Aggiungi una trama nella tua linguaRobert Adams was a valorous southern Captain who used his heart of fire to rally his men to fight. He fell in love with Eveline, a smart, kind and strong willed school teacher from the north... Leggi tuttoRobert Adams was a valorous southern Captain who used his heart of fire to rally his men to fight. He fell in love with Eveline, a smart, kind and strong willed school teacher from the north. As they met, the Civil War was upon them.Robert Adams was a valorous southern Captain who used his heart of fire to rally his men to fight. He fell in love with Eveline, a smart, kind and strong willed school teacher from the north. As they met, the Civil War was upon them.
- Premi
- 9 vittorie totali
Foster Walker
- John Boone
- (as Mick Walker)
Recensioni in evidenza
Strike the Tent is a beautifully shot film that captures the external and internal conflict of the civil war and a families history of the period. Julian Adams shows strong acting ability in portraying the story of his family and the tough choices that have to be made for love and country.
I enjoyed the pace of the movie and have to comment again on the impressive cinematography. I can't tell but if this was shot digitally and transfered kudos to the production team in the final print. The story tells how true love overcomes all obstacles in its way. The film effectively captures a country split ideologically, socially and geographically and the plight of South Carolinians protecting their home and lands from the onslaught of war, illness and tyranny. It depicts the weary soldiers seeking not only victory but revenge and the plunders of war. Tragic in its honest depiction of the sacrifices both armies and families had to endure. In the end, the love that is all but impossible is the only thing that will never die in this historical memoir. Thanks again for sharing this remarkable story of your family. I look forward to seeing the film again once it is released on DVD. I enjoyed this first effort and look forward to other projects from these promising film makers.
I enjoyed the pace of the movie and have to comment again on the impressive cinematography. I can't tell but if this was shot digitally and transfered kudos to the production team in the final print. The story tells how true love overcomes all obstacles in its way. The film effectively captures a country split ideologically, socially and geographically and the plight of South Carolinians protecting their home and lands from the onslaught of war, illness and tyranny. It depicts the weary soldiers seeking not only victory but revenge and the plunders of war. Tragic in its honest depiction of the sacrifices both armies and families had to endure. In the end, the love that is all but impossible is the only thing that will never die in this historical memoir. Thanks again for sharing this remarkable story of your family. I look forward to seeing the film again once it is released on DVD. I enjoyed this first effort and look forward to other projects from these promising film makers.
Very well done, especially considering the budget. I liked the independent, realistic feel to it, vs manufactured or contrived Hollywoodism.
I read somewhere a reviewer saying that this was "revisionist history" wrt this movie's depiction of how the slave owners treated their slaves so nicely. Absolutely untrue... there really wasn't that much depiction of slave owners with slaves to begin with, and to see one white gentleman actually talk nicely to a few slaves was totally believable.
That same reviewer also said this movie was about "nostalgia" for the pre-war south. But I think it was more about southerners protecting their tradition, and then finally knowing when to surrender (hence the title "Strike the Tent"). Otoh, the extra featurette on the DVD about how the film was conceived did show that Julian's intention was to proudly depict his much beloved, land-owning family history.
The film depicts pre-war southern life favorably, yet doesn't demonize the north (much), even after it's clear that the south had lost the war and had to free their slaves. It was a good depiction of one side "protecting their own", but pretty much intentionally blind to the issue of slavery itself. An interesting "real life" depiction of real history--at least from a southern, white-man's point of view.
I read somewhere a reviewer saying that this was "revisionist history" wrt this movie's depiction of how the slave owners treated their slaves so nicely. Absolutely untrue... there really wasn't that much depiction of slave owners with slaves to begin with, and to see one white gentleman actually talk nicely to a few slaves was totally believable.
That same reviewer also said this movie was about "nostalgia" for the pre-war south. But I think it was more about southerners protecting their tradition, and then finally knowing when to surrender (hence the title "Strike the Tent"). Otoh, the extra featurette on the DVD about how the film was conceived did show that Julian's intention was to proudly depict his much beloved, land-owning family history.
The film depicts pre-war southern life favorably, yet doesn't demonize the north (much), even after it's clear that the south had lost the war and had to free their slaves. It was a good depiction of one side "protecting their own", but pretty much intentionally blind to the issue of slavery itself. An interesting "real life" depiction of real history--at least from a southern, white-man's point of view.
10bkz2457
OK, first and foremost i like good "realistic" war films, secondly i like films even better if they are based on fact. This was both, and a bonus to both of those critical points is the lead role, who is a descendant of the "historical" character who is the main focus of the film. My wife enjoyed the film too, hard to find a film both of you can watch knowing there's going to be some bloodshed mixed in with a love story, but it works and it works well. Its hard to tell at times this is not a big budget film, but reading about it elsewhere you know its not and you can appreciate it even more. You can see there's a lot of personal effort gone into getting this film made. You see so many people on here saying "well thats 90 minutes of my life wasted" well this is just the opposite, i wish it had been longer, you get a great insight into some real peoples lives during the civil war, and the authentic backdrops and locations just add to its quality.
