Phone

Ji-won is a reporter who recently uncovered a kiddie sex-scandal. Now the target of hatred by the allies of those she exposed, Ji-Won finds herself being stalked and harassed via her cellular phone. She gets a new phone, but the malicious calls continue. When her young niece Yeong-ju answers the phone one day, she starts yowling and seems permanently traumatized. When Ji-Won starts seeing visions of what appears to be a ghost, she sets out to determine what the hell is going on with her cellular phone, and finds out that the terror is much more personal than she realized.

So there's lots of familiar stuff going on in "Phone." We have a female investigative reporter, the typical female ghost with long black hair, a haunting via modern technology, and jumbled chronology. But this splendid little horror movie is not a rip-off of the effective (but overrated) Ringu. In fact, where many contemporary Asian "supernatural horrors" fail, Phone succeeds. The lead character is admirable and tough as nails, the antagonists are genuinely frightening, the tension is severe, and it doesn't take a rocket scientist to follow the non-linear narrative.

The story twists and turns to the point of unpredictability but not absurdity. The acting is great, mostly by first time actors. But this movie really belongs to the little girl who plays Yeong-ju. This girl OWNS the movie and the right to the title of "Creepiest kid." She goes from an adorable little kid to a demonic looking imp with wild facial contortions (sans CGI!) that has violent outbursts and tries to snog her father.

Some parts of the film are cheesy (after all, it is about a possessed cellphone), but all in all this is a great and rather sick movie. Phone confirms for me that the new wave of South Korea cinema is one of the best places to look for effective horror films these days.

My Rating: 8/10.

Most of what can be said about this movie has been said by other commenters, but I still would like to put my views forward.

The is a horror movie, in the wake of The Ring (Ringu). The main character is a journalist (as in Ringu) who has written a series of articles about sex offenders which has brought down on her some dangerous people who have been exposed in the scandal.

When she changes her cellphone number to escape her tormentors she ends up with a number with special significance - 6644. From this point on she ends up getting very weird phone calls and after each one, she experiences increasingly violent visions.

The movie is very derivative, this is true. But which horror movie isn't? Dismissing a horror-flick and saying "This movie from 1954 has the same thing" is stupid. You can always find some older work which is similar or even the same. It's no mean feat. What's important in a horror movie is one thing: is it scary? My answer is: it is.

I was very skeptical at first and found the opening scene to be almost dull. But the enterprise takes off, most of all with the incredible performance of the little girl who can turn from sweet little angel to devlish banshee on a dime. If for no other reason, go see it and you'll have to agree that she is completely believable as possessed.

I also believe that the story is richer if less original than the Ring. It is also a very well made without much special effects or gore. It relies heavily on acting and suspense and does this well.

More story than the Ring, less originality. About as suspenseful. I think that if I'd seen the Phone before the Ring I would've liked it more.

That's my two cents worth. :) Go see it if you like horror. Don't see it if you're just going to go look for similarities with older movies.

Man, this film gave me the chills! Quite a few scenes might not make sense until the ending explains why and how it all fits together. One doesn't really understand the young girl's obsession towards her father at first, but it all makes sense with the big reveal. I did feel some details were mentioned over and over for the sake of the story, and did not make believable everyday conversation. The film also jumps backwards and forward in time and one has to understand this storytelling method to fully understand the story. The twist ending was unexpected and a great turn of events.

After writing a series of articles about pedophilia, the journalist Ji-won (Ji-won Ha) receives threatening calls on her cellular and she changes her number. Her close friend Ho-jung (Yu-mi Kim) and her husband Chang-hoon (Woo-jae Choi) invite Ji-won to move to their house in Bang Bae that is empty and closed. When the young daughter of her friends Young-Su (Seo-woo Eun) answers a phone call in her mobile phone, the girl screams and changes her behavior, feeling a great attraction for her father and rejecting her mother. Meanwhile Ji-won receives weird phone calls and sees and listens to a teenager playing Beethoven's "Moonlight Sonata" on the piano. After investigating her phone number, Ji-won discovers that the original owner of the number, Jin-hee (Ji-yeon Choi), had vanished and the two next owners of the number have mysteriously died in unusual circumstances. Her further investigation about Jin-hee discloses that the teenager was absolutely disturbed with her obsessive love for a man that had broken the relationship with her, and later she unravels dark and tragic secrets about the fate of Jin-hee.

"Pon" is a scary and consistent ghost story that uses elements of many other horror movies but works very well. The association is immediate with "Fatal Attraction" and "Memento Mori" with the obsessive love of Jin-hee; "The Exorcist", with the possession of Young-Su; "Whispering Corridors" franchise with the ghost in the high-school; "Ringu" , "Dark Water", "Ju-on the Grudge" and many other Asian horror movies with the shape of the haired ghost and supernatural situations. The screenplay follows the standard of most Asian horror movies, with non-chronological sequences and a strong twist in the very end. The actresses are excellent and extremely gorgeous, but I was impressed with the performance of the very young Seo-woo Eun, specially after her possession, with her face changing abruptly in many situations. My vote is seven.

Title (Brazil): "O Telefone" ("The Telephone")

The biggest problem this film has is that everyone's first impression of it is "Ringu (1998) with a cell phone". While understandable, it's not really a fair assessment. While both deal with spirits using modern technology to exact their revenge, Phone is more a story about personal betrayal and revenge that uses the supernatural as a means of exposing the actions of the living characters. It's not really groundbreaking, but overall I found it to be a very enjoyable film.

Special recognition, in my opinion, should go to Seo-woo Eun, who played Yeong-ju. The kid has a definite talent for looking creepy.