Mystic River

"Mystic River" centers on a murder investigation involving three men - all friends as boys from a Boston working class neighborhood - who have taken different directions through life. One is an excon (Penn) whose daughter was murdered. Another is the homicide investigator (Bacon) who is assigned to the case. The third is an emotionally damaged man (Robbins) who is suspect. Eastwood has imbued this novel adaptation with his signature blend of grit and humanness and created a forum for high intensity drama superbly executed by the principals, most notably Penn, who wrestle with roots, regrets, recrimination, revenge, reconciliation, and much more. With plaudits from all corners, "Mystic River" is a must see for drama junkies, fans of the players, etc. (A-)

Twenty years ago, the boys Jimmy Markun, Sean Devine and Dave Boyle are neighbors and pals, playing hockey on the street. One day, Dave is kidnapped by two men, being sexually abused, but escapes from them four days later. In the present days, each one of them followed one way in their lives: Jimmy (Sean Penn) is married with Annabeth Markum (Laura Linney), has three daughters and has a small business. Sean (Kevin Bacon) is a detective, and his pregnant wife left him six months ago. His colleague is the detective Whitey Powers (Laurence Fishburne). And Dave (Tim Robbins) is a traumatized man, married with Celeste Boyle (Marcia Gay Harden) and having a young son. When the nineteen years old daughter of Jimmy, Katie Markum (Emmy Rossum), is found dead in the neighborhood, the three friends in childhood meet each other again, in the investigation of the murder. A tragic event happens in the conclusion of this investigation. This movie is excellent. Yesterday, I saw it on DVD and I was impressed with the direction of Clint Eastwood and the performance of the cast. It is almost impossible to highlight one actor or actress, but I was stunned with the performance of Sean Penn. It is a film based on the acting, and not on special effects, shootings or race of cars. I was very impressed, since the tragic story of the loss of the youth is very real, full of human flaws, disturbances, prejudice and judgements. The destiny of this movie in the future may be to be considered a contemporary classic. My vote is nine.

Title (Brazil): `Sobre Meninos e Lobos' (`About Boys and Wolves')

This movie is a kick in the gut. Rarely is such a brilliant cast assembled, and even when it happens, rarely do they act like this. Tom Guiry (very impressive), Tim Robbins and Sean Penn show emotion that directors don't often stick in. And it comes off flawlessly. During a scene with Marcia Gay-Harden and Tim Robbins crying in their kitchen, there is an energy coming off of the screen that strikes you right in the chest. Which is really the way the whole movie works. It grabs you and shakes you, and makes you watch even when it can be painful to do so. The only reason that this film didn't win best picture is Return of the King. Any other year, and Mystic River has it. Eastwood's finest moment. Check it out--you won't be disappointed.

Watched this movie in 2022 as it had been almost 20 years since I'd seen it and couldn't really remember much. The story is still tragic, the acting is still very good, the directing is still top-notch, and the ending is still haunting. On paper, Mystic River could have turned into a classic murder mystery film, but the material actually goes much deeper. There are additional themes explored here: childhood trauma, consequences for our actions, connections from the past, ripple effects of neighborhood tragedy, etc. These elements are carefully intertwined with the main storyline which is what keeps Mystic River a step above its peers. A star-studded cast bring this film into Oscar-winning territory and you will be glad you rewatched it.

Verdict: Watch it.

Mystic River deals with three men, once boyhood friends, who all estrange the people closest to them. Their characters become flawed because of events, of how they choose to be, or their calling. It doesn't really say anything profound, but the acting and screenplay in the first half are quite good. Brian Helgeland, whose script writing seems to veer between brilliant (L.A. Confidential) and fairly abysmal (The Sin Eater), provides three quarters of sheer maestro, a story that unfolds with a growing sense of unease; characters that, as in real life, feel no need to state the obvious but let us piece together clues. But a gripping story of childhood bonds gone bad, murder, the frailty of human certainty and belief in flawed values – all wonderful elements that should offer a filmmaker so much – are stymied by flimsy resolutions and ultimately unlovable characters. An edge of the seat mystery builds to a limp climax that rather suggests they ran out of money, or film or ideas. There is no great moral dilemma as some critics have tried to suggest – all the characters try to do good in their own screwed up way, some with better intentions than others, and most of them fail.

Mystic River has a stellar cast – Tim Robbins, Sean Penn and Kevin Bacon to name a few – and there are some excellent performances. Penn, in the lead role, is sadly perhaps the weakest of these three as he is seems far too conscious of those ‘Oscar worthy moments', with the camera closing in for yet another close-up of his lingering, tortured, seemingly over-rehearsed expressions. Actors who go through this phase need a rapid infusion of French Cinema to correct their hyperbaric egos if they wish to ascend loftily and gracefully through stardom. Robbins and Bacon seem far more comfortable with their roles, without the need to be centre stage quite so much, and Marcia Gay Harden, who has already collected one Oscar for her role in Pollock, is quite superb, playing a long suffering wife with what seems like suppressed hysteria growing into panic. Mystic River is a good film and worth going to see - but such a shame it isn't another cinematic masterpiece we feel we can still hope for from director Clint Eastwood.