The Last Confederate is a film conceived and brought to the screen by its star Robert Adams. Apparently with considerable help from the South Carolina Film Commission and state government. It certainly presents the Confederate cause in the best possible light, something of particular interest to South Carolina since it was those folks who were the first to secede and get the drums beating out a fast tempo.
After saying that it's also a good romantic film showing the love of star Adams's great great grandfather Julian Adams and his Yankee sweetheart from Pennsylvania played by Gwendolyn Edwards. With flashbacks to the Ante Bellum period we see Adams in the last days of the war knowing full well the cause was lost, but as he says it they're now fighting for a way of life. Of course the question of slavery is kind of glossed over as you would expect.
As romance however the film is first rate. After being taken prisoner and spending time in Elmira, the Union's Andersonville Adams and two friends escape and go to Pennsylvania because that's not what his captors would think he would do and because Edwards has fled there to be with her grandfather, an aged Mickey Rooney. Rooney his scenes mostly in bed delivers a fine performance, a man you can watch live almost his entire almost century life on the big and small screen.
The romance has some real poignancy to it. The film was shot on a lot of actual locations for the story. As history many will find it suspect.
After saying that it's also a good romantic film showing the love of star Adams's great great grandfather Julian Adams and his Yankee sweetheart from Pennsylvania played by Gwendolyn Edwards. With flashbacks to the Ante Bellum period we see Adams in the last days of the war knowing full well the cause was lost, but as he says it they're now fighting for a way of life. Of course the question of slavery is kind of glossed over as you would expect.
As romance however the film is first rate. After being taken prisoner and spending time in Elmira, the Union's Andersonville Adams and two friends escape and go to Pennsylvania because that's not what his captors would think he would do and because Edwards has fled there to be with her grandfather, an aged Mickey Rooney. Rooney his scenes mostly in bed delivers a fine performance, a man you can watch live almost his entire almost century life on the big and small screen.
The romance has some real poignancy to it. The film was shot on a lot of actual locations for the story. As history many will find it suspect.
In 1860 Captain Robert Adams of South Carolina (Julian Adams) falls in love with Eveline McCord from Pennsylvania (Gwendolyn Edwards). Their challenges during the Civil War are chronicled. Eveline's brother and his wife are peripheral characters (Joshua Lindsey & Amy Redford), as is the comrade played by Eric Holloway.
Based on a true story, "The Last Confederate: The Story of Robert Adams" (2005), originally titled "Strike the Tent," is a Civil War story produced, written, and directed by the descendants of Robert and Eveline, which compelled critics to write it off as a 'vanity project.' The low budget (about $1 million) is comparable to "The Colt" (2005) and "Pharaoh's Army" (1995), but with a story akin to "Cold Mountain" (2003).
This is basically a Western transplanted to the Eastern Front of the Civil War. The tone is lyrical in a pleasant way that entrances the viewer, but the brutalities of combat are also depicted. Gwendolyn and Amy Redford (Robert's daughter) are beautiful and Adams makes for a convincing protagonist. The ironies of war are shown, e.g. The hero mercilessly mows down four Union soldiers and then is spared for unknown reasons by a Federalist.
The film runs 1 hour, 36 minutes, and was shot in South Carolina (Columbia & lower Richland County), North Carolina (Wilmington & another area), Georgia (Conyers) and Maryland (Hagerstown). Mickey Rooney and Tippi Hedren have small parts.
GRADE: B-
Based on a true story, "The Last Confederate: The Story of Robert Adams" (2005), originally titled "Strike the Tent," is a Civil War story produced, written, and directed by the descendants of Robert and Eveline, which compelled critics to write it off as a 'vanity project.' The low budget (about $1 million) is comparable to "The Colt" (2005) and "Pharaoh's Army" (1995), but with a story akin to "Cold Mountain" (2003).
This is basically a Western transplanted to the Eastern Front of the Civil War. The tone is lyrical in a pleasant way that entrances the viewer, but the brutalities of combat are also depicted. Gwendolyn and Amy Redford (Robert's daughter) are beautiful and Adams makes for a convincing protagonist. The ironies of war are shown, e.g. The hero mercilessly mows down four Union soldiers and then is spared for unknown reasons by a Federalist.
The film runs 1 hour, 36 minutes, and was shot in South Carolina (Columbia & lower Richland County), North Carolina (Wilmington & another area), Georgia (Conyers) and Maryland (Hagerstown). Mickey Rooney and Tippi Hedren have small parts.
GRADE: B-
Lo sapevi?
- QuizThe music book being used by older Eveline, played by Tippi Hedren, at the opening of the movie was an actual music book owned and used by Eveline McCord Adams, played by Gwendolyn Edwards.
- BlooperIn the scene where Robert first sees Eveline the bodice of the dress has very thin, synthetic looking material (authentic materials are MUCH heavier) and it appears to be the middle of the day (off-shoulder gowns were not worn until evening/night by anyone of marrying age).
- Curiosità sui creditiTo the memory of: Charles St. George Sinkler Adams
- Colonne sonoreA Cold Wind
Music by Atli Örvarsson
Lyrics by Julian Adams and Atli Örvarsson
Performed by Atli Örvarsson and Þórhildur Örvarsdóttir
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- 1h 36min(96 min)
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- 1.85 : 1
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