The Brown Bunny

Vincent Gallo's THE BROWN BUNNY is a really creepy and weird film. I love weird, challenging films, but this was a bit too much for me. Much of the film is Vincent Gallo driving to a bike race remembering his girlfriend along the way. The final scene with him meeting up with his girlfriend chilled me to the bone. It was just twisted. While the film looks appropriately gritty and grimy at times, it is way too hard to sit through all the way to the end. I felt like a creep for watching. The film scared me in a really bad way. Vincent Gallo sure has talent! This is definitely a well made film. However, Vincent Gallo seems to have made this film for nobody but for himself. This is a highly experimental film that I don't recommend except for those people who are cinematically adventurous. It's an effective piece of work, but it's not really my thing. Adults only.

Okay, "The Brown Bunny" is a 7 minute movie that is dragged on for 93 painful minutes. How does this happen? Well, it's pretty clear to me that Vincent Gallo really likes the look of his own stubbly face from really close up. I came to this conclusion when I realized it accounts for about twenty to twenty-five minutes of the movie. Then you add in that Vincent Gallo owns a very nice motorcycle...that he likes to show off. The motorcycle doesn't actually take up to much of the screen time (unfortunately), but it does allow some kind of premise. What really bugs me is that there are people who think that this movie was deep. It's not, I can see how the basic premise could be turned into something deep and artistic. But a bad motorcycle driver who has a thing for chics named after flowers and imagines his dead drug addict girlfriend giving him head is not deep by itself, and it doesn't help just to have long scenes of traffic and a not very attractive stubbly mans face. The only reason this movie has gotten any recognition whatsoever is the shock value of showing a blowjob in a non-skin flick. So once again, WTF?

After racing in New Hampshire, the lonely motorcycle racer Bud Clay (Vincent Gallo) drives his van in a five-day journey to California for the next race. Along his trip, he meets fan, lonely women, prostitutes, but he leaves them since he is actually looking for the woman he loves, Daisy (Chloë Sevigny). He goes to her house and leaves a note telling where he is lodged. Out of the blue, Daisy appears in his hotel room and soon he learns why he cannot find her.

"The Brown Bunny" is an independent very low budget movie by Vincent Gallo. The plot is developed in slow pace and is dull and boring in many moments. The revelation of Daisy's secret is totally unexpected. However the movie has become famous only because of the unnecessary fellatio of Chloë Sevigny, maybe to satisfy Vincent Gallo's ego, since does not add anything but a polemic scene to this movie in a poor hype. My vote is five.

Title (Brazil): Not available on DVD or Blu-Ray

Brown Bunny, The (2004)

BOMB (out of 4)

Vincent Gallo's controversial film was one that I was really looking forward to but at the two minute mark of the film I really wanted to turn it off. This is the type of film that should have been a home movie about a depressed maniac being alone and that's that. Instead Gallo tries to do an art picture but it doesn't work at all, although I certainly wouldn't call this one of the worst films ever made. As much as I hate to say it but it's clear by watching this bomb that the guy does have some talent and I think some of this talent shines through here but in the end the film rubbed me the wrong way and never got me involved in the story. I was annoyed by Gallo's character and really didn't care what was going to happen to him. It was also quite annoying because it seems Gallo is begging the audience to care and love him yet he doesn't give us a reason to do so. I can certainly understand how some would fall into the film but that didn't happen with me. I would be interested in seeing the Cannes cut to learn how Roger Ebert went from a BOMB to a three star rating.

Stripped of all pretense, this movie is nothing more than a long, boring, pointless self-indulgent ego-trip. Vincent Gallo wants us to think he is a true artiste (you know... the type with the "e" at the end). But, how he thought anyone but him would find this entertaining or even thought-provoking is beyond me. Sure, you'll have your film-school drop outs that will label anything not Hollywood a masterpiece. But, let's be honest, if you had to sit through this pretentious snorefest one more time or watch "Raiders of the Lost Arc" for the 1000th time, which would you do? Heck, I am still convinced this was just a slick scheme by Vincent Gallo to get his ex-girlfriend to perform fellatio on him on screen. If that was his sole intent, then this film was a rousing success. If he actually thinks he made a good film, then he can keep pretending.