Gioco di donna

I am a huge fan of WWII era films. I enjoy seeing how costumes and persona's are played out in the film. When i read the synopsis of this particular one, i thought, 'this could be a good one'. But unfortunately, I was disappointed. Theron and Townsend seem as if they are worried too much of showing their real life emotions for each other throughout the film. The whole thing hardly ever connects well. I do like the fact that they spoke the original languages, I appreciate that concept and also, the costume designer did a wonderful job. Nevertheless, Charlize and Stewart look bored through the whole thing, and she also seems as if she is reading her lines from the palm of her hand. The emotions just AREN'T convincing enough.

This is an absolutely top-rate film, and it's a crime it only has two stars. This finely done epic is perfect in every detail - concept, acting, direction, editing, sound, music, set decoration, costume design and everything else. It is also a crime that Sony didn't get behind it. This is an Academy Award level film that was thrown in the trash by Sony and it's distributors. I can do nothing but complain about the state of the entire American film industry when crappy remakes are pushed to the hilt, and drops of golden genius like this are ignored. Of course, the studio couldn't think of a "franchise" to make out of it, and there are no action figures to push. How long with audiences put up with the junk being pushed down our throats, remake after remake? Well, if recent box office is any judge, the public is getting wise. The studios, of course, are clueless.

Charlize dominates this film not only because of her bathtub scene, but because she turns in the best performance of all the actors. This part provides a needed relief from the part that she had in "Monster" and shows her to be a truly beautiful woman.

Personally, I feel that Stuart Townsend is in over his head in trying to be the man that captivates the debutante of France as played by Miss Theron. He plays the part well but seems to be miscast in a role that needs a man that is stronger physically as well as mentally.

Penelope Cruz is outstanding as the lame Spanish beauty. She provides a excellent performance as the stereotypical cripple with a golden heart as she uses her earnings as a model to become a nurse.

The story provides little, if any, inspiration and needs a stronger hand at the screen writing duties.

I was well entertained by this movie and thought the total effect was to keep me interested although it did become predictable in some spots. Perhaps my rating of 7 is partly because I thought that Charlize should have held out for a stronger screenplay for her next movie.

5.5?! I cannot believe some of the reviews on this movie. I really thought that "Head in the Clouds" was a great movie. It has accurate history, remarkable acting, very cool costumes, and a interesting story. Charlize and Stuart are in their second film together and bring so much excitement to the screen. Penelope Cruz does great as the supporting role as well. I would highly recommend this movie for a good watch. Please, do not base this movie on the rating from IMDb. I'm telling you right now, this and "Casino" are the ratings I'm really disagreeing with. They deserve higher, especially "Head in the Clouds". Give this movie a chance, you won't regret it.

9/10

Writer and Director John Duigan has added to his cinematic stature with this recent film about the interrelated responses of three countries - England, France, Spain - to the early phases of WW II and in doing so gives some inadvertent insight into how the continent was so endangered by the little known bad boy Hitler in the years leading up to the horror of a second World War.

The title seems very appropriate - taken from the quip of 'Head in the clouds, Feet on the ground' - as the lead character Gilda (a radiantly beautiful Charlize Theron) seems to float above all of the reality of warring struggles in 1933, focusing her life on paramours, expensive clothes, and 'dangerous liaisons' with a varied assortment of men, all the while keeping a firm stance on needs of her strangely disjointed life. Indeed, the opening of the film finds Gilda in need of shelter from a night's fling with a Cambridge lover and she knocks on the door of a poor struggling Irish student Guy (Stuart Townsend), thus beginning a lasting affair that coasts through the entire story.

Guy eventually follows Gilda to Paris where she is a popular photographer living with her gallerist, but also living with her lesbian lover Mia (Penelope Cruz). Gilda, Guy, and Mia become a triptych and it is only the impact of the rise of fascism in Spain (Mia's home) that separates the ménage a trois: idealistic Guy and compassionate Mia are off to fight Franco while Gilda is left behind to admit to the encroaching threat of Nazis in France and enter into her own version of involvement.

How these three weather the war and resolve their varied degrees of complicity provides the film's finale. The cast is strong, the settings are gorgeous (in all three countries) as captured by cinematographer Paul Sarossy, and the musical score by Terry Frewer introduces a potential talent for film composition (while borrowing heavily from French cabaret songs, symphonic music by Edward Elgar, and pieces of Francis Poulenc). But the overall reason for enjoying this rather long film is the interplay of Theron, Townsend and Cruz in a variety of richly sensuous vignettes. Well worth watching. Grady Harp