VALUTAZIONE IMDb
6,1/10
1063
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaPaul Miller has struggled as an actor in Hollywood for years, and now he's had enough. In two days, he's going to kill himself. But in true Hollywood style, he's hired a film crew to chronic... Leggi tuttoPaul Miller has struggled as an actor in Hollywood for years, and now he's had enough. In two days, he's going to kill himself. But in true Hollywood style, he's hired a film crew to chronicle his last moments.Paul Miller has struggled as an actor in Hollywood for years, and now he's had enough. In two days, he's going to kill himself. But in true Hollywood style, he's hired a film crew to chronicle his last moments.
Elizabeth Hudson
- Helen
- (as Libby Hudson)
Rob Benedict
- Scott
- (as Robert Patrick Benedict)
Recensioni in evidenza
2 Days is a movie about the last few days of Paul's life. Paul, a struggling actor, has decided to commit suicide in two days and wants to film them in lieu of leaving a suicide note. Paul goes around to his friends and family and agent and says goodbye the best way he can. The film crew is made up of Paul's best friend, who wants the movie to be fixed and have some kind of climactic feel good meaning to the whole thing, the co-director, who really wants to document the reality without creating any false meaning to the whole deal, and then the sound guy, camera guy, and briefly a make-up girl. The film crew has there own problems throughout the movie, the director is a conniving ass, the sound guy likes the director's girlfriend, etc.
This movie is actually very good. The camera switches to let you know which parts the film crew films and which parts are parts of the actual movie by limiting the amount of screen that you see. The camera's all use a fuzzy grainy filter, but it seems like it belongs. The writing and pacing of the movie is perfect, it keeps it exciting and interesting even though he's only going day to day to people's houses and talking to them. The story, while made mostly depressing for a long time, as cynical dark humor, and a very good message to send throughout. The story of the film crew is also critical of film crews in general, from the people who are on them to the things they try to do to shape even nonfiction movies like documentaries.
Though there wasn't a whole lot bad about the movie, a few things deserve pointing out. First off, there is a few attempts at humor early in the film, which mostly dies out by the time the movie is about halfway through. I blame it mostly on the fact that the movie is about a guy who wants to commit suicide, there's a bit of a dark cloud hanging over the story that makes the funny parts more along the lines of frown and shake your head parts. Besides that, the grainy filter of the movie is still a little hard to get used to, and some of the lighting comes through the camera a bit too bright.
Characterization in this movie is done perfectly, both through writing and through acting. Paul Rudd does perfectly as Paul, it almost feels like a movie about himself. The sub-director is a likable character who wants to film honestly, but you want to ring his neck a bit for not trying to stop Paul more. The director, Paul's best friend, is a serious ass and you really want to kick his ass more than the guy who wants to commit suicide. The rest of the crew have distinct personality that mainly plays into humorous situations but still works and are all acted out brilliantly. This is a great cast.
Overall, the movie is great, I don't want to give away the ending. If you're looking for a good independent with great acting then this movie is quality stuff. If you're looking for Paul Rudd before 40-year old virgin, this is the stuff to get.
Final Score: 8/10
This movie is actually very good. The camera switches to let you know which parts the film crew films and which parts are parts of the actual movie by limiting the amount of screen that you see. The camera's all use a fuzzy grainy filter, but it seems like it belongs. The writing and pacing of the movie is perfect, it keeps it exciting and interesting even though he's only going day to day to people's houses and talking to them. The story, while made mostly depressing for a long time, as cynical dark humor, and a very good message to send throughout. The story of the film crew is also critical of film crews in general, from the people who are on them to the things they try to do to shape even nonfiction movies like documentaries.
Though there wasn't a whole lot bad about the movie, a few things deserve pointing out. First off, there is a few attempts at humor early in the film, which mostly dies out by the time the movie is about halfway through. I blame it mostly on the fact that the movie is about a guy who wants to commit suicide, there's a bit of a dark cloud hanging over the story that makes the funny parts more along the lines of frown and shake your head parts. Besides that, the grainy filter of the movie is still a little hard to get used to, and some of the lighting comes through the camera a bit too bright.
