Tutto può succedere - Something's Gotta Give

I kept thinking, while watching this movie, "I wish I could write a screenplay as good as this." Jack was Impeccable Jack. Diane was delightful and sexy and a wonderful role model for older women. Keanu showed more range than people give him credit for, and did an excellent job playing the role he was cast as - a supporting character, who is not supposed to outshine the lead roles, but rather enhance them (which he did). I was very pleased with this movie! It did have "several endings" which, actually, didn't detract but instead made me think, "Well, that's closer to the reality of what might happen," instead of being annoyed. As Jack's character says, "Finally, closure," and I was happy. It was a good movie and I liked it quite a lot. It'll be on my mind and in my thoughts for a while, which is the sign of an impactful movie.

It's an enjoyable story with interesting characters who were all spoiled by over-acting. And then there's the times where it's got more cheese than Switzerland.

The teaming of Jack Nicholson and Diane Keaton in Warren Beatty's "Reds" back in 1981 was only given a minute glimpse. The glimpse though turned out to be some of the best parts of a very excellent movie. A film with these two living legends was destined for greatness and that prediction comes to reality in writer/director Nancy Meyers' "Something's Gotta Give". Nicholson is a brash and sometimes quietly obnoxious success from New York who has made a life out of chasing 20- and 30-something year-old girls. He and his newest girlfriend (Amanda Peet) get along really well. They decide to go out to Peet's mother's (Keaton) beach-house outside of the city to consummate their relationship. Of course just as everything looks perfect, Keaton (a noted playwright) and younger sister Frances McDormand (in another wonderful turn) barge in and spoil the fun. All seem a little uncomfortable and you can cut the tension between Nicholson and Keaton with a knife. Before you know it, Nicholson suffers a heart attack and all hell breaks loose. He is rushed to the doctor in the nick of time, but now Keaton has to nurse him back to health at her home. Nicholson's doctor (a good performance by Keanu Reeves, getting away from his stupid "Matrix" films) soon falls in love with Keaton who is totally oblivious to his feelings. And before you know it Keaton's warmth, smile, personality, heart and intelligence eventually wins Nicholson over as well. But you all know about Nicholson's relationships with women (in real life and the movies). Is he ready to fall in love for the first time in his life and make a true commitment? Or will his antics end up making matters worse for all involved (Keaton in particular, who becomes someone you don't want to see get hurt)? "Something's Gotta Give" is a film I really liked a lot. The old-time Hollywood style of the 1940s is very prevalent here in a 2000s package. Nicholson and Keaton, what can you say? They are arguably the two finest performers living today and they do end up feeding off each other's astronomical talents throughout. Sometimes something eventually gives in Hollywood these days, but I am happy to say that it never happens with this product. 4.5 out of 5 stars.

Diane Keaton gives the performance of her career in 'Something's Gotta Give,' writer/director Nancy Meyers' smart and savvy take on middle-age romance. Keaton plays Erica Barry, a 50-something playwright living on her own in a swanky beach house in the Hamptons. Although she has achieved enormous success in her career, her personal life leaves much to be desired.

Erica, though brilliant and attractive, has pretty much shut herself off from the dating scene since her divorce a number of years ago. Erica's life runs like a well-oiled machine, with each element – both personal and professional - fitted neatly into place, with no room left over for spontaneity or passion. One fateful day, Erica stumbles upon a strange man rummaging through her refrigerator, a 63 year-old professional bachelor named Harry Sanborn who, Erica discovers to her horror, is dating her 30 year-old daughter, Marin (Harry is, actually, a notorious bachelor, having been profiled as such in a number of tony New York magazines). Even though Erica is disgusted by the situation, she is forced to take care of Harry after he suffers a heart attack while staying at her place. Despite their diametrically opposed outlooks on love and romance, Erica and Harry spend quality time together, discover their ultimate compatibility, and eventually fall in love.

Meyers has written a witty, sophisticated screenplay that offers insights into any number of 'battle of the sexes' issues. She has outrageous fun exploring the phenomenon of middle-aged men cavorting with women half their age. Jack Nicholson, known in real life for doing just that, has a great time poking fun at his own public image while, at the same time, providing a richly textured portrait of a man who may not be quite as shallow as his persona would suggest. When he so unexpectedly finds his head turned by a vibrant, attractive and intelligent woman in her 50's, Harry, a middle-aged Lothario who finds he needs Viagra to help him keep pace with his youthful 'conquests,' is forced to re-evaluate what has hitherto been the defining philosophy of his personality and lifestyle. Nicholson is magnificent at showing us the profound confusion his character undergoes as he takes those much belated but faltering steps into adult maturity.

