Lemony Snicket - Una serie di sfortunati eventi

In the wake of Harry Potter the popular Lemony Snicket books have been rushed into production and considering the less than promising prospect of Brad Silberling directing and Jim Carrey starring, I didn't really hold out much hope. It turns out that the film is surprisingly good and apart from The Incredibles this was the only big budget Hollywood film I truly enjoyed this year.

Like Harry Potter, the Lemony Snicket books appeal to adults as well as to children but they are darker, funnier and more eccentric, making them more of a cult than the mainstream success of the Harry Potter series.

If you've read the books, you may miss the clever word play and you may feel that the two older children are miscast. Unlike in the books, the boy doesn't come across as particularly brainy and the girl looks just a bit too sexy as Violet, reminiscent of a teenage Anjelina Jolie. Still they are better than some of the child actors in the Harry Potter series.

On a visual level the film is simply stunning. True, some of it is reminiscent of Tim Burton as both Burton and Daniel Handler are strongly influenced by the work of the writer and illustrator Edward Gor ey. The look of the film is a highly stylized mixture of Edwardian times and the 1950's and convincingly brings to life the parallel universe of the books, where death is ever present and where the whole world has conspired to make the Baudelaire children's life a misery.

Folding books two and three into the storyline of the first one, the plot feels episodic but it stays consistently entertaining. Not being a Jim Carrey fan I was worried about his involvement (I still think Richard E. Grant would have been the perfect choice) but he nails and certainly looks the part of evil, failed thespian Count Olaf and thankfully he doesn't end up dominating the film, turning it into the Jim Carrey show.

The section involving Meryl Streep's fearful Aunt Josephine is the best part of the film. Taking place against backdrops reminiscent of Masaki Kobayashi's stylish horror classic Kwaidan, Lake Lachrymose is as beautiful as it is nightmarish.

Make sure to stay for the beautifully animated credit sequence.

Some movies are just plain fun to watch. This is one.

It's funny, it's dramatic and it's a great visual treat with Tim Burton-esquire wild images throughout. This is a superb job of combining great visuals, special effects and an entertaining story.

The two kids, played by Emily Browning and Liam Aiken, should get top billing since they are in every scene while Jim Carrey is in about half.

Everyone in this film is a hoot, especially Carrey who plays "Count Olaf" and then disguises himself by pretending to be other people throughout the story. Whomever he was playing he was hilarious. With his crazy persona, Carrey was good choice for this role. The lines he delivers are so hammy they make me just laugh out loud. I appreciated his work even more on the second viewing.

The kids are likable, good-looking and decent actors and the "baby" is given the funniest "lines" in the movie - all in subtitles.

This film is too dark for the little kids but fun for adolescents on up. There is almost no profanity in here and no sex. The sets are particularly strange and interesting, from the various houses to the clothing to the computer-enhanced scenery, with gorgeous colors. Make no mistake: this is a very pretty film with so many fascinating objects in here to view that even multiple viewings can't possibly pick them all up.

Obviously, there is a lot to like. I hope there is a sequel.

LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS puts the spotlight on two kids who suffer an almost Dickensian fate complete with a villainous uncle, Count Olaf (JIM CARREY) and an eccentric Aunt Josephine (MERYL STREEP). The uncle wants to deprive them of their rightful inheritance and pulls all sorts of schemes to do exactly that, each time confronted by the clever children who are always able to escape his clutches.

As the children, LIAM AIKEN and EMILY BROWNING are excellent and believable as they confront their wicked and devious uncle with methods of their own.

Carrey is hilarious in his usual over-the-top sort of performance that suits the material and Meryl Streep is equally skillful in an amusing characterization as the aunt who is afraid of just about everything while supposedly taking charge of the three orphans that show up at her doorstep.

The humor is cleverly imposed on all of the characters, especially Carrey, Streep and Timothy Spall who has a fine time in another good character role. Costumes, make-up, settings are all way above average with the look of the film closely resembling something Tim Burton would devise.

