Mr. and Mrs. Iyer

This is among the best of movies Indian cinema has produced. The plot/ storyline is powerful which is augmented by splendid performance by lead actors. It also exhibits the communal undercurrents going on in Indian society. It was a bold step to address these issues. Another aspect is the soft feelings produced among the lead actor and actress. As a contrast from the prevalent trend in Indian cinema wherein there is the notion of "love at first sight" in almost all movies, in this movie the feelings of love evolves from simple caring to a very strong one. It also exhibits the true picture of oriental society where common people just don't go on singing love songs or fighting antagonists of their love life. My best wishes to the whole crew of the movie.

An exceptional movie. Aparna Sen's choice of majority Hindu population as perpetrators of communal violence was daring, and probably killed the film's prospects at the box office,but significant. There have been innumerable instances of communal violence in India against Muslims, lower class Hindus and Sikhs, for which not a single person has spent a day behind bars. True to life, Aparna Sen's film isn't focused on the violence or the people behind those crimes. That happens. The terror is in the background, only it's effect on the protagonists is visible on screen. The main story is about the change of heart of an orthodox, highly educated, prejudiced and ignorant woman. Some of the subtle nuances would probably escape non-Indian viewers, but there are plenty of things to appreciate for all. The ending ("Goodbye Mr Iyer") would easily be among the best 10 endings I have ever seen in any movies among them Mouchette and Dead Poet's Society. In the acting department,all the cast have acted well, but special mention must be made of Konkana Sensharma for her outstanding performance. Aparna Sen's direction is outstanding, and outclasses any of Mani Ratnam's films who makes similar kind of political-personal dramas. A must see movie for all.

Indian movie seems to continue to come of age. Mr. & Mrs. Iyer is a refreshing departure from the plethora of Indian movies based on the identity crisis facing the Indian diaspora (please God, no more movies on ABCDs).

The background of the movie sees India at conflict with itself; this Hindu-Muslim divide providing a tense background to in effect a beautiful "love" story between two strangers. This is the movie's strenght - the politics remain in the backseat while the focus is solely on the interaction of the lead characters. Modern India of the conservative Hindu and the liberal Muslim is played out in subtle nuance filled scenes (ex, drinking from the water bottle) etc. Over the course of the movie, the characters learn to trust from each other and understand that they do need each other. The evolution of their relationship makes this movie a must-see. Aparna Sen's gentleness is very evident throughout the movie.

As an Indian, this movie can be hard to watch. I agree with some of the other posters, it celebrates violence and plays into a western cliche of religious relations in India. It fails to address the tremendous harmony thats present in a country of 1 billion people. Yet, its also a call for Indians to understand that the euphoria in a country can mask concerns of religious intolerance which Indians must face together. Perhaps a wakeup call that our democracy wich has worked so well is in danger due to vested political interests.

Mr. and Mrs. Iyer deals with many prevalent issues existing with in India today. It is a social commentary on the class system, religious warfare and gender inequalities. The film is shot beautifully, juxtapopposing the beauty of nature against the 'uncivilised' capacity that us humans have to bestow on one another. The script is written thoughtfully setting up charged dynamics between the main characters Raja and Meenakshi.

Konkona Sen Sharma's performance is delightful with her authentic accent and mannerism of a South Indian. Rahul Bhose performance is sensual and heartfelt, portraying depth and breadth.

The wonderful thing about this film is that although it focuses on a particular situation, it illustrates issues that exist worldwide, in all walks of life, simply manifesting themselves in different situations. Meenakshi faces constrictions throughout life due to her gender, she is constricted and faces the 'glass ceiling'. She longs to be free and to live life freely as Raj does. Raj is free is every sense of the word, physically he is free to roam the world. He is also free from the psychological limitations from which Meenakshi suffers, that of class and caste bound prejudice. The religious warfare shown is a very current issue, with fundamentalism at its most notorious in years.

Definitely worth seeing. 8/10.

Meenakshi Iyer is traveling on a bus with her son Santanam and befriends a fellow passenger Raja, a wild-life photographer. When fundamentalists attack the bus, she claims the photographer as her husband thus saving his life. Reason: Raja is Muslim. What follows later is a compelling journey into human relationship under critical circumstances.

Rahul Bose yet again delivers fantastic performance. Bhisham Sahni and Surekha Sikri played the old Muslim couple in the bus. It was great to see Bhisham Sahni after a long sabbatical.

Finally about Konkona Sen Sharma - to be frank, I was a bit skeptical about the gifted director Aparna Sen's daughter. To me the star-kids are pampered lot and fail to rise above the talent of parents. Noteworthy performance of Konkona Sen Sharma as a orthodox Tamil Brahmin house-wife leaves you mesmerized. The finer nuances right from her accent, language, mannerism, dress, bindi has been portrayed with utmost perfection. The parallel cinema can now rest as we have an apt successor to Shabana Azmi.

A very different story devoid of the usual Bollywood masala but made with sheer conviction that makes the audience captivated into the storyline. Worth commending is the directors ability to extract the best out of the principal cast.

Undoubtedly a launch vehicle from Aparna Sen showcasing her daughters talent - and it hits the bull's eye.