Siamo verso la fine della seconda guerra mondiale, 500 soldati americani sono prigionieri da 3 anni. Le loro speranze di essere salvati sono ormai ridotte all'osso, ma un gruppo di Ranger in... Leggi tuttoSiamo verso la fine della seconda guerra mondiale, 500 soldati americani sono prigionieri da 3 anni. Le loro speranze di essere salvati sono ormai ridotte all'osso, ma un gruppo di Ranger intraprende una pericolosa missione per salvarli.Siamo verso la fine della seconda guerra mondiale, 500 soldati americani sono prigionieri da 3 anni. Le loro speranze di essere salvati sono ormai ridotte all'osso, ma un gruppo di Ranger intraprende una pericolosa missione per salvarli.
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In fact, only a handful of motion pictures have touched on the subject over the last two decades, namely Steven Spielberg's "Empire of the Sun," Terrance Malik's "The Thin Red Line," and the Nicolas Cage bomb, "Windtalkers." The best film in this genre was probably 1957's "Bridge On The River Kwai," which won Oscars for David Lean and Alex Guinness, among others, but that was almost 50 years ago.
Now John Dahl ("Rounders," "Joyride," the TV series "Tilt") has shed some light on a little-known rescue attempt in the waning days of the conflict in the Philippine Islands. "The Great Raid" is a fine little film, smart, patriotic and fairly historically accurate.
The film begins with a crisp narration (accompanied by actual film footage) of the quick successes of the Imperial Japanese Army in the days following Pearl Harbor. Gen. Douglas MacArthur - thanks to Roosevelt's decision to devote more to the European effort through the Lend-Lease to Churchill program - is forced to evacuate the Philippines and retreat to Australia.
Meanwhile, thousands of American troops are trapped by the swift-moving Japanese forces on the islands of Bataan and Corrigidor and are compelled to surrender. While WWII German brutality is everywhere in motion picture, few have addressed the stark horrors of the Bataan Death March. Even this movie skirts the terror with a simple voice-over in filling in the background story of a group of surviving prisoners held for over three years.
Receiving word of mass killing of American POWs by the Japanese, top brass in the Pacific orders a raid on a camp still behind enemy lines, led by Army Ranger Lt. Col. Mucci (Benjamin Bratt, "Law & Order) and Capt. Prince (James Franco, "Spiderman," "Spiderman 2").
Military minutia abounds with the planning and execution of the assault, which pits a handful of rangers against over 200 battle-hardened Japanese troops, led by sadistic Maj. Nagai (Motoki Kobiyashi).
The movie also shows the strong relationship between the Americans and Filipinos which was not the greatest in the years after the Spanish-American War, but was cemented against the common Nipponese enemy. Nice composition between rangers, prison camp and the occupied capital of Manilla, where civilian nurse Margaret Utinsky (Connie Nielson, "Gladiator," "One Hour Photo")is working with the Filipino underground resistance.
This is no "Saving Private Ryan," and the acting sometimes leaves a bit to be desired, but the strength of the story, the fact it was inspired by true events, and the historical importance of the film, make this one a must-see, even for casual fans of the genre. It will not make much money, but it was very important that it was made.
As far as I can recall there haven't been very many movies depicting conditions in Japanese POW camps. "Bridge On The River Kwai" springs to mind, but this is the only other one I think I've come across. It's always hard to judge the accuracy of how the enemy is portrayed in a movie like this. In this case, though, we do know that the Japanese were in fact brutal captors. Surrender was the ultimate dishonour, and prisoners, therefore, were seen as deserving of neither honour nor respect. The conditions portrayed in the camp, therefore, were believable and probably historically accurate.
The portrayal of camp conditions is one of the highlights of the movie. The other is the actual raid carried out. It was portrayed in great detail and, again, in a very believable way. The basic problem with this movie, though, is that it repeatedly seems to get bogged down. Frankly, when the movie strays from those two subjects it just isn't that interesting, and all the various sidebars end up making this longer than it needed to be. The character of Margaret Utinski (played by Connie Nielsen) was especially problematic. Utinski was a real person - and a winner of the Medal of Honour - but there are historical questions about her life, and there was certainly no romance involved in her actions, as is suggested throughout the movie.
Aside from Nielsen, the cast were fine, but in all honesty no one stood out to me as outstanding. As I've suggested, there are certainly aspects of this movie that make it worthwhile viewing, but it certainly can't be mistaken for a masterpiece. (6/10)
Some people commented on how slow the movie is during the beginning, and although that is true, it is there to give you time to develop a story and actual care about the characters. This is definitely not a movie for people with near zero attention spans from the MTV Generation.
This movie also doesn't rely on gimmicks such as CGI or what I call "shaky camera syndrome" where the filmmakers insist on making the audience nauseous by running around with handy-cams (ala Bourne Supremacy).
I really enjoyed the story and thought all the roles were well acted. The final raid scene is amazing. They did a really good job of explaining exactly what they wanted to do beforehand and when it actually happened, you understood where everyone was running to and what they were trying to accomplish.
Excellent movie, and highly recommended. Definitely one of the best movies so far of the year, I'm just sad that almost no one has heard about it and the movie has received so little promotion. I doubt this picture will even make $20 million here.
And one more thing, I thought it was a very tasteful and respectful thing to do at the end during the credits where they showed archival footage of the real soldiers being rescued.
Lo sapevi?
- QuizRichard Joson plays his own grandfather.
- BlooperIn the film the plane that flies over the camp to distract the guards is a Lockheed Hudson. In reality the plane used was a P-61 Black Widow. However, there are only five P-61s still in existence, none of which are airworthy. Therefore the filmmakers were forced to make the substitution.
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General Kreuger: Henry, I'll be honest with you. This mission appeals more to my heart than to my head.
- Curiosità sui creditiThe first part of the end credits are superimposed over actual footage of the American prisoners following their liberation.
- ConnessioniReferenced in Hannity & Colmes: Episodio datato 12 agosto 2005 (2005)
- Colonne sonoreYou Go To My Head
Written by Haven Gillespie and J. Fred Coots
Performed by Victoria Hamilton
Published by Toy Town Tunes, Inc. (ASCAP) and Gillespie Haven Music (ASCAP)
Produced by Sourcerer
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- Budget
- 80.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 10.167.373 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.376.009 USD
- 14 ago 2005
- Lordo in tutto il mondo
- 10.777.375 USD
- Tempo di esecuzione2 ore 12 minuti
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- 2.35 : 1