Nicholson is, however, only one half of this extraordinary couple. As the other half, Keaton, having been handed what is clearly the role of a lifetime, has never seemed so natural and self-assured on screen. She makes of the character a capable, no-nonsense woman who has allowed her passions to lie dormant far too long. Though, on the surface, she appears confident and in control of her life, Erica is, underneath it all, a woman wounded by past experience and intimidated by a culture that expects women to be put out to pasture the moment they reach middle age. It is this combination of strength and vulnerability that makes Erica such a complex, recognizable individual – and it is the very quality that Keaton captures so exquisitely in her performance. The chemistry generated between Keaton and Nicholson in this film is so glowing and palpable one wonders why no filmmaker ever saw the potential of this dynamic duo until now.

In addition to these two outstanding performers, the film boasts excellent supporting work from Frances McDormand as Erica's pragmatic, clear-headed sister; Amanda Peet as Erica's level-headed daughter; and Keanu Reeves as Harry's handsome young doctor who finds himself smitten by Erica's mature beauty and charm.

'Something's Gotta Give' is that rare romantic comedy that not only acknowledges the romantic inclinations of people over forty, but also recognizes the emotional complexities of their relationships. Because both Erica and Harry have been around the block a few times, they bring a lifetime of baggage to their burgeoning attachment. Thus, unlike in the vast majority of romantic comedies, which are clearly geared to the younger generation, the lovers here have a depth not often encountered when the focus is on two inexperienced neophytes. It takes the experience that comes from living to make a person interesting, after all.

Thanks to the quality of the writing and the performances, 'Something's Gotta Give' takes its place among the great romantic comedy/dramas like 'Two For the Road,' 'Annie Hall,' 'When Harry Met Sally' and 'The American President.' That's mighty august company indeed.

Romance among the AARP set in a movie is never an easy proposition, pardon the pun. The participants have to be sexy enough that the younger people in the audience don't get all grossed out ("Gramma and Granpa are KISSING!!! With tongue!!!!"), but not too sexy. The audience wants to be swept off its feet, but it doesn't want anything that's overly salacious.

For the most part, writer-director Nancy Meyers succeeds here. Diane Keaton plays Erica Barry, a neurotic, highly successful playwright. Jack Nicholson plays himself. Okay, technically he plays 63-year-old Harry Sanborn, owner of a hip-hop record label and chronic womanizer.

One of the funniest scenes in the movie comes right near the beginning. Harry's with his new squeeze Marin (Amanda Peet), at Marin's mom's house. There's Harry, in his boxers and a t-shirt, putting wine in the 'fridge, when Marin's mom - you guessed it, Erica - unexpectedly comes home. Naturally, she thinks he's an intruder and calls 911. I mean, wouldn't you? It takes some explaining, but soon the misunderstanding is cleared up and our combatants (oops, participants) can get on with the romancin'.

The thrust of the story (oops, another pun) is that while fooling around with Marin upstairs, Harry suffers a heart attack. At the hospital, Dr. Mercer (an interestingly cast Keanu Reeves) admonishes the unrepentant Harry for overexerting himself and tells him not to travel for a little while. Yup, you guessed it, that means he has to bunk with Erica. And our romance is thus set up.

The good news is that pairing Keaton and Nicholson (who appeared together in 1982's Reds) was a great, great idea. Keaton basically plays a grown-up Annie Hall, and she manages to look sexy and daffy at the same time. Nicholson, for all his bluster and creakiness, still has the panache that has served him so well for the past forty years or so.

The trouble is that after their relationship is consummated, the two leads behave like seventh graders. Now, no offense to you seventh graders out there, but you do have a tendency to get melodramatic. Admit it. In this movie, Erica spends - no exaggeration here - a good ten minutes sobbing. And sobbing. And sobbing. Everywhere and anywhere. Yikes and double yikes. For his part, Harry broods like no one's ever brooded before, like he's up for an Olympic medal in the event of Feeling Bummed Out. After a while, you wish these two crazy kids would just get over it. Call her! Call him! Do something!

To make matters worse for the relationship, Erica writes a play based on her experiences with Harry, complete with him dancing drunkenly in a hospital gown. Does this lady play hardball, or what?

Granted, the storyline is predictable, but the two leads are wonderful, and very well cast. Meyers wrote the script with Keaton and Nicholson in mind specifically, the decision was a wise one.

Something's Gotta Give has a funny beginning and a sweet ending, but the middle suffers from an unfortunate lag.