Il fiore del male

It is easy to see the hand of Claude Chabrol in this movie. This is both a good thing and a bad thing. It is good when the story is taught and lean and the nature of evil in the human soul is explored. It is bad when the music gets so heavy handed. The rim shot effects that I loved in Le Boucher are annoying in this one.

On the other hand Chabrol teases us wickedly. When it is over we aren't sure who is related to who, or more precisely how they may be related. Wicked man.

A bit of a guilty pleasure perhaps. It is too bad that there has yet to be a director to step up and take Chabrol's place. I loved the young people and as an American the takes on American tastes were precious.

This is a 100% French movie possibly not ever intended for American viewers. However, being the francophile that I am, I dug up "Flower of Evil" at my local library and proceeded to view it with much anticipation. Nathalie Baye is one of my favorite French actresses.

The story moves along a little slow but the mood of the film is enticing and it leads you to believe that something dark is lurking just beneath the surface.

That dark stuff emerges later on in various subplots while the entire plot does thicken up a bit with good tension. I felt a bit let down when it came time for a climax but I wouldn't dismiss this film because of that, I really enjoyed the superb acting, fine character development, and otherwise gripping story, a characteristic of many French dramas. Maybe some of the subtlety was just lost on me, but I liked the fact that you're never sure who's good or bad, but you end up feeling for each character.

"La Fleur du Mal" is a film for serious film watchers and/or students of acting or drama, and not for mindless entertainment.

Director Chabrol takes on the French bourgeois so insidiously, so quietly, so subtly, that you don't realize his cinematic scalpel has just removed several layers of sensitive skin; this family-based thriller shows a woman running for office, examines her philandering husband, and zeroes in on two slightly incestuous slightly related children, all under the care of a quietly smiling, deadly caretaker, who smiles while encouraging the tots to misbehave.

The plot, such as it is, could be frustrating if the viewer is looking for any kind of forward action--this is an expose of empty morality, and hardly qualifies as a suspense film (you might even ask--when will this end?), but in considering the gorgeously cinematic interiors (and beach setting) in contrast to the vapid emptiness each character ultimately reveals, this could be a film you like very much; it's typically French in that it tends to look inside rather than outside, examine character development in lieu of action perpetrated by a hero.

The picture talks upon a bourgeois family formed by parents previously divorced (Bernard Le Coq and Natalie Baye) , sons (Benoit Maginel and Melanie Doutey) and grandmother (Suzanne Flon). Terrible secrets emerge and are creating a spiral of consequences until lead to a tragic final .

The movie is well directed by Claude Chabrol who's deemed to be a master in the suspense genre , besides is considered as an initiator of the new wave or nouvelle vague , this movement had got splendor during the 60s . It's habitual in Chabrol films to deal with particular issues, thus : Obsession , adulteries , assassinations , jealousy , treason and he makes a penetrating description of the middle bourgeois class . All those characters are well narrated in the film . The cast is excellent , Benoit Maginel is good , Melanie Doutey is beautiful and attractive . Natalie Baye and the veteran Suzanne Flonn are impressive. Cinematography by Eduardo Serra (Young of the earring pearl ) is nicely made although mostly developed at interior scenarios. The film will appeal to suspense fans and Claude Chabrol moviegoers. Rating : Above average. Well catching.

"La Fleur du Mal" (Flower of Evil) unfolded like a multi-layered nineteenth-century novel. There was a plot involving politics, a plot involving romance, and the deep family secrets that appear to have afflicted the characters in a multi-generational curse. One of the characters even refers to their lives as the equivalent of a novel by Emile Zola.

I appreciated the rich psychological levels of the characters and the fine performances under the direction of Claude Chabrol. The character of Aunt Line as played by Suzanne Flon was especially moving. There were effective emotional moments involving reverie and interior monologue that conveyed great depth of feeling. In American films, we would have been given generic "flashback" scenes. In the more subtle European film-making style, the performer conveyed the past through emotional expression.

Like so many of the great nineteenth-century novels where everyone seems to be marrying his or her cousin, so too in "La Fleur du Mal" one of the plot lines focuses on a young man and woman deeply in love, who realize that their bloodlines are too close for comfort. Some of the film's most intense scenes are those in which the couple seeks to understand their complex family ties.

Interestingly, this eclectic film is not without dark humor, including a truly bizarre sequence related to an accidental murder. Stylistically, this is a film experience with lush cinematography of the contemporary Bordeaux region, filled with sensitive compositional choices and careful set-ups. If the characters had been outfitted in nineteenth-century costumes, this really could have been a Zola novel.