Hell - Esplode la furia

"In Hell" is a prison movie -- and as we all know -- prison movies come with their own set of clichés. You know the type... the ruthless head prison guard, a corrupt warden, inmates of various nationalities and tendencies complete with their own stories all within the worst of living conditions. "In Hell" couples this with an utterly brutal and ultimately dehumanizing set of fight pieces set inside the corrupt lifeless Russian prison that come together to form the latest opus from Ringo Lam and Van Damme. Now you'll either look past these clichés maybe even embrace them and enjoy the movie as-is or you won't and should turn back now. Those heeding the warning will venture to find a movie akin to the 'been-there-seen-that' trait, but with a Van Damme twist and shaped by the dark foreboding hand of Ringo Lam.

"In Hell" finds Kyle LeBlanc (Van Damme) living in the former people's republic. Married and working at a steel mill, we get the notion pretty fast that his marriage has taken a few bumps because of his job's placement. He promises to make things right, but before he can his wife is systematically murdered. In court justice is corrupt and Kyle has to find vengeance in the form of a guard's firearm just outside the courtroom as he kills his wife's murderer in a fit of cold blood. The next we see of Kyle he is a torn weary man on a bus in handcuffs on his way to his new life inside the worst prison man has ever seen. A prison where there is no escape and men fight to the death. This is the premise of "In Hell".

The prison itself is this cold, dark, violent and repulsive rat trap of a place. It feels almost too real. You feel the coldness, the destruction of mankind happening within it's walls through Kyle, the subhuman food and lodging, everything. It's there. Kyle wants out and so will you.

Let me just say that Van Damme's latest efforts have been a mixed bag (and that's being kind). The truth is he's fallen quite a ways from his "Universal Soldier" days and that's what makes "In Hell" such a striking success. This isn't a patterned Van Damme movie. This isn't Van Damme playing Van Damme. The fighting scenes don't even display the usual Van Damme-ish feel to them and that's definitely a good thing. They aren't highly complicated or choreographed. There is no video effects or weird camera angles of any sort to highlight the fighting. It's just raw primitive fighting. No mastering of the martial arts just fisticuffs that are brutal and short to the point.

If you watch your share of b-movies some familiar faces in the supporting cast pop up too. Names like Juan Fernández, Robert LaSardo and real life ex-pro footballer Lawrence Taylor (Any Given Sunday) aptly named prisoner "451" that you'll have to see the film to understand why.

"In Hell" is a real nice chance of pace for Van Damme and for that reason alone, I recommend this movie. Don't get me wrong. "In Hell" is not striking movie-making, but for a DTV prison-farce starring Van Damme of all people it's decent.

At last he delivers, after such Bottom of the barrel movies, like Derailed, which must be one of the worst movies to date. In this one Van Damme makes one of is best roles, almost the best prison movie role since Brad Davis in Midnight express (1978) It´s so much fun, to see some new environments, a russian prison which looks so authentic, everyone plays well, standard ingredients is used very well, Strong brutal violence, sodomizing, no glory.

For the first time ever, Van Damme is beaten up during the whole movie, he tries to committ suicide he sleeps in shit. It´s so unusual to see these kind of scenes with Van Damme.

Ringo Lam´s direction is superb,this one and Maximum risk is the best one´s, both directed by Ringo Lam.

See it and really enjoy.

I gave it an 8 out of 10

In Hell, you will find a different Jean-Claude Van Damme. Absent are the overused splits, jump kicks off walls, flips, and his infamous, head-snapping, ballet-like 360* degree jumping spin kicks (I still like them). Instead you find him just using ordinary street fighting techniques, wrestling and getting slammed around half the time. Everyone knows the old saying that a person is the sum of his or her experiences. Well, Van Damme proves it. Kyle LeBlanc (Van Damme)is an American resident alien worker at a Russian engineering plant who plans a vacation with his wife. Tragically, things come crashing down that same evening when his wife is brutally murdered. After the trial results in the killer's acquittal, Kyle, in a fit of rage, guns him down and the guard (by accident). The Russian court unjustly finds him guilty and sentences him to life imprisonment. This is one example of how often too many times politics is thrown into the legal system, American or Russian. Once Kyle sets foot in Kravai (the most notoriously brutal and corrupt prison in Russia), he instantly bears witness to man's inhumanity toward's his fellow man. After being accosted by both violent inmates and sadistic guards, Van Damme slowly turns into a savage monster. The evil warden and his cohorts notices that and forces him to participate in an illegal fighting program. Van Damme not only has to fight for his life, but to also retain his humanity and sanity. I think for a DTV movie Van Damme proved he could be a great actor. He did not play the one-dimensional shallow superhero. In Hell shows us how cruelty can build and at the same time undo a man physically, mentally and spiritually. Here is man who just about reaches the end of his rope, yet he has something to fight for: the memory of his wife still shines on him, in the form of a moth. NFL great Lawrence Taylor does a great job as 451, giving the film the philosophical context. Taylor's 451 reminds me of an ancient proverb: those that harm can teach. While 451 was outwardly a remorseless psychopath, he had in fact held on to what humanity he had left (you will find out how 451 ended in Kravai later). While In Hell is not a silver screen film, it still a great film.

This movie struck me as strange. I am used to a Van Damme as in Kickboxer, Bloodsport and Universal Soldier. And now this. One hardly recognises Van Damme. Seems like he actually is becoming an actor. Though the story is anything but original, it is quite well executed. The acting is above average for a direct-to-video-production. Action scenes are good, quite brutal and graphic - but that's about what I expected - why else would one want to watch a Van Damme movie? Certainly not because of the story. In Van Damme movies the "storyline" so far always was a lame excuse for one good old fashioned action scene after the other.

And that is the strange thing: With this expectation you wont exactly be disappointed, but strangely surprised. This movie has more to offer, especially Van Damme. I'm going as far as to claim that this movie would get better critics and a better reception if it wasn't Van Damme playing the lead. You just aren't used to see Van Damme this way.

That isn't a bad thing, it's just so unfamiliar, unusual. But - Let's get used to it. If this is the direction van Damme is taking, I'm happy with it.

I was really surprised at how much I enjoyed this film, as it was a very hard hitting and brutal drama, which I didn't expect from a Van Damme film. Certain scenes I found profoundly disturbing, but also very gripping and compelling. I think this film deserved more praise than it recieved on it's release, but fans of Van Damme will like it anyway!!! It may also come as a surprise to a more varied movie goer, like it did to me.