Un'avventurosa bambina di 11 anni scopre un mondo che sembra essere una versione idilliaca della sua vita, ma che nasconde sinistri segreti.Un'avventurosa bambina di 11 anni scopre un mondo che sembra essere una versione idilliaca della sua vita, ma che nasconde sinistri segreti.Un'avventurosa bambina di 11 anni scopre un mondo che sembra essere una versione idilliaca della sua vita, ma che nasconde sinistri segreti.
- Candidato a 1 Oscar
- 8 vittorie e 46 candidature totali
Teri Hatcher
- Mel Jones
- (voce)
- …
John Hodgman
- Charlie Jones
- (voce)
- …
Keith David
- The Cat
- (voce)
George Selick
- Ghost Boy
- (voce)
Harry Selick
- Photo Friend
- (voce)
Emerson Tenney
- Magic Dragonfly
- (voce)
- (as Emerson Hatcher)
Jerome Ranft
- Mover
- (voce)
Christopher Murrie-Green
- Toy
- (voce)
- (as Christopher Murrie)
Jeremy Ryder
- Toy
- (voce)
Recensioni in evidenza
Feisty eleven-year-old Coraline walks through a secret door and discovers a parallel reality. That reality is sort of similar to the life she already knows yet deeply unsettling in a number of ways. Coraline (voice of Dakota Fanning) begins a journey of adventure and self discovery when her parents (Teri Hatcher and John Hodgman) relocate the family to Oregon from Michigan. No one in this new space has time for her so she spends her time exploring her new neighborhood with an talkative local boy named Wybie Lovat (Robert Bailey Jr.). After discovering the odd neighbors all of whom are true characters, she is still bored somehow.
All of this immense undertaking is courtesy writer and director Henry Selick, director of Nightmare Before Christmas, and the well crafted adaptation of Neil Gaiman's international best-selling children's novel. To Selick's credit this is the first 3D stop motion ever made; stereoscopic 3D. Selick himself worked on the film for three years. The style is stunning and the story is an unwavering fairy-tale nightmare that has some genuinely scary moments. is a masterful movie and an exciting tale of mystery and imagination.
In the rotting nooks and crannies of Coraline's new home the real story begins and where she discovers a hidden doorway behind the wallpaper. Inside is her alternate space where there are doubles of her distracted parents now lavish loving attention on Coraline, the oddball neighbors are friendlier, and her pesky friend long longer speaks. Only her parents' eyes now black buttons give a clue that something isn't quite right.
Selick has created a world as much for adults as children as there are references dotted throughout that the young won't understand. The imagery, however, is very child like. Both talents live side by side and bodes well for Selick's previous work in Nightmare before Christmas, James and the Giant Peach and even Monkeybone. His work has always been fascinating. Gaiman is to be credited with the story for sure, but this is Selick through and through. This film is sure to become an instant classic and as well executed as this movie is it should be.
All of this immense undertaking is courtesy writer and director Henry Selick, director of Nightmare Before Christmas, and the well crafted adaptation of Neil Gaiman's international best-selling children's novel. To Selick's credit this is the first 3D stop motion ever made; stereoscopic 3D. Selick himself worked on the film for three years. The style is stunning and the story is an unwavering fairy-tale nightmare that has some genuinely scary moments. is a masterful movie and an exciting tale of mystery and imagination.
In the rotting nooks and crannies of Coraline's new home the real story begins and where she discovers a hidden doorway behind the wallpaper. Inside is her alternate space where there are doubles of her distracted parents now lavish loving attention on Coraline, the oddball neighbors are friendlier, and her pesky friend long longer speaks. Only her parents' eyes now black buttons give a clue that something isn't quite right.
Selick has created a world as much for adults as children as there are references dotted throughout that the young won't understand. The imagery, however, is very child like. Both talents live side by side and bodes well for Selick's previous work in Nightmare before Christmas, James and the Giant Peach and even Monkeybone. His work has always been fascinating. Gaiman is to be credited with the story for sure, but this is Selick through and through. This film is sure to become an instant classic and as well executed as this movie is it should be.
Henry Selick's "Coraline" is a smart adaptation of Neil Gaiman's extremely popular award-winning novella. Selick's screenplay is excellent and faithful without being a carbon-copy of Gaiman's story, and Selick adds some of his own dialogue to the film, so his contribution is most certainly not only visual, and chooses which dialogue to use from the novel wisely. Less of a horror story than the novella and more of a dark fantasy, "Coraline" features a well-written and well-drawn lead character and brings the novel's bizarre world to life without compromise. The film's fantasy world grows more bizarre each time we see it, and is as discomforting as it is fun. I missed the singing rats from the novella, but this was more than compensated for by the visual splendor of the garden scene, and there are numerous other examples of the changes from the novel making total sense as Selick's vision of the story differs from Gaiman, but doesn't betray the original work of art, only compliments it. The voice cast is very good and one cannot praise the spectacular animation enough. I was very pleased with the 3D presentation here, it was very, very rarely (only once or twice) used as a 'cool effect', and overall was very tastefully used to give the visuals more depth. Perhaps the first really good film to have a wide release in 2009, and looking at the next few weeks I see more than one film I'm moderately interested in, so this might end up being a pretty good year.
