King of the Ants

A very strange little gangster film, even stranger when you consider that it's written by Charlie Higson, best known as a British author and comedian who once starred in THE FAST SHOW. It's a story of murder and revenge with plenty of surreal elements, which is unsurprising given the presence of horror director Stuart Gordon. It's also a very low budget movie, but one that's fairly entertaining despite its shortcomings.

Chris McKenna works hard as the everyday Joe who finds himself caught up in events spiralling out of his control when he's introduced to slimy gangster Ray (played by the well-cast Daniel Baldwin). Driven to murder, he then ends up at the mercy of some slightly bumbling gangsters; one of the most interesting things about the film is the cast, which includes George Wendt and Vernon Wells (COMMANDO) as the bad guys. There's also time for a little romance with the lovely Kari Wuhrer until things take a turn for the very dark.

We end up with a traditional revenge plot, but along the way there are fresh touches of inspiration and surprise, including a very gruelling torture sequence which shows you don't have to be graphic to be deeply unpleasant. Come the end credits, I was left feeling that the total is less than the sum of its parts, but fans of bizarre B-movie outings might find something to savour here.

The plot: A double-crossed hit-man has to choose between redemption and vengeance, until the the choice is made for him.

Many of Stuart Gordon's movies have an amoral streak in them, but this is probably the most amoral movie that he's ever made. The lack of tension-relieving, wacky humor, like in most of his movies, highlights it and makes it even more disturbing. The gory violence just makes it even more disturbing, unlike the splatter comedies that he's commonly associated with (such as Re-Animator and From Beyond).

Long-time fans of Gordon have probably sat through many movies that were critically despised (perhaps none more so than Space Truckers, which attracts way too much hate, in my opinion). King of the Ants, however, is a real return to greatness. Yes, there are many disturbing, weird, and violent scenes, but underneath it all is a story that's actually quite intelligent and mature. Admittedly, this is a bit rare for Gordon, who tends to wallow in direct-to-video exploitation. I'm really glad that he chose to do something that he obviously believes in, because I've known for years that he could do a truly great film, if he just got the budget and proper inspiration. I might compare it to A History of Violence, an intriguing deconstruction of violent exploitation movies, made by a lauded director known primarily for his own exploitation movies. Unlike Cronenberg, however, I think Gordon shows no desire to break into the mainstream. His films remain too dark and disturbing.

If movies like King of the Ants and A History of Violence show us just one thing, it's that characters from these kinds of violent movies are incredibly disturbing when transposed into real world situations.

I couldn't avoid relating it to the most disturbing novel I've ever read: "Lord of the Flies" (William Golding, 1954) I won't go into details, but suffice to say that both this movie and the book deal with the dark side of human nature and both have perturbing effects on our minds and consciences. Those who are familiar with the book will know what I mean.

The characters in both the movie and the book live detached from society, their rules and morals: In 'Lord of the Flies' British kids, educated in a private school, are castaways stranded in a wild island. Eventually their civilized coat wears off and their inner savagery shows (safe a few characters who remain civilized). Sean Crawly (Chris McKenna) is a current boy, but he is also a dormant killer. Favourable circumstances(money and impunity) will trigger his wicked self.

I've read fuming comments here in the style of "how on earth such normal boy is able to become a killer? This movie is bad!" What turns our stomachs is that his victim is innocent. The scene of the killing is horrifying but what makes it unbearable is that we know that Crawly knows he is killing an honest man. We don't feel so uncomfortable anymore when Crawly takes his revenge.

The scene with Sean Crawly and Duke (George Wendt) at the zoo is also significant. Duke explains how humans can be compared with animals. Notice the pun in Sean's surname (Crawly) and how he is compared with a reptile and also with an ant.

I find that the title of the movie and Duke's cut-of head may be a conspiratorial wink to 'Lord of the Flies'. Maybe it's a coincidence, but the similarities are too obvious to be ignored.

This is a horror film. We may like the plot or not, agree with its development and ending or not, but.. kudos for all the actors and their director. In my opinion their performances are convincing and irreproachable.

Stuart Gordon, considered a master of the horror genre thanks to classics like Re-Animator and Dagon, decides to do a different move in this strange trip to human morals.

"King of the Ants" is about a regular guy, Sean Crawley(newcomer Chris McKenna), a man without any aspiration who just live in his apartment doing the necessary job to live to the next day. In one of his jobs he meets Duke(Gearge Wendt), who introduces Sean to his boss, Ray Matthews(played by Daniel Baldwin). Ray hires Sean as a spy, and orders him to follow Eric Gatlin(Roy Livingstone), an accountant who has been investigating Ray's company. Problems start when Ray, while drunk, orders Sean to kill Eric. And he does it. Things go wrong when Ray decides to make Sean disappear destroying his mind with violent punishment and humiliation.

From the point where Sean kills Eric, we go in the same boat with him, as he goes through a downward spiral of human degradation, traveling from guilt, to confusion and finally to his rebirth, in a state where humanity, morals and values are not important anymore. Chris McKenna acting is very important because he manages to be likable even when he is part of gruesome acts, both as victim and/or criminal. He has that look of innocence that hides a dark side and he manages to carry the film.

The support cast also includes Kari Wuhrer, as Eric's widow who also becomes a central part of Sean's trip to hell. She gives a fine performance, although it's obvious that Sean is the main character. He is the most developed of all and McKenna's performance is up to the challenge.

The film has very disturbing images of violence, and while it may not be as graphic as "Kill Bill" for example, the strength of the violence is in the lack of humanity that the character manifest. He is more than an ant in this world. He is the king.

Stuart Gordon has managed to create a film that, while maybe it's not one of his best efforts; it's very well done, has a VERY interesting story to tell, and manages to capture the attention every second of it.

8/10

The last good film Stuart Gordon made was 1985's "Re- Animator," which I also give a 7 of 10.

I mention the former mainly because this film is just as gripping and disturbing. This is not a horror-movie like the former, but it is "horrific" with its peculiar violent realism.

Not much by way of character-development for the protagonist, but in this case, the less said about him the better, or we may not come around to be sympathetic with him when it counts. What we do know of the character Sean Crawley is pretty damn ugly, but unknown actor Chris McKenna has a screen presence that makes him somewhat likable, or at least puts us in his corner in the end.

This film is not a good choice for mixed company, much less a date, but worth watching when home alone and prepared to be wonderfully disturbed.