VALUTAZIONE IMDb
5,4/10
1821
LA TUA VALUTAZIONE
Lawrence pone l’occhio su temi scottanti come educazione, sesso e fumo, e nella parte del film forse più intensa, racconta dei suoi famigerati problemi con la legge.Lawrence pone l’occhio su temi scottanti come educazione, sesso e fumo, e nella parte del film forse più intensa, racconta dei suoi famigerati problemi con la legge.Lawrence pone l’occhio su temi scottanti come educazione, sesso e fumo, e nella parte del film forse più intensa, racconta dei suoi famigerati problemi con la legge.
- Regia
- Sceneggiatura
- Star
Robert North
- Fine Print Anchor #3
- (non citato nei titoli originali)
Recensioni in evidenza
It is not uncommon for a celebrity to be faced with the proverbial "wake-up call". And, should they survive this event, they come to a deeper understanding and appreciation of their particular good fortune. However, in the case of comedian's, they are rarely as funny after their epiphany as they were prior to it. Such is the case with Martin Lawrence. Frankly, I pay little attention to celebrities as I have much better things to do with my life than to spend it monitoring others'. So, I was unaware of the majority of what Lawrence had gone through prior to this film. It was interesting but, unfortunately, all too common. I was left with the larger impression that this guy's stand-up act just wasn't very funny. Save the big life messages for a book, just be funny on stage. If you want to see a funny Martin Lawrence, go rent some of the old Def Jams for which he hosted.
Don't rent Runteldat.
Don't rent Runteldat.
This recent stand-up movie of his was expectedly as piss-poor as his previous, i.e. "You So Crazy".
Martin Lawrence is easily one of the most annoying personalities to be recorded on film. Not only is he a lowsy actor to begin with, he's incredibly irritating to watch. His stand-up act is simply unbearable because it's nothing but Martin Lawrence and his embarassing way of talking. He overdoes everything. Every gesture, every word, is overly-black! He thinks he can be funny by acting black and talking black, almost as if he equates "blakness" with humor. (Chris Rock gets away with this because his content is actually funny to begin with.)
For God's sake, THE GUY IS NOT FUNNY!!!! I didn't even crack a smile once during the nearly two-hours of his agonizingly stupid, unwitty stand-up routine.
Martin Lawrence is easily one of the most annoying personalities to be recorded on film. Not only is he a lowsy actor to begin with, he's incredibly irritating to watch. His stand-up act is simply unbearable because it's nothing but Martin Lawrence and his embarassing way of talking. He overdoes everything. Every gesture, every word, is overly-black! He thinks he can be funny by acting black and talking black, almost as if he equates "blakness" with humor. (Chris Rock gets away with this because his content is actually funny to begin with.)
For God's sake, THE GUY IS NOT FUNNY!!!! I didn't even crack a smile once during the nearly two-hours of his agonizingly stupid, unwitty stand-up routine.
I had heard positive things about this concert film and had hear that even those unimpressed with Lawrence's films had to give him props. Although I have found his films to be puerile and unfunny more often than not I somehow find him personally to be pretty amusing in his delivery. So in a way I was quite looking forward to this film. Things didn't look that good early on as the film opens with a look back over the recent media controversy surrounding Lawrence and is essentially him putting two fingers up at all those who have, in his eyes, unfairly criticised and picked on him. It is embarrassing to watch as he seems to be telling us that the attention given him (as a global celebrity) is somehow unjustified.
I hoped this would just be the build-up under the credits and that the show would be a solid piece of stand up. Unfortunately he continues early on with him announcing he would tell his own story and so on but at least he soon got over it. But when his next topic was 9/11 I wished he had stayed where he was because in reality this section was nothing more than Lawrence racially attacking Muslims for all looking like Bin Laden and even a joke about how he had beaten up an Indian man behind stage just in case. He segues from this into the importance of beating your child (and indeed waiting for it outside the vagina so you can start kicking it then), material about sex after pregnancy (including a piece about "titties" that makes Benny Hill look like Oscar Wilde), bad drunks and the humour of domestic violence. Suffice to say that not of it is that funny and is about as basic as you can imagine.
