Ella è sotto l'incantesimo di essere costantemente obbediente, un fatto che deve nascondersi dalla sua nuova famiglia acquisita per proteggere il principe della terra, il suo amico per il qu... Leggi tuttoElla è sotto l'incantesimo di essere costantemente obbediente, un fatto che deve nascondersi dalla sua nuova famiglia acquisita per proteggere il principe della terra, il suo amico per il quale si sta innamorando.Ella è sotto l'incantesimo di essere costantemente obbediente, un fatto che deve nascondersi dalla sua nuova famiglia acquisita per proteggere il principe della terra, il suo amico per il quale si sta innamorando.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Aidan McArdle
- Slannen
- (as Aidan Mcardle)
Steve Coogan
- Heston
- (voce)
Recensioni in evidenza
Given the recent success of fantasy movies, it was probably inevitable that "Ella Enchanted" would get its turn on the silver screen. Like "Harry Potter," Gail Carson Levine's delightful re-imagining of Cinderella has been popular with both readers and critics, and contains plenty of imagination and engaging characters. One only wishes it had translated to screen better.
Levine comes up with a clever explanation for the reason why Ella (played in the film by Anne Hathaway) must slave for her horrid step-family: at her cradle, a well-meaning but rather dim fairy godmother (Vivica A. Fox) granted her the "gift" of obedience, forcing the poor girl to comply with any direct order regardless of how ridiculous or dangerous. Refusing to be resigned to her lot, Ella sets out to return the unwanted gift--and en route, find romance with Prince Charmont ("Char" for short, played by Hugh Dancy).
Unfortunately, it is here that the similarities to the source material end. In the film, Ella comes off as far less resourceful and clever as she does in the book, and mostly seems to wind up getting into embarrassing or awkward situations through her enforced compliance. Which is a shame, because Hathaway is a vibrant and talented actress who could have easily imbued the character with more spunk had she been called on to do so. It doesn't help that the screenwriters have seen fit to muddy Ella's quest with a standard-issue villain in the form of Char's Claudius-esquire uncle (Cary Elwes, channeling the spirit of Prince Humperdink and accompanied by a very unconvincing CGI snake), and some business about the oppression of the kingdom's non-humans.
Like "Shrek," "Ella Enchanted" takes the fractured fairy-tale route, throwing in sly references and anachronisms at every opportunity. Some of these work (I liked the man-powered escalator in the medieval mall), but more than a few fall flat (mostly Char's squealing fan club, who are perhaps too accurate in their annoying behavior). Hathaway and Dancy play it more or less straight, but everyone else camps it up grandly, especially Elwes. Unfortunately, both Fox and Minnie Driver as Ella's more sensible godmother feel miscast, and Parminder Nagra (the talented star of "Bend it Like Beckham") is virtually wasted as Ella's foreign-born friend.
"Ella Enchanted" is nice enough to sit through--Hathaway's presence keeps things going, and there are enough nice visuals. But in a genre that in the past few years has seen "Harry Potter," "Lord of the Rings," and "Shrek"--with "A Series of Unfortunate Events" and "Charlie and the Chocolate Factory" among the films on the horizon--it takes more than nice to distinguish oneself in the field.
Levine comes up with a clever explanation for the reason why Ella (played in the film by Anne Hathaway) must slave for her horrid step-family: at her cradle, a well-meaning but rather dim fairy godmother (Vivica A. Fox) granted her the "gift" of obedience, forcing the poor girl to comply with any direct order regardless of how ridiculous or dangerous. Refusing to be resigned to her lot, Ella sets out to return the unwanted gift--and en route, find romance with Prince Charmont ("Char" for short, played by Hugh Dancy).
Unfortunately, it is here that the similarities to the source material end. In the film, Ella comes off as far less resourceful and clever as she does in the book, and mostly seems to wind up getting into embarrassing or awkward situations through her enforced compliance. Which is a shame, because Hathaway is a vibrant and talented actress who could have easily imbued the character with more spunk had she been called on to do so. It doesn't help that the screenwriters have seen fit to muddy Ella's quest with a standard-issue villain in the form of Char's Claudius-esquire uncle (Cary Elwes, channeling the spirit of Prince Humperdink and accompanied by a very unconvincing CGI snake), and some business about the oppression of the kingdom's non-humans.
Like "Shrek," "Ella Enchanted" takes the fractured fairy-tale route, throwing in sly references and anachronisms at every opportunity. Some of these work (I liked the man-powered escalator in the medieval mall), but more than a few fall flat (mostly Char's squealing fan club, who are perhaps too accurate in their annoying behavior). Hathaway and Dancy play it more or less straight, but everyone else camps it up grandly, especially Elwes. Unfortunately, both Fox and Minnie Driver as Ella's more sensible godmother feel miscast, and Parminder Nagra (the talented star of "Bend it Like Beckham") is virtually wasted as Ella's foreign-born friend.
