The Collingswood Story

"The Collingswood Story," told entirely through webcam footage, follows a young woman, Rebecca, who has relocated to Collingswood, New Jersey to attend Rutgers University. To stay in touch with her boyfriend Johnny, the two communicate via video chat. One night, he plays a prank by setting her up to chat with a bizarre online psychic. The psychic not only seems to know personal details about the couple, but also the dark history of the house that Rebecca has moved into—a history that includes ritual murder and strange goings-on in the attic.

Released in 2002, this film has often been compared to "The Blair Witch Project," though there is a notable difference in presentation here, as "Collingswood" is framed through online video chat. Years later, the film is something of a time capsule of an era in which wi-fi and smartphones did not exist, and webcams were a new technology. In that sense, the film feels dated, but also strangely current given that video chat has become a cultural mainstay.

The narrative arc here is quite simple, taking place over a period of a few days before Halloween, in which the two characters come to the conclusion that there is something very odd about the house Rebecca has rented a room in. There are a few amateurish flashy scare effects here and there, and the editing is at at times rather choppy, but the bulk of the film consists of one-on-one video conversations that are weirdly absorbing. The two leads manage to make the conversations surprisingly believable, and the film is very atmospheric; which is odd given that we rarely get any glimpses of the world outside of their respective bedrooms. In spite of that, there is a distinctive, chilly autumnal atmosphere that creeps into the film—the characters only seem to video chat in the evenings, and watching the conversations gives the audience the voyeuristic sense that we're looking in on their private lives and personal spaces.

Ancillary to the central plot is Billy, one of Johnny's friends who appears (also via webcam correspondence), while the enigmatic Vera Madeline is the bizarre online psychic. Her scenes are among the most unnerving, drenched in darkness and lit only by a row of candles behind her; her hair is slicked back, and she inexplicably dons sunglasses. It's just generally weird, and aesthetically unnerving. The conclusion to the film is a bit ambiguous, and though the last ten minutes are notably suspenseful, I felt a bit disappointed when the credits rolled. The end scene is very much frightening, but didn't pack enough torque to truly satisfy in my opinion.

All in all though, "The Collingswood Story" is nonetheless an absorbing indie horror movie. It's dated in some regards and wears its amateurish qualities on its sleeve, but there is something surprisingly engrossing about it in its simplicity. Through the format, the viewer is allowed access into the interior worlds of the characters, where something very unusual begins to take hold, and there is something inexplicably frightening about that. Films like "Paranormal Activity" would come to recreate a similar formula in flashier ways. 7/10.

The proof that you REALLY don't need all those millions to make good entertainment. This low budget gem has it all. A clever script, believable characters, a very good background story and it is fast paced enough for no one to lose interest in it along the way.

If you liked Blair Witch (and you will be comparing this one with it more than once) you will love The Collingswood Story.

Those big-shot moviemakers in Hollywood have a LOT to learn with Michael Constanza.

Don't miss it!

Watched so many B rated movies and for its time (2002) I could see why this could be good. If you watch this now, you can feel that it might be dated and that you have seen this already. It was still fun seeing characters use the old internet stuff.

an online friend of mine recommended this film to me and im eternally grateful, since Blair Witch,Cloverfield and Paranormal Activity hit at the box office this genre seems to be growing and growing but whats odd is that quality found footage horror films like this one just seem to slip under the radar so to speak, it is easily on a par with Paranormal Activity and Blair Witch, in fact i found the way it built the suspense and the subtle clues it left during the films dialogue that points to an unexpected conclusion is very clever indeed, in fact if you watch it twice you truly appreciate it more, The director got great performances out of the 4 main characters and Stephanie Dees is particularly good in her role, I would recommend watching it alone as there is nothing worse than watching it with someone who demands constant blood and gore in their horror or at least 1 death every 10 mins as they will annoy you, but if you appreciate suspense and subtlety in your horror you will really enjoy this one

I found out about THE COLLINGSWOOD STORY online, and decided to drop the $20 bones to see what all the fuss was about. And I am thrilled that I did. Sometimes those chances blow up in your face, and sometimes you get lucky, come across a hidden gem. Like this one. I was blown away, I kid you not. Oh yeah, sure, it will inevitably get comparisons made to The Blair Witch Project or The Last Broadcast. And as much as I initially enjoyed Blair Witch, after subsequent viewings of The Collingswood Story, I absentmindedly scratch my head and ask, "Blair WHO??".

The story is told completely through the lenses of webcams. Its very voyeuristic, almost intrusive, the way the story plays out. It gets going early, introducing the viewer to the lead actor and actress (great job of casting, and excellently acted!) who use webcams to communicate with one another while she attends college. After an online consultation with a psycic, strange coincidences unfold between our protaganists, and suddenly the viewer is caught up in a supernatural storyline that, if filmed any other way, would not have been quite as effective.

BRAVO, Mr. Costanza, bravo! The director, Mike Costanza, really shows and proves that a big budget and big name stars is NOT necessary to tell a good story. This micro-budgeted effort is above and beyond anything the major studios have released in the past seven, eight years. It truly defies its low budget origin, thanks to Mr. Costanza's writing, and the abilities of the films stars to convincingly play out their parts. Put this one on late at night, turn off the lights, and prepare to be shocked, surprised, and scared! A solid 9 out of 10.