Marigold

In his first directorial endeavour since 1999's TOM'S MIDNIGHT GARDEN, writer/director/producer Willard Carroll followed the lead of 2004's BRIDE & PREJUDICE in attempting to take Bollywood aesthetics to a western audience. Independently produced but boasting strong production values and a recognisable Hollywood actress in the lead (Ali Larter), MARIGOLD (2007) is notable for taking a Hollywood star to India and putting a Bollywood leading man in the romantic lead of a film intended to reach a western audience. Sadly the film did not make an international star of Indian Salman Khan and in fact it was little seen. There are probably few people who have even heard of it, which is a shame. While it's less than perfect it's a pretty successful attempt at a Bollywood/Hollywood crossover and an entertaining romantic comedy in its own right.

wow...I just watched this movie...American people have this stereotypical view towards Hindi films such as, ALL Indian films have dances, songs and a love story....Its pathetic how far away from the truth that is. This film simply exposes the stereotypical western view of Hindi films. Horrible acting, horrible direction, horrible cinematography. And all this by a Hollywood director. Most Indian films today are much more content driven, realistic, touching and meaningful than this piece of crap. Indian cinema (not just Hindi) also cover a variety of different subjects. Just like most other Hollywood films these days, this shows a very stereotypical view of of another country, where truth is thrown out the window. This is a highly NOT recommended movie. Instead watch good Hindi films like black Friday, eklavya, omkara, khakee, awarapan, gangster, don, zakhm, dor, sholay, mother India, lagaan...Those films are what real Indian cinema are all about.

I was somewhat impressed with Marigold, it did not follow a silly formula that directors use when making Indian related films. We got a glimpse of Indian culture and saw how a stuck up American actress was humbled and overwhelmed by the rich Indian culture. She also finds love along the way. The story is entirely believable unlike the joke that was Slumdog Millionaire because foreign actresses can be expected to travel to India for filming commercials or short films. Salman Khan was excellent and showed why he has great talent by effortlessly playing the simple yet wealthy person.

Some parts are annoying as it seems they can't make a Indian associated film without unnecessary dance scenes and outdated stereotypes like arranged marriages. This acted to diminish the film. Overall still good.

'Marigold' is pretty much one of those typical bad Bollywood films with all the ingredients of exotic locations, excessive songs, over the top drama and acting, disapproving parents...etc etc. While I mentioned the exotic locations, they are beautifully shown here. I particularly liked how Goa looked somewhat different from other films. The songs are totally forgettable.

I wonder how many bad Bollywood films Carroll watched and copied to make this mess. Even the actors seem to be in a state of 'I can't believe I'm in a Hollywood film'. For example, take a look at Salman Khan who's grinning all through the film. It wouldn't take more than a second for one to bet that his thoughts were 'God! I'm actually working with a Hollywood star'. Ditto for the rest of the cast. Nandana Sen is especially funny (unintentionally of course) as she reminds me of a chicken.

Now let's get to the one person that makes 'Marigold' somewhat watchable. Ali Larter. The actress looks drop dead gorgeous in the traditional Indian outfits, she's spot on in the comic scenes and she really seems to have gotten under the skin of the character. I also liked how she gracefully performed the Bollywood dances, especially in the item number that takes place in the middle of the film where she's dancing with Raj and his co-star. The way she conveys her feelings to Salman's character in that same song is superb. 'Wouldn't mind watching her in more Hindi films although she's already doing great for herself in Hollywood. So if there is anything at all to look our for in this film, then it's Miss Larter. She's far from the typical caricature blonde white girl seen in the usual Bollywood films.

This movie exceeded my expectations.

For the first ten minutes i was not sure I'd even finish watching. Ali Larter's character was thoroughly unpleasant and it looked like the whole movie would be filled with characters of pure plastic.

Instead, I was drawn into a surprisingly sophisticated blending of two cultures' film-making styles, with a modern romance melding almost seamlessly with the Hindi dance scenes being filmed for a movie-within-the-movie whose story line, as with many Bollywood films, was a myth-based love story well-spiced with humour.

Although the title character sped from ultra-entitled bitch to sweet, yearning young woman in love (about as fast as her learning to dance stunningly in a mix of Hindi style and American freestyle), the rest of the story flowed well enough to temporarily smother my natural incredulity about ancient family traditions being set aside for pretty blonds.

This is a fairy tale, after all, a nice blending of movie-making and mythos in both Hollywood and Bollywood, that should not be taken for a realistic portrayal of either culture, but for a charming story of love that will make you laugh as often as cry.