Un giovane entra in un bordello e assiste alla rappresentazione teatrale di una favola tradizionale cinese che narra di una donna pirata.Un giovane entra in un bordello e assiste alla rappresentazione teatrale di una favola tradizionale cinese che narra di una donna pirata.Un giovane entra in un bordello e assiste alla rappresentazione teatrale di una favola tradizionale cinese che narra di una donna pirata.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 8 candidature totali
Un Cho Sung
- Pirata
- (as Sung Un Cho)
Recensioni in evidenza
I have yet to be disappointed with Olmi's work and "Cantando dietro i paraventi" was no exception. It met all my expectations and more. It is a superbly executed film with all the hallmarks of Olmi's lyricism and beauty of composition. Each frame is a joy to behold and Olmi is a master at setting mood and tempo. From the stage to high seas the audience is taken on a memorable journey - a blend of the real and the performed which culminates in a beautiful and magical scene of kites soaring through and from the sky bearing their message of peace. Long may Olmi and his son continue to make films of such quality and visual delight.
Bud Spencer out of role... some very nice images in a terrible, too theatrical experiment.
First of all, I must apologize on behalf of my Latin (Italian) blood!! I mean, if there is something I like... I really LIKE IT !! and let me say it again: I really loved & LIKED this film!! The script takes you back to those stories by Emilio Salgari about the Malasya's Tigers or even to those other Pirates at the Caribbean Sea. But this time, just sailing by the Sea of China... Oh sorry!! it is a little far away from the Hispaniola...? It must be the Butterfly Effect!! Changing places, from behind the screen to the open sea, or inside the Captain's Cabin to the beautiful Widow Ching's heart (Jun Ichikawa not only speaks Italian with Rome accent, but her eastern beauty has that touch too!!), or deep her (ours) thoughts, memories or dreams... who really knows? It is more than a tale for grown people that used to be children once upon a time... Lovely!! I really enjoy it!! Oh!! by the way, if you are planning to watch it with your kids, beware about some elegant & artistic views of Miss Ichikawa's beauty... just a few minutes before the end of the story... But don't loose the message that comes on the gorgeous kites... Lovely!! This is a film to enjoy it.
This is probably the worst movie I have seen since another Italian 'masterpiece': Nonhosonno by director Dario Argento. Actors play awfully, the story is unbelievable, the shift from theatre stage to ships not consistent. Bud Spencer randomly mixing Italian with occasional Spanish words is pure crap (why has he to do it?? Is there any reason for that? Maybe because his character is supposedly from Andorra
where Spanish is NOT spoken
). Moreover, watching Chinese speaking Italian (some are VERY badly dubbed) is kind of ridiculous
Chinese proverbs are scattered in the screenplay, and no one of them makes any sense
The ships and the setting are indeed beautiful, but why not spending all the money they cost in other stuff, an average screenplay writer and an average director for example
oh, I see, they are the same person. I cannot understand why certain directors just do not retire as they should
Ermanno Olmi delighted us with at least one masterpiece (L'Albero degli Zoccoli), a lot of boring movies, but never had he attained such a horrible level
and still there are reviewers on the web that hold this movie in good opinion (have a look on Google and you'll see)! Hey, Italian film critics, why are you just so scared of writing a negative review for this film? Why praising it? Because Olmi is the prestigious, long career, beloved local filmmaker? Because of "political" reasons? An average Vanzina brothers' movie is 100 times better than this
Surely it is not a masterpiece but a very very impressive work.
First of all watching a far-eastern myth from the perspective of an Italian director is really exciting. Costume and production designs are very good. On the other hand cinematography is also brilliant. The most interesting part is that cinematography is not something we used to see in far-eastern movies. That increases the originality. Italian speaking characters are not artificial since all the dialogs and themes contain universal issues. Bud Spencer's performance is really good. But the biggest thing is, of course, Olmi's narration style. There were some parallel editing samples in the movie that should have been shown in film classes.
First of all watching a far-eastern myth from the perspective of an Italian director is really exciting. Costume and production designs are very good. On the other hand cinematography is also brilliant. The most interesting part is that cinematography is not something we used to see in far-eastern movies. That increases the originality. Italian speaking characters are not artificial since all the dialogs and themes contain universal issues. Bud Spencer's performance is really good. But the biggest thing is, of course, Olmi's narration style. There were some parallel editing samples in the movie that should have been shown in film classes.
Lo sapevi?
- QuizBud Spencer initially asked the producers if he could be credited under his real name (Carlo Pedersoli), due to the film's more serious tone compared to the titles he was most commonly associated with. He reconsidered after being told that his presence would boost the film's box office prospects.
- ConnessioniFeatures La bella corsara (1928)
- Colonne sonoreL'oiseau de feu: Berceuse
(suite, final)
Written by Igor Stravinsky
Interpreted by the Rundfunk-Sinfonieorchester Berlin (as Radio Symphonie Orchester Berlin)
Directed by Lorin Maazel
Published by Sugar Deutsche Grammophon
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Singing Behind Screens
- Luoghi delle riprese
- Podgorica, Montenegro(mountain range, naval scenes and battles)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 1.071.748 USD
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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