Intermission

to be honest, the first scene sums this movie up, it's a punch in the face. you have to have a very dry sense of humor to like this movie, i don't think it was made for the usual "american" market. our culture is geared toward in your face comedy, like old school or dodge ball, where subtle darker humor about everyday life gets lost. husbands leave wives, people get fired from terrible jobs, and in general have crappy lives. but it is up to us to enjoy what we have, and finding the strength to keep on going no matter what, and this movie is like that. it has an all star cast, from Colin Farrell to Colm Meany, Shirley Henderson to Cillian Murphy they all shine like the stars they are.

I'm quite surprised that this film hasn't got a higher rating. This really is a gem of movie. Well-written, well-acted, witty and brutally black dialog makes this a modern Irish classic. The acting is excellent. Colin Farrell is well cast as the stereotypical Dublin scumbag which he seems to have great fun portraying. Cillian Murphy is great as the lovelorn rogue John while David Wilmot steals the show from his more famous co-stars as unlucky in love Oscar. Kelly MacDonald, Shirley Henderson, Deirde O' Kane and Colm Meany add more weight to a highly talented cast.

The film follows the lives of several different characters in contemporary Dublin and how their lives intersect. The violence and coarse language is matched by the tender and honest scenes. The fast pace of the movie holds the viewers attention fantastically well as we follow the lives of these highly likable characters(well maybe not Farrell but he is still compelling and hilarious to watch) while they search for love, happiness and the answers to life's complicated dilemmas. A true original. Even though its not much of an achievement, by far the best Irish movie ever made. Perfect stories. Perfect writing. Perfect characters. Perfect acting. Perfect film.

I guess the fact that it has a great cast and a lot of black humour is what makes it so fun. But it has a good script, nice sound and that thick accent is funny as hell.

As some other guy here said, movies that show a lot of interconnected subplots that elevate the level of intimate knowledge about the characters is unlikely to get old, at most it is in danger of being done to death.

Bottom line: this is an Irish "Crash". I found it well done and funny, although a bit slow at times and you have to strain your ears a bit if English is not your mother tongue. However, I advice against translations, as you risk getting something an illiterate 10 year old thought he heard, like I did :(

Intermission starts with a bang and just keeps going, following the intertwined lives of its characters who are in search of either love, money or fame. This darkly funny Irish film speeds along, delivering numerous memorable scenes and a variety of interesting characters.

The dialog is sharp and the story carefully laid out. The direction shows a true love a film making - a desire to make something lively and entertaining and funny, yet truthful and touching.

Despite the multiple story lines and players, Intermission holds together, arriving at its final destination at just the right time. Not an ounce of fat to be found here, this is a well-crafted film.

Well, if you loved "Crash" (no not the David Cronenberg version, but the Academy Award winning Paul Haggis film) you'll love this Irish version of everyday Irish folk in everyday life, living everyday life interchanging and interacting, kind of like a Irish "six degrees" thing. Speaking of acting, what acting...Everyone is so "real" almost like a documentary, Oscars for All! Great camera work, it just flows so well together, great cast nice to see Scottish actress Kelly MacDonald (Trainspotting, Gosford Park) again. Colin Ferrell is as intense as always, he is such fun to watch he's a great "on-the-edge-of-your-seat" actor. So if you enjoy great acting, a good story with some twists and turns check this one out. Other great Irish films are: Omagh(2004), Veronica Guerin(2003), Bloody Sunday(2002), The Commitments(1991), Waking Ned Divine(1998) and The Field(1990).

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