First - if you see this movie, try to see the 3D version - not all presentations are in 3D. Second, know that this movie is way too dark (IMHO) for kids under 10. Not only could the visuals be too intense, but the pacing is not that of a children's show.
OK - that said, this movie is great. The strength is in three areas: visuals (scenery, characters, and little 'details'), style (this is movie is simply a work of art - a very dark and offbeat style) and emotional impact (the film visually evokes a lot of childhood feelings about growing up).
The basic setup: A little girl and her parents move into a big, mysterious old home. One night, she learns that a little door in the house opens into a passageway to a parallel world. In this world, there are alternate versions of her parents, friends and everything ... as she journeys back and forth, she learns more and more about this world ... and the story progresses from there.
If that sounds a bit too simplistic, there's more to it in the full story. Plus, it's presented in a serious and dark tone - which adds to it's mystique. The only area I can knock it is in a tame use of 3D. There are definitely some spectacular 3D parts, but the way it's used in general makes it fade into background
If you're drawn to the visual aspects of movies, then this is must-see movie for 2009.
OK - that said, this movie is great. The strength is in three areas: visuals (scenery, characters, and little 'details'), style (this is movie is simply a work of art - a very dark and offbeat style) and emotional impact (the film visually evokes a lot of childhood feelings about growing up).
The basic setup: A little girl and her parents move into a big, mysterious old home. One night, she learns that a little door in the house opens into a passageway to a parallel world. In this world, there are alternate versions of her parents, friends and everything ... as she journeys back and forth, she learns more and more about this world ... and the story progresses from there.
If that sounds a bit too simplistic, there's more to it in the full story. Plus, it's presented in a serious and dark tone - which adds to it's mystique. The only area I can knock it is in a tame use of 3D. There are definitely some spectacular 3D parts, but the way it's used in general makes it fade into background
If you're drawn to the visual aspects of movies, then this is must-see movie for 2009.
I had no intention of seeing this, but my friend and I were bored on a Friday night and I had free tickets to a movie theater. The only movie playing at 9:30 at night was Coraline. I had heard of the book before, but I never read it so I didn't know what to expect.
The animation was amazing. Every character looked awesome and had so much detail to them. With the 3-D, nothing really popped out of you, but it just gave it an extra depth that made it more real. I think it was so cool.
The movie was really cute. If you haven't read the book, it'll keep you in suspense. I really enjoyed the movie and recommend you see it. :)
The animation was amazing. Every character looked awesome and had so much detail to them. With the 3-D, nothing really popped out of you, but it just gave it an extra depth that made it more real. I think it was so cool.
The movie was really cute. If you haven't read the book, it'll keep you in suspense. I really enjoyed the movie and recommend you see it. :)
Henry Selick, the director of " The Nightmare Before Christmas" and "James and the Giant Peach", once again takes us to a world full of imagery and wonder...but this time...some of it is actually frightening. It was filled with such magic and enchantment that I completely forgot that it was a dark tale..until the occasional scares filled the air. It has some highly fun and amusing characters in it also, and that is the strongest thing of the movie. After viewing it, I came to the conclusion it was basically an "Alice in Wonderland" tale (girl entering new and strange world, plus the cat that talks makes it obvious) but this world has a dark twist. Filled with a great cast and terrific visionary, I feel this movie is fun for all ages (who says kiddos shouldn't be scared?)
Lo sapevi?
- QuizThe character Wybie Lovat is not in Neil Gaiman's novel. He exists so Coraline would not have to talk to herself and so she would have a friend her age.
- BlooperThe house's living room changes places several times throughout the film.
- Citazioni
Coraline Jones: How can you walk away from something and- still come back to it?
Cat: Walk around the world.
Coraline Jones: Small world.
- Curiosità sui creditiAt the very end of the credits, the words "For those in the know: jerk wad" appear on the screen. This is a clue that could be used on the Coraline website in order to get an entry in a contest that ran during the movie's US theatrical run.
- Versioni alternativeThere are two versions available. Runtimes are: "1 hr 40 min (100 min), 1 hr 45 min (105 min) (extended cut) (USA)."
- ConnessioniFeatured in Hewy's Animated Movie Reviews: Coraline (2009)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Coraline y la Puerta Secreta
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 60.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 116.896.576 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.849.640 USD
- 8 feb 2009
- Lordo in tutto il mondo
- 185.860.104 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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