VALUTAZIONE IMDb
6,1/10
22.257
LA TUA VALUTAZIONE
Un uomo deve sopravvivere in una prigione dove pericolosi criminali combattono fino alla morte per l'intrattenimento dei guardiani.Un uomo deve sopravvivere in una prigione dove pericolosi criminali combattono fino alla morte per l'intrattenimento dei guardiani.Un uomo deve sopravvivere in una prigione dove pericolosi criminali combattono fino alla morte per l'intrattenimento dei guardiani.
- Regia
- Sceneggiatura
- Star
Manol Manolov
- Ivan
- (as Emanuil Manolov)
Kaloian Vodenicharov
- Dima
- (as Kaloyan Vodenicharov)
Alan Davidson
- Malakai
- (as Malakai Davidson)
Michail Elenov
- Sergio
- (as Mihail Elenov)
Recensioni in evidenza
Firstly, can I just say that this has to be one of the most unoriginal movies I have ever seen. It steals from just about every prison movie ever made, especially "Midnight Express", "Lock Up", "The Green Mile" etc, and with a bit of "Shawshank Redemption" thrown in for good measure. So, if this is the case then why have I given the movie 8 out of 10? Because it's the best Van Damme movie I've ever seen.
Jean-Claude's films are made to appeal to fans of the kind of action film that disappeared from cinemas about 10 years ago: the unthinking, violent, easy-on-the-brain popcorn fodder that he, Arnie and Sly used to churn out by the bucket load. These days, Van Dame is much like Seagal in that all their films go direct-to-video (or DVD, as it now is). However, where as Seagal's post-fame efforts are united by their awfulness, Van Damme has, with "In Hell", made a real effort to do something a bit different.
So, he has no real martial arts skills, and no cheesy one-liners. Instead, he actually acts, and it's quite something to behold. Okay, he's never going to win any awards, but it's nice to see he's making the effort. Director Ringo Lam shoots the movie brilliantly, making it look a trillion pounds when in fact it probably cost about 50p to make. The supporting cast are quite good as well, with no terrible performances rearing up to ruin the film. I must admit, too, that I was quite moved by certain sections, and you could really feel for the prisoners trapped 'in hell' (what a title!).
So, in conclusion, give this movie a watch, and enjoy it- just ignore that you probably know where the plot is going long before it's even got there.
Jean-Claude's films are made to appeal to fans of the kind of action film that disappeared from cinemas about 10 years ago: the unthinking, violent, easy-on-the-brain popcorn fodder that he, Arnie and Sly used to churn out by the bucket load. These days, Van Dame is much like Seagal in that all their films go direct-to-video (or DVD, as it now is). However, where as Seagal's post-fame efforts are united by their awfulness, Van Damme has, with "In Hell", made a real effort to do something a bit different.
So, he has no real martial arts skills, and no cheesy one-liners. Instead, he actually acts, and it's quite something to behold. Okay, he's never going to win any awards, but it's nice to see he's making the effort. Director Ringo Lam shoots the movie brilliantly, making it look a trillion pounds when in fact it probably cost about 50p to make. The supporting cast are quite good as well, with no terrible performances rearing up to ruin the film. I must admit, too, that I was quite moved by certain sections, and you could really feel for the prisoners trapped 'in hell' (what a title!).
So, in conclusion, give this movie a watch, and enjoy it- just ignore that you probably know where the plot is going long before it's even got there.
In Hell isn't quite the Oscar winner, but compared to Van Damme's last couple movies (who are we kidding, almost all of his movies), it is a pot of gold.
Sent to life imprisionment for the murder of his wife's killer, he is thrown into the violent world of prision fighting run by the guards. What happens? Watch the movie.
In Hell is shockingly well made due to it not being the typical Van Damme-fare. He shows a wide range of emotion while holding back his martial arts and instead getting beat up in over half the movie. The main reason to see In Hell is to see a damn good Jean Claude Van Damme movie.
8 out of 10
Sent to life imprisionment for the murder of his wife's killer, he is thrown into the violent world of prision fighting run by the guards. What happens? Watch the movie.
In Hell is shockingly well made due to it not being the typical Van Damme-fare. He shows a wide range of emotion while holding back his martial arts and instead getting beat up in over half the movie. The main reason to see In Hell is to see a damn good Jean Claude Van Damme movie.
8 out of 10
This movie struck me as strange. I am used to a Van Damme as in Kickboxer, Bloodsport and Universal Soldier. And now this. One hardly recognises Van Damme. Seems like he actually is becoming an actor. Though the story is anything but original, it is quite well executed. The acting is above average for a direct-to-video-production. Action scenes are good, quite brutal and graphic - but that's about what I expected - why else would one want to watch a Van Damme movie? Certainly not because of the story. In Van Damme movies the "storyline" so far always was a lame excuse for one good old fashioned action scene after the other.
And that is the strange thing: With this expectation you wont exactly be disappointed, but strangely surprised. This movie has more to offer, especially Van Damme. I'm going as far as to claim that this movie would get better critics and a better reception if it wasn't Van Damme playing the lead. You just aren't used to see Van Damme this way.
That isn't a bad thing, it's just so unfamiliar, unusual. But - Let's get used to it. If this is the direction van Damme is taking, I'm happy with it.