"Ella Enchanted" is nice enough to sit through--Hathaway's presence keeps things going, and there are enough nice visuals. But in a genre that in the past few years has seen "Harry Potter," "Lord of the Rings," and "Shrek"--with "A Series of Unfortunate Events" and "Charlie and the Chocolate Factory" among the films on the horizon--it takes more than nice to distinguish oneself in the field.
Boy, I'm glad I saw this movie before reading the comments here. I found this film to be delightfully funny and sweet. sure it's utter predictable but so what? Yes, in the 'fractured fairy tale' department it's a far cry from the genius of Princess Bride or Shrek, but it's an entertaining enough 90 minutes. The effects are decent (they can't all be Lord of the Rings perfect) and I found myself laughing frequently.
I'm certainly glad I was completely unaware that this was based on a book as most of the negative comments here seem to be from people who complain about changes. I can say, that not knowing the original, this story flowed just fine. Certainly, if one were to over-analyze the plot one could come up with innumerable ideas based on the idea 'if she must always obey, why doesn't this happen?' but that's not really the point here is it? it's a fairy tale for young girls. My partner's 18 year old little sister (who made me watch this as I never would have on my own) loved it, and I had to admit that I liked it enough to give it a thumbs up 7 out of 10 rating.
I'm certainly glad I was completely unaware that this was based on a book as most of the negative comments here seem to be from people who complain about changes. I can say, that not knowing the original, this story flowed just fine. Certainly, if one were to over-analyze the plot one could come up with innumerable ideas based on the idea 'if she must always obey, why doesn't this happen?' but that's not really the point here is it? it's a fairy tale for young girls. My partner's 18 year old little sister (who made me watch this as I never would have on my own) loved it, and I had to admit that I liked it enough to give it a thumbs up 7 out of 10 rating.
This movie was gifted with a spell of fairy tale which was likable. From the beginning Ella Enchanted was good and all thanks to the beautiful Anne Hathaway who seemingly sparkled. Great work of escapism, such that though it's stupidity can be considered, it is shadowed by its modernism and it's attempt to drive the audience into attention by it's sarcastic humor present at certain desirable instances. Anne Hathaway stole the show there seemed to possess an invisible halo on her making her the most preferable Ella. However I did ruminate over the fact that is that all Anne Hathaway can play- this character had almost cloning gestures as her character of Mia in The Princess Diaires so is that how much her talent can expand? Well as for the other cast member - There was a casting perfection as taking into consideration Cary Elwes, Minnie Driver and Vivica Fox, all were matched perfectly to their designated roles. In conclusion I would not suggest this movie to grown ups- as they would certainly NOT enjoy this step out of reality however this would be a great movie for kids and may be pre teenagers and if you are an Anne Hathaway fan like me well than don't miss this.
I love this movie. Lots of people don't. I was annoyed that it was not like the book, but it is still a great movie. It is super fun to watch and you will probably enjoy the movie.
Love it, made me laugh do to stupid jokes and witty ones. Many people are too thick to just get some punchlines and the ingenious of the concept the movie has.
Lo sapevi?
- QuizThe first song Ella sings, "Somebody to Love" was not the original song choice. Tommy O'Haver had discovered that Anne Hathaway didn't have very good chemistry with their first choice, a more classical "fairy-tale" song. O'Haver and Hathaway were relaxing when she starting singing along and dancing to the song that was currently playing: Queen's "Somebody to Love". They both decided that "this was it".
- BlooperElla's enchantment fails on at least two occasions: when Prince Charmont says "Allow me" and she continues to refuse his help, and when Slannen says "Forget it" and she continues to discuss his legal aspirations. The earlier "bite me" scene established that Ella's enchantment takes colloquial "commands" literally, thus she should have allowed Char to help her, and literally forgotten about Slannen's peeves.
- Curiosità sui creditiThe cityscape of the Miramax logo dissolves into the cityscape of the medieval city in the movie.
- Versioni alternativeAn extended version of this film is only available on Sky Cinema. Some of the changes include: Char and Uncle Edgar's extended talk in the carriage. Sloan talking to Ella about the Brother Grimns after the elves were arrested instead of during the day. The fight scene with Char and the Ogres is extended. The song If You Believe which was co written by Brian Adams, is cut and replaced with a different song during the ending credits. The song When You Believe doesn't play in the film when Hattie is talking about Char. Theatrical 91 minutes Extended 96 minutes.
- ConnessioniEdited into Ella Enchanted: Deleted and Extended Scenes (2004)
- Colonne sonoreStrange Magic
Written by Jeff Lynne
Performed by Darren Hayes
Arranged and Orchestrated by James Seymour Brett (as James Brett)
Produced by James Seymour Brett (as James Brett)
Darren Hayes appears courtesy of JWM Pty Ltd and Columbia Records
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Ella está encantada
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 31.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 22.918.387 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.100.000 USD
- 11 apr 2004
- Lordo in tutto il mondo
- 27.388.767 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the Japanese language plot outline for Ella Enchanted - Il magico mondo di Ella (2004)?
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