Characterization in this movie is done perfectly, both through writing and through acting. Paul Rudd does perfectly as Paul, it almost feels like a movie about himself. The sub-director is a likable character who wants to film honestly, but you want to ring his neck a bit for not trying to stop Paul more. The director, Paul's best friend, is a serious ass and you really want to kick his ass more than the guy who wants to commit suicide. The rest of the crew have distinct personality that mainly plays into humorous situations but still works and are all acted out brilliantly. This is a great cast.
Overall, the movie is great, I don't want to give away the ending. If you're looking for a good independent with great acting then this movie is quality stuff. If you're looking for Paul Rudd before 40-year old virgin, this is the stuff to get.
Final Score: 8/10
I just picked up Two Days on a whim at the rental store, and was more than pleasantly surprised by how much I enjoyed it. I found Paul Rudd's performance moving and the rest of the characters to be involved in a sort of black comedy. I don't usually comment on movies but I wouldn't want the previous user's comment to dissuade someone from seeing a worthwhile film. Subjects don't have to be dissected in order for them to have meaning, so I don't feel that the film needed any improvement. I found the crafting of the screenplay itself to be original, even for an independent film. In response to the prior user's comment on the lack of reflection on suicide, I'd like to contend that Two Days is not a film about suicide, it's a film about life.
I really enjoyed the cast of this film. Paul Rudd was really good. I usually see him as a funny guy, but he acted more dramatic in this film and he was pretty good. There was one scene towards the end that really got to me and I didn't know Paul Rudd could act like that. The film had an interesting story line. It is about a man who wants to kill himself and he has some of his friends video tape it like a documentary. The only problem with this film was that it seemed too boring at times. Like there was not much going on. Some of the characters personalities made up for it at points, but not all the time. Adam Scott was pretty funny as his character. His outfits were probably the best. So overall, it was a decent film. I just wanted to see more to it.
One of the hardest things to pull off is a comedy mixed with serious drama. This film does it well. The acting is superb and the story is engaging.
Most of the craziness revolves around the main character, who remains steadfast in his resolve to kill himself even as others plot to change his mind or refuse to take him seriously. The actress who plays his girl friend, Rachel, could be the next Halle Berry. Beautiful and talented. Some of the other actors are also deserving of bigger and better roles in the future.
This film just came out on DVD-- check it out.
In regard to the scene on the beach-- I think his intent is made clear by his statement about the credit cards.
Most of the craziness revolves around the main character, who remains steadfast in his resolve to kill himself even as others plot to change his mind or refuse to take him seriously. The actress who plays his girl friend, Rachel, could be the next Halle Berry. Beautiful and talented. Some of the other actors are also deserving of bigger and better roles in the future.
This film just came out on DVD-- check it out.
In regard to the scene on the beach-- I think his intent is made clear by his statement about the credit cards.
TWO DAYS (US, 2003)
Director: Sean McGinley Starring: Paul Rudd, Donal Logue
I caught this movie on cable by accident and it managed to surprise me. It places Paul Rudd as a failing actor named Paul Miller who, having decided to commit suicide, hires a film crew to document his last days. A depressing subject, but handled beautifully.
In the beginning, we are unsure if Paul is joking or not. He constantly whines about his life, yet from the friends who are interviewed in the documentary within the film, we feel that he may be doing it for the attention. At least they think so. The crew goes from best friend to ex fling to ex girlfriend to his agent, each trying to convince him not to do it, and each time he seems to soften up a little to the idea of life. After each visit, the crew asks if he still wants to kill himself. He seems not to be fazed.
