Lugares comunes

LUGARES COMUNES (Common Ground) is yet another sensitive Argentinean film that has the courage to deal with the bumpy political life of Argentina as well as the equally rocky road to aging. Based on the novel by Lorenzo F. Aristarain and directed by Adolfo Aristarain this is a film of sunlight and shadows - and those clouds that promise to unveil the sun despite passing darkness.

Fernando Robles (Federico Luppi) is a writer and university professor in Buenos Aires who is informed before his planned trip to Madrid to visit his son Pedro (Carlos Santamaría) and daughter-in-law Natacha (Valentina Bassi) that he is being placed in early retirement: the crumbling government of Argentina cannot support such things as education! After an exquisite farewell of sage advice to his students on what is important in the role of a teacher, he goes home to his loving wife of many years Liliana (Mercedes Sampietro) to prepare for their journey to Madrid. At the airport Liliana senses sadness in Fernando and he confesses that he has been 'fired', that they have little money to live on in Buenos Aires: he covers his sadness by buying Liliana perfumes she loves. This couple is bonded so beautifully it makes us weep.

In Madrid the couple is forced to stay with the son and daughter but the closeness of this familial proximity is intolerable when Fernando informs his son of his financial situation. Pedro is cold and harsh and is in life for money and refuses to assist his parents. The couple leaves, returning to Argentina where they under advice from lawyer Carlos (Arturo Puig) sell their home and move to the country where they plan to grow grapes - a return to the purity of the land. But fate intervenes and the story ends in a manner that leaves the viewer sad but wiser.

The cast is sterling and the direction is first rate. This is one of those films that should be required viewing for many reasons, but especially for people who are approaching the time of retirement and the fear that holds. Highly recommended for a large viewing audience. In Spanish with English subtitles. Grady Harp

I've always thought that Adolfo Aristaráin is not only a cinema director, he's a philosopher,a thinker, a so lucid mind, and overall an idealist. Cinema is not just something to entertain people but a powerful tool to express himself.

"Lugares Comunes" (Common places) tells the story of an Argentinian middle-aged couple (played wonderfully by the great Federico Luppi and Mercedes Sampietro which decide to move to the country from Buenos Aires. He's just been fired from the school in which he's been teaching' for most than 30 years (because of his left-winged ideas). So, he a his wife cannot afford to live in B. Aires anymore. That's the base for a long, overwhelming reflection about life, honesty, unconditional love, commitment, and all those things that seem to be a little "old-fashioned" nowadays (but they are not).

This is a movie to think about, you must focus on it, you have to assimilate what you're hearing... Otherwise, you'll be wasting your time. This ain't nonsense and hollow entertainment, this is something else. Let Aristaráin open your eyes... you won't regret.

*My rate: 8.5/10

In Buenos Aires, a few days before traveling to Spain with his beloved wife Liliana Rovira (Mercedes Sampietro) to visit their son Pedro (Carlos Santamaria), the leftist Literature Professor Fernando Robles (Federico Luppi) is compulsory retired in the University, and he concludes that it is impossible to live with his pension. The crisis in Argentina does not allow Fernando to get a new job, and his wife decides to sell her family's apartment and move to a small farm in Cordoba to reduce their expenses. Once in the country, while adapting to the new lifestyle, a tragedy happens.

"Lugares Comunes" is a very beautiful, critical, human, sensitive and real film about love, life, adaptation and convictions in the third age. The story takes place in Argentina, but could be in Brazil or any South American country, where in general people can not keep their status with their retirement pension, being forced to continue working to survive, or to fall from middle-class to very poor class. This touching narrative has a perfect pace and flows naturally, supported by the impressive performances of Federico Luppi and Mercedes Sampietro. All the characters are credible and beautiful (with the exception of the head of the university), and this movie is a gem. My vote is eight.

Title (Brazil): "Lugares Comuns"("Common Places")

"Lugares Comunes" is an excellent film. No doubt the IMDb rates it with a 8,2 (this is clearly above the average grades I have seen, and I have been exploring this database extensively).

You probably have to come from Spain or Argentina to really pick up all the subtleties conveyed in the movie. However, the feelings and emotions the film explores are universal.

I really like Fernando Luppi (he has been involved in many many good films, like "Martín H", or "Nadie hablará de nosotras hasta que hayamos muerto"), but please note Mercedes Sampietro (still the President of the "Academia del Cine" in Spain), who plays the role of her life (so far) in this movie. What she does is something similar as to what Halle Berry shows in Monsters' Ball. Just watch the last minutes of the film, she doesn't speak, she doesn't need to...

There's no other way to describe Lugares comunes but as a beautiful movie. It's a well constructed story that revolves around a literature teacher who's forced into an early retirement due to his ideals. From the beginning he's writing lose notes about the way he feels, and this is useful as a voice in off that narrates high points of the plot as it is also the key that serves mainly as an inner perspective in some matters. He talks about revolution and democracy in the state in an Argentina beaten by the government, depicting the economical and social issues as well as it's day to day surviving culture. The other characters here are his wife (who's from Spain) their son (who lives there) and a close friend of the teacher, who happens to be a lawyer dating a younger woman. Then, by their precarious situation, the couple sell their flat in Buenos Aires and move to the country. That's basically the screenplay: how they learn to live with their new situation.

Luppi, as the professor, is wonderful; he has a natural driven force that get us in the inner struggles of the character, and his insights are clever, methodical and somehow illustrative, describing and dissecting terms like lucidity (in words and feelings). The dialogues are well guided by a smart hand so, even when there's plenty of them, never get to bore. The others characters are well performed, rounding the experience and adding strength to a tone that goes from somber to bright, and even when it's premise is mainly sad, never turns into one to weep at; it is one to wonder and makes us think rather than sink our mood into mourning or feel sorry for them. It is, as my title says, one long and well played tango based on a biting reality which goes smooth hence pretty delightful.

I give it four stars out of five.