I Witness - La verità uccide

I've read other comments here which say it's also like "Traffic." Ditto that for me as well. Don't know who these writers are (Colin Greene and Robert Ozn) but they are truly awesome. Tight plotting, terse cop-talk tied to characterization and impassioned issue oriented story-line without preaching. Love the way the writers tie the diverse story lines together at the very end. I never guessed how it was all related and they really knew how to keep me hooked. Jeff Daniels gives a very cool,understated performance. Love Portia DeRossi, very sexy without trying. And of course James Spader is always fascinating to watch - wish he had more to do in this flick. I saw this in Europe on a DVD. How come this thing is not out in the USA?!

I really like to watch thrillers, if that's a name you can put to the films which contain action, suspense, mystery, drama; everything in one package. Sometimes we just call them suspense films. I like the "thriller" designation, especially because of the arguments I'm about to deal with here.

I should say I like to watch thrillers because I'm expecting some adrenaline. I'm expecting to connect with a story, with the characters. "Seven" reached that goal in my expectations. It's an exceptional thriller. There are not much more thrillers that have captivated me. "Heat" is another one, maybe, if you can call it a thriller. So every time I sit to watch this type of film, I'm prepared. In cases of movies like "I Witness", things don't go very, or that well (referring to the other ones).

"I witness" is not a good thriller. Not because it lacks the elements, no. It has them all; but they are not managed correctly. The action scenes are constantly repeated, the suspense is not felt (and this eliminates mystery), it's hard to believe the drama. Casting has united a strong ensemble here. Maybe the ones that made a mistake were the persons in the ensemble, at the time they chose to be in it.

Some days ago I was talking about Jeff Daniels. We were discussing and I heard someone saying that he is always playing the same role. Probably. I like him as an actor, but I have got to think if he is really "choosing" his roles. He could be playing with them. He'll give you a good performance, but he is not really wanting to. He is so relaxed and disinterested; he doesn't seem to care.

Some characters have big names but little participation. Portia de Rossi; I'm talking about her. I don't like her very much. She has that cute face but never seems to be comfortable in her roles or show any talent when playing them. Then there is James Spader; he seems to be drawn. He doesn't show any emotion, not even when he's having sex with a woman. Jordi Caballero, a sort of newcomer, finds the note for the role, although he overacts it most of the time.

Then I should finish talking about the only impression the movie left on me, believe it or not. You could think I'm joking, but I was "thrilled" (not bad if a thriller causes that impression) with Clifton Collin Jr's performance. What an ability he has to create emotions at the time he has a serious look. He can be so sad and not fake it, yet make it real. I haven't seen him much, but I remember him in the little roles he played in "Tigerland" (very good movie, and one of Colin Farrell's best performances) and "The Last Castle". He was superb here.

The movie was predictable and you could sense the ending. The most disappointing thing will be; that if you don't guess the ending, you won't be surprised by the resolution the movie shows to you. It will be just another possibility, like everything. Now that's not a good sign about a thriller, is it?

Like Bordertown, I Witness exposes another underbelly of corporate internationalism seeking windfall profits by escaping fair trade practices, fair wages and scrutiny by government agencies created to protect environmental concerns. Hiding behind Mexico's drug wars, the new gangsters of corporate thuggery use criminal means to cloak the cost of dumping toxic chemical waste upon the unsuspecting in a country where a bribe can cover any crime, no matter the number and innocence of victims. And like Bordertown, I Witness takes with fiction the excursions into truth today's mess media would dare not touch upon. Jeff Daniels and James Spader typically provide glowing performances while Clifton Collier Jr's performance places as something grand to see. Rowdy Harrington's direction is professionally able and the camera work is exceptional. Writers Colin Greene and Robert Ozn are to be commended. A film whose time is come and whose value exceeds entertainment, this should have been required viewing by Congress before passing on trade agreements that have undermined the quality of life on both sides of the border. JCH

I liked this movie for several reasons. First, I thought it portrayed the "maliquidoras" (companies that move their plants and factories south of the Rio Grande) quite realistically. Second, I believe that the drug cartels deserve every bit of bad publicity they can get. Third, I also believe that the corruption of government officials in Mexico should be exposed. Of course, I realize that this was a film that was totally fictitious. But things very similar to this actually happen when greed takes over and people are treated like "widgets" and nothing more. And I believe people need to be made aware of this. But despite the politics involved, I also liked the film due to the way the movie played out. Jeff Daniels (playing International Rights Watch advocate "James Rhodes") did pretty well in conveying the "crusader" spirit that is necessary for the job at hand. Additionally, I liked the cynicism of "Douglas Draper" (James Spader) and the cautious attitude of the Mexican investigator named "Claudio Castillo" (Clifton Collins Jr). All three characters seemed to fit quite well. And then there is the attractive American State Department agent named "Emily Thompson" (Portia de Rossi) whose presence brightened the screen as well. As far as the plot is concerned, I thought it kept my attention. At least for the most part. However, I seriously doubt that any drug cartel is going to be that concerned about its public image like this movie tried to depict. After all, they're thugs and hired killers and it's what they do. So shooting it out with the Mexican police to defend their reputation was a bit far-fetched. Likewise, the ending was a bit too convenient. But other than that I enjoyed this movie.

In Tijuana, Mexico, near to the border with USA, James Rhodes (the excellent Jeff Daniels) is a member of the Human Rights organization, working as an observer of the election of the workers of an American company, represented by the member of U.S. Government Emily Thompson (Portia de Rossi). The local workers are supposed to decide whether they want the union in the company or not. Meanwhile, twenty-seven bodies of humble people are found buried in an abandoned tunnel, drilled in the past by the lord of the drugs Voltan. In the same day, two young American are killed while driving their motorcycles off-road, in a track in a desert area. These events apparently not related are investigated by Claudio Castillo (Clifton Collins Jr.), a honest detective from Mexican homicide department, pressed by James and his superiors. Voltan is blamed for all the deaths, and resolves to help indirectly James in his investigation. Douglas Draper (James Spader) is a cynical liaison of the American police force, working together with the corrupt Captain Madrid (Jordi Caballero). The conclusion of this realistic story is full of revelations of dirty secrets. This movie was the wonderful surprise of the year: it is an excellent thriller. There is no clichés, no special effects and the characters are very human and well developed. The screenplay is very tight, without flaws; the direction is outstanding; and the magnificent cast has a marvelous performance. The plot recalls a Costa-Gravas movie, showing corruption both in Americans and Mexicans. The resolution of the situation is not corny or commercial, and does not spare or redeem any character, what is not common in American movies. Congratulation to all the persons that contributed for such an excellent entertainment. I just do not understand why this movie has had no promotion from the specialized critics and means of communication. My vote is ten.

Title (Brazil): `Testemunha Ocular' (`Eye Witness')