Io non ho paura

Having seen the trailer for the film, I was intrigued. If one doesn't catch an Italian film cycle, it's almost impossible to see a film from that country lately, even in a cosmopolitan city like New York. This film has just been released for a commercial run. Having seen "Mediterraneo" from the same director, Gabriele Salvatores, was another reason for taking a look at this movie.

The film depicts the horrors that Italy lived in the 70s with a wave of kidnappings. While a lot had political undertones, the fact remains that a lot of children were kidnapped for a ransom.

The idyllic way the film unfolds, with the children running freely in the wheat fields, is a sharp contrast of the mystery that is hidden, in a hole, by the abandoned house where they go to play. Michele, the boy at the center of the story, discovers the dark secret that will involve his own family and will end in a tragedy.

This is a story about friendship, loyalty and the realization of the ugliness behind what appears a serene, if poor, family life. Giuseppe Cristiano plays the young boy with conviction and makes us believe he is that boy presented in the story. It also speaks volumes how children interplay with others of their same age no matter whether they are rich, or poor.

The director is to be congratulated for dealing with the subject matter and making us care about a little boy that had the courage to save a life. We'll be looking forward other films from Mr. Salvatores, very soon.

The real mastery in this film lies in the beautiful simplicity of it's childlikeness. There are few movies in Cinema that portray the innocence and unfeigned nature of children - before the loss of their transparency on the way to adulthood. I know the French film Ponette might come to mind for some lovers of cinema, but that was shot entirely from the perspective of little children almost to the exclusion of grown ups. This film shows the stark contrast of the two worlds by interweaving them, with childhood itself being one of the main characters, as landscapes were for John Ford in so many of his Westerns. Toward the end, it reaches for the sublime in moments of Michelangelo.

For me, the emotional interaction of these very young non actors made the movie spiritual to some degree by way of it's sheer honesty, without compromising the true spirituality in the principles and very adult themes of good vs. evil, betrayal, forgiveness, reaping what you sow, the coming Judgment, and finally - true friendship born of selflessness. Something we adults could learn more from by becoming more like little children ourselves, myself included. I believe this to be one of the best expressions of the young mind in realism, without crossing over into the fantasy that is so common in film today. How refreshing.

Of course all of this speaks for the excellence of the Director and the Writer, who gave us such a beautiful picture. Something that could only be pulled off by adults, albeit with at least the fond memory of a child, if not the heart of one. The cinematography, the very intentional and gorgeous classical score, along with much subtle but deep contrast, make this a modern classic that I will enjoy again and again. I hope you do too.

http://fullgrownministry.wordpress.com/2013/05/26/peace/

I have been critical of films that sidestep issues of conscience for broader appeal, so when a film comes along that tackles the issue head on, it is important to take notice. Set in Southern Italy in 1978, I'm Not Scared by Gabriele Salvatores (Mediterraneo) is about a child who discovers a small lad hidden in a cavernous hole near an abandoned farmhouse and acts with courage and compassion to "do the right thing". The film is partly a standard commercial product with a predictable plot, sentimental music, and pseudo-lyrical slow motion shots but it also embodies an artistic sensibility that expressively captures the world of a child in its wonder, innocence, and beauty. Similar to the 1996 film La Promesse by the Dardenne Brothers, it is a film about a young boy's awakening of conscience.

Ten-year old Michele, exquisitely performed by first-time actor Giuseppe Cristiano, is outgoing, intelligent, and strong-willed and there is a great deal of warmth and knowing in his face that makes us instinctively care about him. Michele and his friends play in the vast golden wheat fields during summer and all seems idyllic. When Michele looks for a pair of glasses lost by his sister Maria (Giulia Matturo), however, he makes an unexpected discovery. Beneath a straw-covered plank in the ground he finds Filippo (Mattia Di Pierro), a scared, dirty, and almost blind boy of his own age. The child, chained to a stake and barely alive, is subject to hallucinations and believes that he is dead and that Michele is his guardian angel. We don't know if the boy is a "wild child" or the victim of an unspeakable crime. Instead of reporting his finding to his overburdened mother (Aitana Sanchez-Gijon), or his moody working class father (Dino Abbrescia), he keeps the secret to himself, bringing bread and water to the starving boy and the two develop a mystical bond of friendship.

When Michele finds out the shocking reason that Filippo is in the cave, he discovers the strength within himself to stand up for what he thinks is right even though it leaves him open to potentially damaging consequences. I'm Not Scared does not idealize children and paint all adults as evil. The children can be ruthless in cruelly teasing the weakest members of their group and in selling out to the wrongdoers for trifles, for example, just to sit at the wheel of a car. The adults commit a heinous crime out of the desperation of poverty or for unstated political reasons but their love for their own children is clear. Based on a novel by Niccoló Amminiti, I'm Not Scared is part suspense drama and part coming-of-age story but cannot be neatly categorized. It is has a strange otherworldly and mythical quality to it, like a cinematic dream and the result is not vacuously uplifting but powerfully moving. In discovering the cave where Filippo is hidden, Michele truly discovers a cave "filled with gems and gold".

