have to go back a bit earlier to look at the British East India Company - the most successful business enterprise in history, controlling one fifth of humanity, and having its own army. The value of being reminded brings a certain sense of humility. It maybe even helps to explain some of the feelings one can sense just walking about Delhi today as a white person.

    It's also a rare treat to have an epic of this scale, told from an Indian point of view, in English (or mostly in English). It successfully merges factual history with cultural norms, mythology, song and dance, grand battle scenes, touching romance and heroism.

    The British East India Company was subject to the uprising or 'mutiny' largely because of a failure to understand and respect local customs (from a purely military point of view, George Bush should consider bringing more or better historians to the White House). Having been subjected to abominations and still helping the Company fight wars, Indians rallied over a deeply held religious insult and attacked the British rulers.

    It is a great credit to the filmmakers that the British have not been demonised. There is no dwelling on the greatest excesses and neither are the Indians portrayed as flawless. For instance, we see a British soldier preventing a local (forced) sacrifice of a young wife at the burning of the corpse of her 60yr old husband, and the excesses of the British depicted are those common in most armies where power has led to degeneracy. We see not only the forced cultivation of poppies, but shady dealings with the resultant drugs and the Indians always coming out the losers. We see houses of prostitution set up to 'keep the troops healthy'; Indian soldiers treated as second class citizens with brutal punishments for minor slips handed out by self-important British officers.

    But whenever it gets too grim to watch, it springs the Bollywood trick of bursting into song and dance. The only other genre that routinely manages such a happy switch is grand opera. The slave courtesans sing joyously with double edged lyrics about being a slave to love. The spectacle of glorious colour and wonderful dancing spectacle entrances us.

    Many great conquerors have been also ruthless and uncaring to those they abused. The British East India Company was perhaps no different, and at worst should perhaps be judged more by the morality of the time than present day international law. But that way of thinking is a get-out. Invading another country is almost always for selfish reasons, glossed over in one way or another according to the double-talk of the day. History usually sides with the victors.

    The Rising will not get the marketing it deserves in the UK: many will avoid it because of the Indian songs. But it is a film well worth catching.

    My main quibble is that India is constantly portrayed in movies (including this one) as incredibly clean. I have never found this so, except in 5 star hotels enclaves. There is a great water shortage and most streets are pretty unhygeinic by Western standards. If Calcutta was the paradise of colour and good health depicted in The Rising, then it's gone backwards, whatever the improvements in basic freedoms and human rights. But realism it not Indian cinema's forte.
    7masrur

    An Almost Perfect Masterpiece

    What is the definition of a good movie? Has there been any movie ever made that satisfies everyone's definition of a good movie? Perhaps not.

    My definition of a good movie is something that commands my attention from start to end and that helps me exercise my intellect. A good movie makes me feel good when I talk about it.

    A good movie can belong to any genre and can definitely have its own style (sometimes completely original). The Rising did not have a focus on the character development of all of its lead roles, like a typical movie, but that seems to be intentional. It was a little frustrating to see some movie experts dwelling on that issue.

    The rising is about the character transformation of an idealistic but confused man called Mangal Pandey. It shows how he realized the true meaning of freedom and how it was passed on to an oppressed nation. The minute details of his personal life did not need any depiction in the movie. That could stir up even more controversy especially for some people in our subcontinent who need so little to feel offended and create chaos. The movie also shows the genuine remorse of a great soul like Captain Gordon who constantly tried to bring balance between rule and fairness. Hundred years old history became alive in the remarkable performances of the crew and the cast in this movie.

    The movie is a masterpiece in almost all aspects. I sincerely have not seen many Indian movies of this standard. The only criticism I would have is the placement of the holy festival which could have been discarded in favor of showing more development of mutiny preparation, politics of the Indian kings and above all some more drama. The last 15-20 minutes seemed to have hasted a bit. The dance sequence of the two gypsy girls also felt a bit out of place.

    Overall, I must say that I felt deeply satisfied after watching this movie.
    8mbanwait

    A magnum epic 4 years in the making

    Kudos to Aamir Khan for the dedication he put into the production of The Rising, an unfairly over-hyped film, that sets out to deliver the story of Mangal Pandey.

    The fact that Aamir took 4 years to make this film complete with growing his locks and that awesome moustache along with tons of research is an anomaly in the Bollywood film industry. Films are churned out 3/day at the last estimate, but Aamir being the professional he is, waited years to make this movie after the unprecedented success of his Oscar nominated Lagaan.

