VALUTAZIONE IMDb
7,0/10
2596
LA TUA VALUTAZIONE
Uno psicopatico educato ha legato una donna a una sedia nel suo seminterrato.Uno psicopatico educato ha legato una donna a una sedia nel suo seminterrato.Uno psicopatico educato ha legato una donna a una sedia nel suo seminterrato.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 3 candidature totali
Darío Grandinetti
- Ramón
- (as Dario Grandinetti)
Fernando Guillén
- Espinosa
- (as Fernando Guillen)
Blanca Apilánez
- Poli 1
- (as Blanca Apilanez)
Àngels Sirvent
- Señora Jauregui
- (as Angels Sirvent)
Recensioni in evidenza
Palabras encadenadas (2003)
Locked in a dark basement, Laura, a psychiatrist in her early thirties, contemplates in horror a video where a man confesses to be a serial killer. His name is Ramón, an apparently normal man in his forties, who seems to be quite harmless. Gagged and bound to a chair, Laura realizes that it's the same person who kidnapped her and who is now pacing in the shadows. Ramón continues to speak as he turns off the television. He walks over to her, takes off the gag and challenges Laura to play the "Word Game". If she wins, she gets to go free, but if she loses, he'll poke out her eye. Laura is terrified, but reluctantly accepts. The game begins. Laura makes a mistake. Ramón menacingly moves towards her. Laura's screams are useless.
She is his ex-wife.. She divorced him after knowing that he is a gay... In-between twists are unexpected and all are acted soo well.. One time watchable movie..!
Locked in a dark basement, Laura, a psychiatrist in her early thirties, contemplates in horror a video where a man confesses to be a serial killer. His name is Ramón, an apparently normal man in his forties, who seems to be quite harmless. Gagged and bound to a chair, Laura realizes that it's the same person who kidnapped her and who is now pacing in the shadows. Ramón continues to speak as he turns off the television. He walks over to her, takes off the gag and challenges Laura to play the "Word Game". If she wins, she gets to go free, but if she loses, he'll poke out her eye. Laura is terrified, but reluctantly accepts. The game begins. Laura makes a mistake. Ramón menacingly moves towards her. Laura's screams are useless.
She is his ex-wife.. She divorced him after knowing that he is a gay... In-between twists are unexpected and all are acted soo well.. One time watchable movie..!
If you get a chance make sure to pick up this small gem from a Spanish actress turned director Laura Mana. This movie is rather obscure and not that well known over here in America as some other titles made in Spain so it might take some time and luck to find it. But once you do, get ready for one of the best thrillers of the last couple of years. This is an example of great film making, a flick made with a low budget and only small number of actors. But oh boy, some fine ones. That especially goes to Dario Grandinetti in a role of a serial killer suspect. The only thing he admits of doing is an abduction of his ex-wife, as revenge of her lies in their divorce case...Is there any more to it? The game of cat and mouse has begun. Not to spoil the fun and give away too much all I'll say is : don't point your finger until the very end. In difference to the majority of newer US thrillers the script is superb without any plot holes and the story is sharp and witty. Mana treats the audience as people who know how to think, rather than serving every single little detail on a plate. Everything is there, you just have to find it. Original, intelligent, twisted and somber, even funny at moments - this is a film that has it all and I can only hope it will not get a Hollywood remake, Palabras Encadenas is perfect as it is. Believe me in that :)
The previous reviewer pretty much said what I wanted to say: "Killing Words" is a difficult film to categorize, but if you have to place it under one genre, it's probably what they call a "mind-f**k". Twist upon twist upon twist - that's how this film proceeds. It constantly plays with your perceptions; just when you thing you've figured it all out, it proves you wrong. There are only four characters, and they are all effectively performed (and yes: Goya Toledo IS a sensual woman). The film is also stylishly directed and photographed. One minor point: the word game that Grandinetti and Toledo frequently play won't mean much to non-Spanish-speaking audiences. But Spanish is such a pleasant language to listen to anyway that this doesn't matter much. (**1/2)
If "not seeing it coming" is your decisive criterion for which thriller to watch, then go ahead and watch it. Some say the twists were way too obvious whereas others say the twists were realistically smart. I, therefore, cannot tell what is in store for you.
