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6,4/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn ex-pop singer kills her much-hated husband to be with her young lover. Her daughter plots Electra-like revenge.An ex-pop singer kills her much-hated husband to be with her young lover. Her daughter plots Electra-like revenge.An ex-pop singer kills her much-hated husband to be with her young lover. Her daughter plots Electra-like revenge.
- Premi
- 4 vittorie e 2 candidature totali
Joshua Farrell
- Policeman
- (as Josh Hutchinson)
Christopher McDaniel
- Moving Man #1
- (as Chris McDaniel)
Steve Guilmette
- Flashback Shadow
- (non citato nei titoli originali)
Recensioni in evidenza
I watched this as someone who knows and loves the styles of movie-making and acting that Busch and company are spoofing. Even so, I occasionally found the script it a little draggy, the photography a little dark and blocking a little static, but only occasionally. When it did work, which in my opinion was most of the time, it did so delightfully. Totally unpretentious, it doesn't make itself out to be anything other than it is. I give it an 8.
"Die, Mommie, Die" is a campy parody of the "woman's picture". Mostly a sendup of Joan Crawford but includes things from other movie queens by the new movie "queen". If you have not seen many of these films, you won't get a lot of the humor, including the over-complicated plot, special lighting, clothes, facial expressions, poses, names, etc. There is nudity, sexual material, vulgar language, etc. It is a hoot for adult audiences.
GRADE = "B"
GRADE = "B"
Charles Busch has a cult following in New York City, as he's known for his hilarious plays. A few years ago, he broke into the mainstream with the Broadway hit, Tale of the Allergist's Wife, and now there's even a documentary about him.
An immensely talented writer, he knows the classic female legends genre backwards and forwards and can play one with the best of them.
"Die Mommie Die" was originally a Busch play, and the film, albeit low budget, is excellent - actually, all the better because it's low budget. It's a combo of "Dead Ringer," "The Big Cube," "Whatever Happened to Baby Jane," and "Hush, Hush Sweet Charlotte."
Busch plays Angela Arden, who performed with her twin sister Barbara. Angela broke with Barbara and made it big, while Barbara wound up in broken-down supper clubs. Barbara eventually died.
Today Angela, a real tramp, is living the high life with a rich husband, a gay son, a Lolita-type daughter, and a young boyfriend (Jason Priestley).
Busch is hilarious, resembling Kathy Griffin, wearing fabulous clothes and looking darn good.
This film has a gay sensibility, but if you love the old movies it's based on, you should enjoy it. Very high camp.
An immensely talented writer, he knows the classic female legends genre backwards and forwards and can play one with the best of them.
"Die Mommie Die" was originally a Busch play, and the film, albeit low budget, is excellent - actually, all the better because it's low budget. It's a combo of "Dead Ringer," "The Big Cube," "Whatever Happened to Baby Jane," and "Hush, Hush Sweet Charlotte."
Busch plays Angela Arden, who performed with her twin sister Barbara. Angela broke with Barbara and made it big, while Barbara wound up in broken-down supper clubs. Barbara eventually died.
Today Angela, a real tramp, is living the high life with a rich husband, a gay son, a Lolita-type daughter, and a young boyfriend (Jason Priestley).
Busch is hilarious, resembling Kathy Griffin, wearing fabulous clothes and looking darn good.
This film has a gay sensibility, but if you love the old movies it's based on, you should enjoy it. Very high camp.
I can't say enough wonderful things about DIE MOMMIE DIE. It's the funniest and most entertaining movie I've seen this year. Charles Busch is hysterically funny. And he's a wise and generous actor who lets the rest of the cast shine along with him. Everyone else -- particularly Natasha Lyonne, Jason Priestly, and Frances Conroy -- is great -- and obviously having a lot of fun with the story's loopy, inspired twists and turns. Director Mark Rucker has done a fantastic job with this material; it's a very impressive and knowing debut. And, of course, the production design and costumes are outstanding!
While this is a giddy, spot-on parody of the melodramas we all know and love, you don't have to know all the references to enjoy this movie. It's strong enough to stand on its own. I saw it at a recent film festival -- and it put me in the BEST mood. I can't wait to see it again -- and bring my friends.
While this is a giddy, spot-on parody of the melodramas we all know and love, you don't have to know all the references to enjoy this movie. It's strong enough to stand on its own. I saw it at a recent film festival -- and it put me in the BEST mood. I can't wait to see it again -- and bring my friends.
Beautiful, glamorous, fading singer Angela Arden (Charles Busch) is miserable. Her horrible husband is making life hell; her daughter Edith (Natasha Lyonne) loves daddy--too much; her son Lance (Stark Sands) is gay and into drugs; her lover Tony Parker (Jason Priestley) is sleeping with her and Edith and Lance....Angela suffers exquisitely.
A parody and a loving remake of the womens pictures made from the 40s up to the 60s. Busch (a man in drag) looks perfect and suffers constantly; the settings are beautiful; the dialogue high camp; everybody and everything looks picture pretty...even the flashes of (male) nudity and sleazier aspects are handled in a very "pretty" fashion. Also it includes some hilariously obvious back screening. This works beautifully because the whole cast plays it straight--there's no winking at the camera or overacting. Busch is just great in his role--he evokes Susan Hayward and Joan Crawford at their best. Lyonne and Sands are having a fun time as her seriously disturbed children--especially Sands. And who ever though Priestley could be such a great actor. He plays everything straight-faced beautifully. Also there are a TON of film references for film buffs.
My only complaint--and this is minor--is the color isn't as bright and strong as it should be. It seems kind of washed out.
That aside this is really a great film. A must for gay men and film buffs.
A parody and a loving remake of the womens pictures made from the 40s up to the 60s. Busch (a man in drag) looks perfect and suffers constantly; the settings are beautiful; the dialogue high camp; everybody and everything looks picture pretty...even the flashes of (male) nudity and sleazier aspects are handled in a very "pretty" fashion. Also it includes some hilariously obvious back screening. This works beautifully because the whole cast plays it straight--there's no winking at the camera or overacting. Busch is just great in his role--he evokes Susan Hayward and Joan Crawford at their best. Lyonne and Sands are having a fun time as her seriously disturbed children--especially Sands. And who ever though Priestley could be such a great actor. He plays everything straight-faced beautifully. Also there are a TON of film references for film buffs.
My only complaint--and this is minor--is the color isn't as bright and strong as it should be. It seems kind of washed out.
That aside this is really a great film. A must for gay men and film buffs.
Lo sapevi?
- QuizCharles Casillo alleged that 'Charles Busch' had plagiarized his 1989 play "One Night Stand In A Lonely Hotel" and a temporary restraining order was issued ordering that he be given credit for the story and play. On 7 November 2003, a judge ruled that there were "no substantial similarities of protectible expression" between the play and the film and ordered that the injunction be removed, and that Busch be given sole credit for the film.
- BlooperMovie is set in 1967 but Angela sings the Blood, Sweat & Tears hit "Spinning Wheel" which was not released until 1969.
- Citazioni
Edith Sussman: What kind of a crazy world is this? My father's dead and my mother's gigolo shows up ready for some hot action!
- Curiosità sui creditiAfter the credits, there is silent black and white footage of Angela christening a ship.
- ConnessioniFeatured in Anatomy of a Scene: Die, Mommie, Die! (2003)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 320.092 USD
- Fine settimana di apertura Stati Uniti e Canada
- 54.129 USD
- 2 nov 2003
- Lordo in tutto il mondo
- 320.092 USD
- Tempo di esecuzione1 ora 30 minuti
- Colore
- Mix di suoni
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