And that is the strange thing: With this expectation you wont exactly be disappointed, but strangely surprised. This movie has more to offer, especially Van Damme. I'm going as far as to claim that this movie would get better critics and a better reception if it wasn't Van Damme playing the lead. You just aren't used to see Van Damme this way.
That isn't a bad thing, it's just so unfamiliar, unusual. But - Let's get used to it. If this is the direction van Damme is taking, I'm happy with it.
Van Damme's latest effort on paper reads much like many other films he has done, in which he finds himself in a situation when he must participate in illegally set up fights. This film being set in prison is also particularly similar to Death Warrant. These are really where the similarities end because this is more dramatic and less flashy than those. There are no sweeping Van Damme kicks played in glorious slow motion, he doesn't seem invincible and is not able to summon great amounts of strength to down 7ft behemoths in one punch, in this film he is an ordinary guy. If he fights someone who looks like they could take him, then he will have a tough time, and get beat up.
This film allows JC to play a character with some depth and some emotion, a character who we sympathise with in the way his wife's death effects him. He kills his wife's murderer when he is let free and so goes to jail and we see the way in which his character goes on a downward spiral without his wife. While this film attempts to have a sympathetic character it has such a hackneyed script, full of clichés that it ends having ultimately wasted one of Van Damme's best performances and some classy direction from Ringo Lam. He is a grade above other b-movie directors and this film looks great, he worked with a good cinematographer and editor to make this look well beyond its 15 million or so budget.
There isn't a single surprise in the film and many of the supporting cast are bad but the better actors all produce some good moments. You feel for certain characters, it is a shame that the majority of the crew and cast aren't matches for the more talented members, however it does allow JC to stand out.
The fights are not about being flash they are rough and ready and pack a punch, and are superbly edited. It makes a change for Van Damme but far more watchable than other films like Nowhere to Run which showed no flashy martial arts. The fighting in this is more like proper wrestling.
As with many low budget movies there are problems with the special effects, such as dodgy CGI airplanes and a poor synth score. In the end though the film was an enjoyable watch while not great it featured quality in the direction and with a decent performance by Van Dammes standards, were not talking Academy awards by any means but possibly a Video Premiere award nomination. ***
This film allows JC to play a character with some depth and some emotion, a character who we sympathise with in the way his wife's death effects him. He kills his wife's murderer when he is let free and so goes to jail and we see the way in which his character goes on a downward spiral without his wife. While this film attempts to have a sympathetic character it has such a hackneyed script, full of clichés that it ends having ultimately wasted one of Van Damme's best performances and some classy direction from Ringo Lam. He is a grade above other b-movie directors and this film looks great, he worked with a good cinematographer and editor to make this look well beyond its 15 million or so budget.
There isn't a single surprise in the film and many of the supporting cast are bad but the better actors all produce some good moments. You feel for certain characters, it is a shame that the majority of the crew and cast aren't matches for the more talented members, however it does allow JC to stand out.
The fights are not about being flash they are rough and ready and pack a punch, and are superbly edited. It makes a change for Van Damme but far more watchable than other films like Nowhere to Run which showed no flashy martial arts. The fighting in this is more like proper wrestling.
As with many low budget movies there are problems with the special effects, such as dodgy CGI airplanes and a poor synth score. In the end though the film was an enjoyable watch while not great it featured quality in the direction and with a decent performance by Van Dammes standards, were not talking Academy awards by any means but possibly a Video Premiere award nomination. ***
At last he delivers, after such Bottom of the barrel movies, like Derailed, which must be one of the worst movies to date. In this one Van Damme makes one of is best roles, almost the best prison movie role since Brad Davis in Midnight express (1978) It´s so much fun, to see some new environments, a russian prison which looks so authentic, everyone plays well, standard ingredients is used very well, Strong brutal violence, sodomizing, no glory.
For the first time ever, Van Damme is beaten up during the whole movie, he tries to committ suicide he sleeps in shit. It´s so unusual to see these kind of scenes with Van Damme.
Ringo Lam´s direction is superb,this one and Maximum risk is the best one´s, both directed by Ringo Lam.
See it and really enjoy.
I gave it an 8 out of 10
For the first time ever, Van Damme is beaten up during the whole movie, he tries to committ suicide he sleeps in shit. It´s so unusual to see these kind of scenes with Van Damme.
Ringo Lam´s direction is superb,this one and Maximum risk is the best one´s, both directed by Ringo Lam.
See it and really enjoy.
I gave it an 8 out of 10
Lo sapevi?
- QuizLawrence Taylor's character is named 451, a reference to Ray Bradbury's novel Fahrenheit 451.
- BlooperAt about 1H 11M, Kyle has dirt on the entire right side of his face when Tolik asks him why he is not fighting. Seconds later when he is pulled from the fight, the dirt is completely gone.
- ConnessioniEdited into Shark Zone (2003)
- Colonne sonoreOh Moon High Up In The Deep Sky
from Rusalka ("The Water Sprite, Jezibaba")
Written by Antonín Dvorák (as Antonin Dvorak)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Hell - Scatena l'inferno
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 17.000.000 USD (previsto)
- Lordo in tutto il mondo
- 293.671 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the Japanese language plot outline for Hell - Esplode la furia (2003)?
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