Perceptible drama filmed with sensitivity and good feeling . Sensational film that dispenses a brooding plot and considered to be one of the best Italian films of the 2000s , in fact was voted one of the best pictures by professionals and critics . Well directed film by Gabriele Salvatores , including a stirring story and screenplay by Niccolò Ammaniti , who tried to create an agreeable flick plenty of sensitivity and metaphor by tackling a description about a bright ten-year-old boy who finds several surprises on his early life . In southern Italy, Michele , a fine little boy , along with his friends visit an old rotten house on the outskirts of their small Italian village . Michelle (Giuseppe Cristiano , director Salvatores interviewed nearly 600 boys for the part , ultimately settling for novice Giuseppe, the son of a Fiat car worker) nearly meets another boy chained in a basement hidden outside his village, but fears to speak of it . Putting together what he learns from television, he starts dealing with the blind boy, his own parents , and a series of unexplained visiting strangers such as Sergio (Diego Abatantuono) , with a high-profile kidnapping that has the entire nation on edge . As Michelle lives with a dysfunctional as well as impoverished family formed by his intimate mother Anna (Aitana Sánchez Gijon) , father Pino (Dino Abbrescia) and brother . Michelle hearing behind doors and he aware horrible happenings . He is so interested in these mysteries that exacerbate his ingenuity and imagination . As Michelle begins to investigate all the secrets of people visit his home , of his family and their stories , but he finds out a terrible conclusion . Who can you trust when everyone's a suspect ?

It's a brilliant and touching story although sometimes is slow moving and tiring but is developed with intelligence and sensibility . In the picture are treated ethics and morals themes narrated with great sense of fairness and ductility . This is an intense as well as sensitive drama dealing with a little boy who meets another filthy, incoherent kid locked into a cellar , where is kept prisoner . A coming-of-age tale in which he discovers the sense of life about dark family secrets, friendship and compassion . This slow-moving and intelligent picture is well set in Southern Italy of the 70s . This film was loosely based on a true story of a kidnapped boy from Milan and the novella written about the incident . Enjoyable and thought-provoking picture starred by a phenomenal little actor , Giuseppe Cristiano . Sensitive film full of feeling , haunting mood-pieces , wonderful scenes and sense of wonder . Colorful picture , including marvelous frames , being mostly filmed at Southern Italy and including sunny outdoor scenes . This extraordinary flick spells through intricate patterns of images , sets , sound and color . His style is pretty much dry in the atmosphere as in the fresh dialog , as well as realistic , and including pleasant elements as when the little boy runs on the cereal countryside ."I'm Not Scared" is one of Tornatore's undisputed masterpieces and fundamental in his filmography where shows efficiently an interesting story and shot at the height of his creativity , with some peculiar characters , as the main starring boy , his lovely mummy magnificently performed by the Spanish Aitana Sánchez Gijon and the grudge visitor well played by Diego Abatantuono . Splendid , luxurious photography with juicy atmosphere is reflected on the marvelous outdoors in the country by cameraman Italo Petriccione , Salvatores's usual , being shot on location in Apulia, and Basilicata, Italy . As the film is mainly told from a child's point of view, director Gabriele Salvatores instructed his director of photography Italo Petriccione to shoot most of the film at a child's height.

This is a Italian/Spanish co-production perfectly financed by magnificent producers as Spanish Miguel Menéndez de Zubillaga of ¨Piedras¨ , ¨Amnesia¨, ¨Utopia¨ , ¨Camaron¨ as Italian ones such as Maurizio Totti , Stabilini and Riccardo Tozzi . The motion picture was stunningly realized by Gabrielle Salvatores . He was born in 1950, Naples, Campania, location where he often shoots his films . He is a very good Italian movies director ; Tornatore is a well recognized filmmaker both nationally and internationally, and in proof of it he won many prizes in several Festivals . The constant theme of his movies is the escape from the problems of the modern world and the most of his movies include philosophical themes . Almost always casts Diego Abatantuono ; frequently also casts Sergio Rubini . Longtime companion of Rita Rabassini , she's the former wife of Diego Abatantuono, who acted in many of Gabriele's movies and is a close friend . Among his most important films are ¨Nirvana¨ , ¨Amnesia¨ , ¨Educazione ¨Siberiana¨, ¨Marrakech Express¨ ,¨ Quo Vadis baby ¨ , his successful and Oscarized ¨Mediterraneo¨ and of course this ¨I'm not scared¨ . Rating : Better than average . Worthwhile watching .

I personally really like movies that portray childhood the way I remember it--kids doing kid-like activities and adventures, summers with free time to wander and explore, and seeing the way kids think. They don't quite see things as adults do. The kids in the movie were quite realistic.

I think that Michele, the main character has more awareness and sympathy for people than most kids as evidenced by the stories he writes and reads to his sister. After he finds a child in a hole in the ground he writes a story about a child hidden away. Yet he reacts like a child in that he doesn't realize that there is something illegal going on, at least at first. The story unfolds slowly but steadily.

Because this movie is about kids and some suspicious people (Michele's father and friends)and the story is not written with a formula, there is an added dimension to the element of unpredictability.

I truly was inspired by the cinematography showing the idyllic scenes of the summer and wheat fields of Italy, including the insects and wildlife. I really liked the scene with the three threshers approaching Michele as he was crossing the fields. This scene also made us aware of the passing of time and probably summer soon ending. Also, there is, as there in many neighborhoods, a grumpy scary person (the hog farmer) who adds to the atmosphere of unpredictability.

The music is absolutely wonderful. And it is not just the music, but also listen to the skill of the musicians. Just because it is a string quartet playing, don't think it's boring.

In summary, this is a suspenseful, beautiful movie.