Why would someone want to film himself in his last days, culminating in his death (which would label the doc a snuff movie)? It's almost as if he wants them to talk him out of it, although throughout the film he simply shrugs and says to his new buddies with the cameras "I'm still doing it." And why not? We learn that his agent won't return his calls, neither will his successful actor friend who suddenly invites him to work with him. Also, in a fantastically touching scene where Paul demonstrates his acting ability (and a revelation from Paul Rudd as well) we can see how frustrated he has become. He IS incredibly talented, yet still no joy. Soon the crew members are rooting for him, they become his best friends after a period of only two days. This is as much a comedy as a drama and until seeing the film, it's hard to see how, but it is there. In the final scenes where Paul has to make his major decision, we are not treated to atmospheric music or flashy jump cutting that any mainstream film may use to create the right intensity. Instead the finale relies solely on Rudd's excellent performance and the alternating between the film stock and the video footage used by the documentary crew.
Having said all that, there are some minor quibbles. In the film's midsection, it drags as dialogue is repeated as the structure of the first act recurs in the second. The filmmakers are trying to make the point that no matter how many people try to talk him out of it, he's not budging, but we got that, we understand without it, so it just seems like padding. That and a pointless subplot involving a relationship between Stu the producer's girlfriend and the sound man are a tad out of place and not in keeping with the story. In some films you need these subplots, maybe for comic relief or to set up plot devices for later on. This film is not one of them. That and Stu the producer gets on your nerves after a while. However, the acting is superb, especially from Rudd who really sinks his teeth into the role, the kind he hardly ever gets, and the direction is skilfully handled switching between what we see and what the documentary crew sees through their cameras. An engaging little indie flick.
Director: Sean McGinley Starring: Paul Rudd, Donal Logue
I caught this movie on cable by accident and it managed to surprise me. It places Paul Rudd as a failing actor named Paul Miller who, having decided to commit suicide, hires a film crew to document his last days. A depressing subject, but handled beautifully.
In the beginning, we are unsure if Paul is joking or not. He constantly whines about his life, yet from the friends who are interviewed in the documentary within the film, we feel that he may be doing it for the attention. At least they think so. The crew goes from best friend to ex fling to ex girlfriend to his agent, each trying to convince him not to do it, and each time he seems to soften up a little to the idea of life. After each visit, the crew asks if he still wants to kill himself. He seems not to be fazed.
Why would someone want to film himself in his last days, culminating in his death (which would label the doc a snuff movie)? It's almost as if he wants them to talk him out of it, although throughout the film he simply shrugs and says to his new buddies with the cameras "I'm still doing it." And why not? We learn that his agent won't return his calls, neither will his successful actor friend who suddenly invites him to work with him. Also, in a fantastically touching scene where Paul demonstrates his acting ability (and a revelation from Paul Rudd as well) we can see how frustrated he has become. He IS incredibly talented, yet still no joy. Soon the crew members are rooting for him, they become his best friends after a period of only two days. This is as much a comedy as a drama and until seeing the film, it's hard to see how, but it is there. In the final scenes where Paul has to make his major decision, we are not treated to atmospheric music or flashy jump cutting that any mainstream film may use to create the right intensity. Instead the finale relies solely on Rudd's excellent performance and the alternating between the film stock and the video footage used by the documentary crew.
Having said all that, there are some minor quibbles. In the film's midsection, it drags as dialogue is repeated as the structure of the first act recurs in the second. The filmmakers are trying to make the point that no matter how many people try to talk him out of it, he's not budging, but we got that, we understand without it, so it just seems like padding. That and a pointless subplot involving a relationship between Stu the producer's girlfriend and the sound man are a tad out of place and not in keeping with the story. In some films you need these subplots, maybe for comic relief or to set up plot devices for later on. This film is not one of them. That and Stu the producer gets on your nerves after a while. However, the acting is superb, especially from Rudd who really sinks his teeth into the role, the kind he hardly ever gets, and the direction is skilfully handled switching between what we see and what the documentary crew sees through their cameras. An engaging little indie flick.
Lo sapevi?
- BlooperWhen Paul and his father are talking outside the restaurant, a piece of filming equipment is clearly visible between them in the reflection of the car window.
- ConnessioniReferences 8 sotto un tetto (1989)
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- Tempo di esecuzione1 ora 27 minuti
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