Shelter Island

**SPOILERS** Jogging through the streets of NYC well-known motivational speaker and former womens PGA golf champion Louise "Lou" Dalamere,Ally Sheedy, gets attacked by this masked weirdo with a stick-ball bat who almost kills her. After recovering from her injuries Lou and her live-in girlfriend Alex, Patsy Kensit, take a ride out to her country house in far out Shealter Island.

It just happens to be that at the time that Lou & Alex got to the house a major storm hit the island and knocked out all the electricity and telephone lines leaving the two women alone and cut off from the outside world. Just then Lenny, Stephen Baldwin, the local clam digger gets swept up out of the ocean and dropped right into Lou's home.

Agreeing to let Lenny stay over until the storm blows over Lou & Alex soon realize that he's anything but grateful to them for practically saving his life. Lenny imposes himself on the two women with his off-color remarks about their lesbian relationship and makes a total jerk of himself by also trying to hit on to Alex right in front of her startled lover Lou! Thus doing his best to out stay his very brief and unwanted welcome at the Dalamere house.

It's obvious from the start that Lenny was anything but a stranded clam digger or even an Shealter Island resident but was part of some off-the-wall scheme to do in Lou and take off with her money making it look like her death was a drowning accident. It's also obvious that Lenny was the guy who attacked Lou earlier in the film in New York City that left her almost dead and that this time, in secluded Shealter Island, he was going to finish the job that he started back there. What we don't know about Lenny is that he's anything but alone in his attempt to murder Lou and has a lot more help in doing it then we, the audience, and Lou may think.

Stephen Baldwin together with Ally Sheedy and Patsy Kensit are about as odd a trio as you would ever see in a motion picture. In most of their scenes together they came across so absurd that you at first thought that the scenes were badly done out-takes that for some reason or mistake, or maybe even practical joke, ended up getting edited back back into the movie.

There was also the local Shealter Island Sheriff Deluca, Chris Penn, who also got into the act later in the movie that's after you forgot all about him and thought that his brainless actions earlier were just comic relief. Sheriff Deluca is also one of the major players in the plot to do in poor Lou.The ending of the movie was about as anti-climatic as you could make it with the only major actor in the film who, up to then, had nothing to do with the plot to murder and legally steal Lou's money ending up being the "mastermind" of this whole crazy and unbelievable scenario.

Is there a movie category lower than Straight-to-video? If so, perhaps it's Straight-to-Showtime-at-3 a.m., which is where I caught this little oddity. I won't waste any time on how idiotic the picture is since others have already explained it well--but I did want to comment on a "technique" so badly executed that I had to pinch myself to confirm what I was seeing and hearing. Midway though the film, for what seems like 20-30 minutes, there are passages of dialogue and voice-over narration that are accompanied by the actors talking, or mouthing words since you can't actually hear them--you can only hear the voiceovers. It seems like you've stumbled onto the worst dubbing job of all time. The actors appear to converse, and separate dialogue is heard on the soundtrack. I think the director was trying for artiness, a way of conveying events in a way parallel to the action on screen. Or something. We'd have to dig out THE CREEPING TERROR to find another botch job of this calibre.

Whatever happened to Eighth Wonder singer Patsy Kensit after she appeared in the high voltage, high energy thriller 'Lethal Weapon 2'? Well, she went on to appear in a number of okay pictures (the acclaimed 'Twenty-One' and the sweet romantic comedy 'Does This Mean We're Married') and some truly terrible TV-movie-type fodder such as 'Kill Cruise.' Unfortunately, this crass production falls into the latter camp and, despite some good talent and a serviceable script, the movie is betrayed and let down with an overabundance of (blatently obvious) body-double nudity (that would seem more in place in a soft porn production) and a (supposidly) "surprise twist' that is telegraphed early in the movie. Kensit plays the lesbian girlfriend Alex, to Alley Sheedy's motivational speaker character, who persuades her girlfriend to escape the big city after she is brutally attacked. The two seek the solitude on an island and tension arises with the arrival of an injured man, a violent storm that knocks out the phone lines and ferry services to the mainland and the almost voyeuristic fascination with the girls displayed by the local sheriff. Kensit was the reason why I picked up this movie, that and the promise of an okay suspense thriller, but her talent is once again squandered in a movie that fails to deliver any real tension.

Believe it or not this movie was not bad. Definitely a guy movie. It had the three S's of a good flick: sex, suspense and scenery(nude). It's a good flick to watch at bed time when you need something to fall asleep to. William Penn plays a great cop who's elevator doesn't quite go all the way to the top, if you know what I mean. Hats off to Kensit and Sheedy for playing a couple and not shying away from showing their love for each other, if you know what I mean. The plot takes a little twist so as a result interest level is kept at a minimum in addition to all the nice scenery. I wonder if this willingness to play girl on girl for Ally Sheedy is part of her comeback from nowhere that started back when she did girl on girl in Higher Art?

Caught this tonight on cable and have to say it surprised me - didn't figure out what was really going on, even though I knew that what was being shown wasn't the entire story, and I have seen so many films like this, where what you see isn't exactly what you get, where you can't take anything at face value, so it shouldn't have fooled me. But it did. It's the sort of movie that leaves you shaking your head at the end, wondering why you didn't see it coming (no pun intended).

Sheedy, Baldwin and Kensit turn in clever performances, with enough eroticism to keep you watching and wondering where the heck it's actually going. I don't know if it would be as enjoyable in a movie theater, but seeing it at home from the perspective of my couch was a decent experience.