If not, then carry on reading: I do not appreciate a movie that tries too hard to surprise and does that without a story. That keeps me asking "so what"? Personally, I didn't find the twists as realistic as some deem it to be, as realism, to me, has more to do with the tangibility of causes than the nature of effects.
Once I had realized the movie was all about twists rather than the story, I stopped caring about how the story told in flashbacks would unfold (because a partially hidden retrospection is what these movies are all about, most of the time).
So, there actually is a story, but the story pertains in the twists and I was expecting otherwise. It almost feels like the movie is saying to the viewer: "I want to surprise you so much that it is actually impossible for me to think of a captivating story with believable motives, see, a movie can only last this long and because I am filled up with twists, I cannot even build characters and back up my story, there is in fact no story even though it might seem otherwise, because there was no time to give you one." This is the single reason I rated this movie a 5. It is interesting enough to keep watching with an anticipation to see more of what is coming and then letting it all add up coherently, but, in the end, all I felt was that I didn't even care about what I had just seen. I couldn't find a single thing worthy of remembering in this movie.
Other than that... I liked the performances of the actors. I found the setting to be a little too nondescript for my taste; with nothing really sticking out in particular and setting a memorable atmosphere. Maybe I should have chopped more off the rating because of that.
If not, then carry on reading: I do not appreciate a movie that tries too hard to surprise and does that without a story. That keeps me asking "so what"? Personally, I didn't find the twists as realistic as some deem it to be, as realism, to me, has more to do with the tangibility of causes than the nature of effects.
Once I had realized the movie was all about twists rather than the story, I stopped caring about how the story told in flashbacks would unfold (because a partially hidden retrospection is what these movies are all about, most of the time).
So, there actually is a story, but the story pertains in the twists and I was expecting otherwise. It almost feels like the movie is saying to the viewer: "I want to surprise you so much that it is actually impossible for me to think of a captivating story with believable motives, see, a movie can only last this long and because I am filled up with twists, I cannot even build characters and back up my story, there is in fact no story even though it might seem otherwise, because there was no time to give you one." This is the single reason I rated this movie a 5. It is interesting enough to keep watching with an anticipation to see more of what is coming and then letting it all add up coherently, but, in the end, all I felt was that I didn't even care about what I had just seen. I couldn't find a single thing worthy of remembering in this movie.
Other than that... I liked the performances of the actors. I found the setting to be a little too nondescript for my taste; with nothing really sticking out in particular and setting a memorable atmosphere. Maybe I should have chopped more off the rating because of that.
10Kujo1
One of the best thrillers I have ever seen. This film keeps you captivated until the very last frame. Darío Grandinetti is truly chilling as Ramón. Goya Toledo as Laura is superb as well. Portrayals of the mind of a killer simply don't get better than this.
This film avoids every Hollywood cliché you could imagine. Everything that happens in this film is cohesive. Nothing outrageous is added just for thrills. This is such a smart film. Truly great writing and directing on display here.
This is another amazing example of how superior foreign made thrillers are compared to American thrillers. Don't miss this if you ever get the chance to see this Spanish gem. Beautifully done!
This film avoids every Hollywood cliché you could imagine. Everything that happens in this film is cohesive. Nothing outrageous is added just for thrills. This is such a smart film. Truly great writing and directing on display here.
This is another amazing example of how superior foreign made thrillers are compared to American thrillers. Don't miss this if you ever get the chance to see this Spanish gem. Beautifully done!
Lo sapevi?
- Colonne sonoreYou Don't Love Me
Written by Lloyd C. Glenn, Don Albert and Louis Cottrell (as Louis A. Cottrell)
EMI Catalogue Partnership/EMI Unart Catalog Inc/EMI Songs España, Srl
from the album "Because of You"
Performed by Preservation Hall Jazz Band
Courtesy of Sony Music Entertainment (Spain) S.A.
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Dettagli
Botteghino
- Budget
- 1.900.000 € (previsto)
- Lordo in tutto il mondo
- 188.500 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was Killing words - Parole assassine (2003) officially released in Canada in English?
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