Amarelo Manga

In a poor neighborhood in Recife, the lives of exotic and bizarre characters entwine in a bar and in a very low-budget hotel. The queer Dunga (Matheus Nachtergaele) works in the hotel and has a crush on the butcher Wellington (Chico Diaz) that is married with the religious Kika (Dira Paes) and has an affair with his mistress Dayse (Magdale Alves). The sick necrophiliac Isaac (Jonas Bloch) owns a yellow Mercedes Benz and wants to have sex with Lígia (Leona Cavalli) that owns of Bar Avenida.

"Amarelo Manga" is practically the debut of director Cláudio Assis, at least this movie made him famous in Brazil, but actually is a boring exploitation of sex and low level situations. The nudity and sex scenes are absolutely unnecessary and have only the intention of shocking the audiences and most of them are free, like for example, the scenes of the asthmatic fat woman in the hotel; of the sex scene between Kika and Isaac with the hair brush; or Lígia taking her clothes off after closing her bar. I do not like this Brazilian director but many professional critics love him. The cast has great performances but the story is terrible. My vote is five.

Title (Brazil): "Amarelo Manga" ("Mango Yellow")

The experience was hampered by the quality of the pirated work, with low quality audio and image, but enough to taste a beautiful work, the Brazilianness and its ills, sensual nudity, well-developed script, a simple story, almost caricatured, but broken, representative and cotiana, highlighting the performances, big names in cinema, delivering extraordinary staging, it couldn't be different from that... Beautiful movie from Cinema de Retake... THE COVER, vagina, it took me a while to realize.

If you are looking for a mellow, soft, blockbuster movie, certainly amarelo Manga is not the one. No one is assassinated in this movie, but there are really strong scenes. This does not mean that the movie is only for the strong hearted. NOT! Amarelo Manga shows how life can be yellow, not golden beautiful yellow, but mango rotten one. The plotline happens in the outskirts of Recife, capital of Pernambuco, one of the biggest cities in the Northeast, and one of the poorest region of Brazil. Five people connected in stories of love, betrayal, work, and desire. Each one with his own problems and crazyness, something that is not for from our daily reality. Even though 80% of the directing, acting, photography is amazing, the other 20% of extremely bad moments can put some people off. But, movies lovers will like this different style, something that cannot be found not only in Hollywood mainstream movies (all exactly the same), but also is not found in Woody Allen, Kiarostami, Almodovar, Rohmer, Dardeene, etc. movies. And this is why worth a lot seeing this movie: is something that is different from what you have already seen before. The whole experience is new and worthwhile, in the last 5 minutes of the movie one will have an excellent surprise, with one of the best editing and directing in Brazil film history. This movie is receiving excellent reviews from critics, and I hope it gets to theathers around the world, to open more the doors of brazilian cinema to everybody who wants to experience it.

This is one of the best brazilian movies I have ever seen. The way the characters' stories get connected to each other along the movie is really amazing. Some of all the poverty, violence and social disease so common at a humble landscape of Brazil is depicted on the screen through a great script and dazzling photography. Although the sharp sense of humour of some characters this movie contains the right amount of reality that some people may not feel comfortable to watch. For those who have the guts, this motion picture is a perfect portrait of a brazilian unfair society that may remain in the mind of the audiences for quite along. Shocking, hilarious and tough. Two thumbs up!

This film is a raw and realistic portrait of humble people of Recife, their fight for survival and loving desire. Fotography is impressive, cause almost every scene the color of its title is present.