Aggiungi una trama nella tua linguaA newly-promoted book editor discovers a potential best-selling, although unfinished, manuscript buried in her predecessor's office. Moved by the passionate love story, she embarks on a jour... Leggi tuttoA newly-promoted book editor discovers a potential best-selling, although unfinished, manuscript buried in her predecessor's office. Moved by the passionate love story, she embarks on a journey to find the author and the missing ending.A newly-promoted book editor discovers a potential best-selling, although unfinished, manuscript buried in her predecessor's office. Moved by the passionate love story, she embarks on a journey to find the author and the missing ending.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Recensioni in evidenza
I was lucky enough to have seen the director's cut of this film in an editing room during August of 2002. Not that it was ever a great film, but it was certainly watchable, with some fun moments. Eliza Dushku, especially, was charming and funny. Really...she stole the film.
But now the fun is gone, lost to these insipid Billy Zane scenes (which had barely existed) and these voice-overs from the book that make me want to gag. Everything is so melodramatic.
I know the star is the producer's wife, but even she was so much better in the original cut. This cut really does make it seem like a vanity project, a reel for Surel.
Why hire the director of The Pretty Girl for such a task?
Having heard the film was recut from scratch, and seeing the final results, I can only wonder: WHY? Did the producers want to make it unwatchable? If that was their goal, they succeeded.
And if they wanted to give us the sappiest collection of mis-matched tunes ever, ditto.
I so remember the Getup Kids song "Mass Pike" playing during the road trip (when Dushku and Surel are driving in the red Mustang)...how cool was that? So cool that the producer pulled it and every lick of the director's music.
And the opening...this brilliant montage of Paris with a Django-type tune in the background...also gone.
What's left...a lot of Zane and Surel...overacting.
There should be a law here like in France where the director controls the film! The Kiss could be exhibit #1.
I can't quite put my finger on what was wrong with The Kiss. It's a wonderful story with an incredibly talented cast, but something got lost along the way. The script moved me to sappy romantic tears and the movie completely failed to move me.
Lo sapevi?
- QuizBased on Robert Doisneau's famous 1950 photograph "Kiss by the Hotel de Ville".
- BlooperWhile Megan and Cara are talking and sharing ice cream on a couch, Cara says that she is really 31 and the ice cream container is in Megan's hand. In the next shot, the container is in Cara's hand with no exchange taking place.
- Citazioni
Cara Thompson: Where do you want to start?
Megan: I want to go back to the womb. My life had promise at that point.
- Colonne sonoreLove We Made
Performed by Anne McCue
Written and produced by Anne McCue
Publishing Milkman's Daughter Music
Administered by Bug Music
From the recording Amazing Ordinary Things
Engineered by Robert M Biles
I più visti
Dettagli
- Tempo di esecuzione1 ora 30 minuti
- Colore