By covering all this type of material Lawrence shows himself to be very much a base comedian in that his material appeals to an audience raised on sitcoms, swearing and who nod their heads and laugh uncontrollably at the most basic stereotypes and race clichés. His racist jibs are squarely aimed at every other culture apart from African-American, whereas with that group he seems to enjoy the failings of his culture. With people like Chris Rock and such you get it that they are critical of such things but with Lawrence he celebrates it. His material is predominately crude and tasteless, whether it is sexist, racist or just so broad that at times you sense he is close to losing some sections of the audience. Contrasting this with moments of trite insincerity just makes it even worse. There is no denying that he has good presence and runs the stage well but it is disappointing that he seems happy with such basic material.
Overall then a real disappointment of a show. The material is as basic as could be and rarely has any touch of invention or genuine wit across it. His audience mostly lap it up and I suppose those that have loved his recent films will love it however the majority of us should not be taking their enjoyment as a recommendation. Crude and basic stuff throughout and only worth a look for those die-hard fans of Martin's brand of comedy.
I hoped this would just be the build-up under the credits and that the show would be a solid piece of stand up. Unfortunately he continues early on with him announcing he would tell his own story and so on but at least he soon got over it. But when his next topic was 9/11 I wished he had stayed where he was because in reality this section was nothing more than Lawrence racially attacking Muslims for all looking like Bin Laden and even a joke about how he had beaten up an Indian man behind stage just in case. He segues from this into the importance of beating your child (and indeed waiting for it outside the vagina so you can start kicking it then), material about sex after pregnancy (including a piece about "titties" that makes Benny Hill look like Oscar Wilde), bad drunks and the humour of domestic violence. Suffice to say that not of it is that funny and is about as basic as you can imagine.
By covering all this type of material Lawrence shows himself to be very much a base comedian in that his material appeals to an audience raised on sitcoms, swearing and who nod their heads and laugh uncontrollably at the most basic stereotypes and race clichés. His racist jibs are squarely aimed at every other culture apart from African-American, whereas with that group he seems to enjoy the failings of his culture. With people like Chris Rock and such you get it that they are critical of such things but with Lawrence he celebrates it. His material is predominately crude and tasteless, whether it is sexist, racist or just so broad that at times you sense he is close to losing some sections of the audience. Contrasting this with moments of trite insincerity just makes it even worse. There is no denying that he has good presence and runs the stage well but it is disappointing that he seems happy with such basic material.
Overall then a real disappointment of a show. The material is as basic as could be and rarely has any touch of invention or genuine wit across it. His audience mostly lap it up and I suppose those that have loved his recent films will love it however the majority of us should not be taking their enjoyment as a recommendation. Crude and basic stuff throughout and only worth a look for those die-hard fans of Martin's brand of comedy.
Martin was funny..at times.. but sometimes it was just mildly entertaining. no new jokes, nothing that will knock you off your seat. The best part was about his own life incidents. I didnt realize how near death he was. Recommended only to the hard core Martin fans.
I like Martin as an actor. He has the ability to be funny. But what was he thinking about when he made this nonsense? I laughed mabye 3 times during this embarrassing performance. Martin seemed to be saying whatever came to his mind as he went, no type of flow. I have no problem with the profanity because when used right, it adds to the humor. But using "M*\_}rF_=*r" every other word doesn't take away from the fact that the material is weak. Then he also started with the "Let's give it up to the ladies" routine to try to gain support for his tired performance. And what was up with the slow pace? Bad enough the gag he's telling isn't funny, but now he want's to drag it out, as if he's waiting for more laughs. I had alot of high expectations for this movie. I was expecting to laugh, not wince. If Martin wanted to answer the critics, he shouldn't have 'wrapped' it up in a movie marketed as a Comedy, and have his fans pay the price. I give this movie NO STARS. Next time I hope he leaves the old, old routines at home and hope he actually practices before he performs.
Lo sapevi?
- QuizThis movie uses the word "fuck" 347 times in its 113 minute run-time, leading to the second most constant use of that word (3.07 times a minute).
- Citazioni
Martin Lawrence: No one is immune to the trials and tribulations of life.
- Colonne sonoreSchool Street
Written by Damon 'Grease' Blackman (as Damon Blackman) and DMX (as Earl Simmons)
Performed by DMX
Courtesy of Rush Associated Labels Recordings
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Мартин Лоуренс: Живьём
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 3.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 19.184.820 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.374.049 USD
- 4 ago 2002
- Lordo in tutto il mondo
- 19.184.820 USD
- Tempo di esecuzione
- 1h 53min(113 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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