    Without a doubt Aamir carries the film on his shoulders. There were many naysayers about the fact that Aamir may have been a bit lacking in the height department for the role of a freedom fighter, but when you see his towering performance on screen, his small frame is all but forgotten.

    The man is Indian Cinmas answer to Edward Norton from Hollywood. A great actor for his generation who is going to continue to bring Indian cinema (not bollywood masala flicks) to the international audience....i think it's his calling. Amitabh Bachchan seems to have chickened out of this task of elevating Indian cinema to an art rather than a mockery that it usually is.

    Without a doubt another actor who comes close to stealing the film away from Aamir is British actor Toby Stephens... i was under the impression that his role would be quite small. Instead he has a fully fledged three dimensional character who is in the entire movie. And on top of that, he acts the entire movie in Hindi. A best supporting actor nod is in order.

    This film could theoretically get an Oscar nod (unfortunately a win maybe a hard sell). The songs are probably distracting for a Western audience, but they'll have to live with them.

    The film does fall short of being an all time classic. But i think we may have to wait for the initial hype to settle down, because the movie is without a doubt the best one of 2005.

    The film is slow to start, with the first half being an introduction of all the characters. But pre-interval, the story and Aamir Khan rev into the 6th gear, getting ready for the inevitable Rising post interval.

    Get this. I think the movie could have been a bit longer. A little more development was needed with some of the glossed over aspects of British rule.

    But, all in all, a magnificent effort from all involved, especially Aamir Khan and Toby Stephens.

    8/10
    7saurabh_saxena_ghaziabad

    Its pumps you up in the end...honestly! It does.

    I saw it. I was lucky enough to find the ticket. As for the movie goes...if you are expecting a Lagaan (I mean the flair) its not there BUT B U T BUT its a really well made movie. Cinematography is excellent, it meets the Hong Kong Film industry standard in every sense(Hong Kong has become better than Hollywood in cinematography lately). Music is not bad at all Mangal Mangal song is really good and there is one Banjara(Gypsi) song which is really FRESH. Choreography is as always good ....the best in the world. One thing that surprised me was the improved special effects. A technically well made movie in every sense..no issues on that.

    Acting...you get what you expect of him... you know who I mean. Toby was really good but if compared quarter as good as him. Rani..not much scope...but she ended up creating an impact...every other character was good..the women in the role of KAMLA i think her name is MONA did a really good job (she was really good in that two bit role..thats what i call to make an IMPACT).

    How I personally judge a movie is by its impact over me when i leave the hall. And there was an IMPACT. As per my movie experience goes this is a kind of movies that will grow on any one after every subsequent viewing.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Hugh Jackman turned down the role of Captain William Gordon.
    • Blooper
      When the opening credits roll, a coin can be seen on which there are the following words "Victoria Empress". The events of the film are set in 1857, but Queen Victoria becomes Empress of India by the decision of the British Parliament only in 1876 and this is announced in India in 1877, 20 after the story of the film. It is important, because the Mughal Emperor (Bahadur Shah II), still alive in 1857, is also shown in the film, and the British Queen gets this title long after his deposition in 1857 and his 1862.
    • Citazioni

      Mangal Pandey: What is "company"?

      Captain William Gordon: In your Ramayana there was one villain "Ravana" who had ten heads, company has a hundred heads and they're all joined by the glue of greed.

    • Connessioni
      Featured in The Story of India: Freedom (2007)
    • Colonne sonore
      Mangal Mangal
      Sung by Kailash Kher

      Composed by A.R. Rahman

      Lyrics by Javed Akhtar

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    Dettagli

    Modifica
    • Data di uscita
      • 12 agosto 2005 (Regno Unito)
    • Paesi di origine
      • India
      • Regno Unito
      • Stati Uniti
    • Sito ufficiale
      • Kaleidoscope (India)
    • Lingue
      • Hindi
      • Urdu
      • Inglese
    • Celebre anche come
      • Mangal Pandey
    • Azienda produttrice
      • NH Studioz
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 340.000.000 INR (previsto)
    • Lordo Stati Uniti e Canada
      • 954.108 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 531.018 USD
      • 14 ago 2005
    • Lordo in tutto il mondo
      • 8.142.076 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore 30 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
      • DTS
    • Proporzioni
      • 2.35 : 1

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