A film that never got its due acclaim, it's well worth your time as a fascinating excursion into another world, both darkly grim and still intentionally humorous in conception. Thomas Newsman's score is a major asset, as is narration by Jude Law.

If your childhood was anything like mine, at some point you whined to your parents or another adult, "That's not fair!"--at which point the adult blithely retorted, "Life's not fair." A hard lesson, sure, but one we all learn eventually--life isn't fair; people die, bad things happen to good people, and justice isn't always served. Lemony Snicket's "A Series of Unfortunate Events" books, in which siblings Violet, Klaus, and Sunny Baudelaire start off being orphaned by a fire and then having things go downhill from there, embraces that philosophy with a dark, sly humor that is irresistible. Fortunately, Brad Silberling has kept the spirit of the series mostly intact with this film translation.

The movie encompasses Snicket's first three books, in which Violet (Emily Browing), Klaus (Liam Aiken), and Sunny are foisted off on several guardians by the dimwitted executor of their parents' estate (Timothy Spall). The first and worst of these is Count Olaf (Jim Carrey), a thorough scoundrel who's after the kids' immense inheritance. The children manage to escape, and over the course of the film encounter a kindly snake enthusiast (Billy Connolly) and an ultra-hypochondriac (Meryl Streep), each of whom try to look after the children in their own way. But mostly the Baudelaires look after themselves, each resourceful in their own way--Violet invents contraptions with whatever is at hand, Klaus is a reference desk unto himself, and baby Sunny practices her teething on whatever (or whoever) is convenient. The trio share the sort of unique bond that can only come from having survived a long string of misadventures. Olaf pursues them throughout, aided by disguises which he considers brilliant and which fool everyone except, of course, the ever-observant Baudelaires.

Most of the elements which make Snicket's books so appealing are present here: the entertaining characters, the cleverness of the children, Snicket's delightful black humor (given voice by Jude Law), and even the cunning reverse-psychology promotional scheme of the series (in which the reader/viewer is told, no really, you DON'T want to hear this story, go find something more cheerful, etc.). Carrey gleefully gnaws the scenery as Olaf, and indeed with such a character he can do no less. Browning and Aiken are quite appealing, but the real scene stealer is Sunny (played by twins Kara and Shelby Hoffman). Sunny does not actually speak, but her coos and gurgles are translated via subtitle in a dry and witty manner (another inspiration taken from the series). The production design (combining the best parts of Tim Burton and Edward Gory) creates a fanciful but accessible world which modern inventions like remote car-keys are wielded by characters who dress like they just stepped out of a Victorian melodrama.

It is perhaps too much to ask that the film could have avoided a Hollywood-style attempt to soften its delightfully dreary outlook, or that Carrey could have gone the entire movie without having at least one sequence in which he's just required to be Jim Carrey. But this is kept to a minimum--as Violet herself says, there really is more good than bad here.

I first heard of these books when I saw my younger brother reading them. I got curious and when I saw they were making a movie was sure to read the first three before seeing it. Right off the bat, I can tell you that if you are a completely possessive fan of these books you might be rather disappointed by this movie. The movie condenses books "The Bad Beginning," "The Reptile Room," and "The Wide Window" by slicing the first book in half and placing the other two inside of it, like a sandwich. Of course in order for this to be possible the story has to change to make it work, so some elements are not factual. Combine this with Snicket's usually clever details in the book having to be cut down and very loyal fans are going to be disappointed. The movie also adds in a subplot that the first three books do not possess, but that the later ones (according to my brother) do, so I was a bit bothered by having that element ruined if i choose to read more of the series. I, however, understand the difference between books and movies, and think that on the whole they succeeded in keeping the tone and uniqueness of this series. Carrey as Olaf is wonderful and adds something to a character that seems to be rather dry in the books and the children are believable and easy to sympathize with. While humor was scarce, the tone of the books is more clever than humorous anyway. Overall my only issues are plot-wise and how this creates a choppy feel to the film, but I don't know of a way it could have been done better. The movie was well done with(as many are saying) excellent scenery, costumes, etc., yet nothing made this film completely amazing. It is however, worth the time and money and one should definitely read the books. ~Steven C