Codice Homer: A Different Loyalty

Sharon Stone turned in a very strong performance as the wife of Kim Philby the British double agent. Why the producers chose not to use real names nor to do some basic research about the Soviet Union in the 1960s is a mystery.

One viewer already has made the point that many technical mistakes in the film were made. Least of which is the view of Christ the Savior Cathedral that was rebuilt in the 1990s and did not exist in Moscow in the 1960s. Additional mistakes include Aerorus instead of Aeroflot and probably the encounter that Sharon Stone had with the CIA in the USA. It would have been the FBI and any meeting would have taken place at the local Federal Building to protect the FBI agents from any accusations. The biggest error was the continual use of the word Russia or Russian for Soviet Union. When I lived in Leningrad as a student in 1974 one rarely heard the word Russia. It was only used in the context of language or culture but never in terms of governance like the Russian Embassy, Russian government etc.. in the USSR. There was great emphasis on the use of the word Soviet Union.

In general, the movie was a bit slow, there was some effort at moral equivalence between the West and the USSR but the acting was good and most viewers will draw the conclusion that a great drama was played out not only between the Philby character and his country but also with his wife and family.

Weak movie. I would venture to say it reminded me of a low budget B movie. I was bored. The characters were almost lifeless, all except Sharon Stone's character. Even though it was made in 2004/2005, it resembles the production abilities of much earlier decades. Locations don't seem realistic. For example, Beirut was the Paris of the Middle East in the 1960's yet was cast as a backward location in a more backward town (not even a city). The clothes seem like they were of a decade or two earlier. I gave the movie a 5/10 and that may have been generous.

This movie has very good acting. The core story line is a good one. The primary reason I gave it only 5 stars like many other people is because the story moves very slowly and is totally repetitious, again and again.

The whole story could have been told in 45 minutes and it could have been a little exciting which the plot calls for but fails to achieve. If you want a nice quiet story to fall asleep to this one fits the bill.

For me, the biggest thing that can make or break a movie is it's characters. The characters in this film, however, had about as much depth as a Kleenex. For the first half hour or so of the film, I found myself thinking "Who cares?". Basically, we're introduced to two people who meet and fall madly in love....in the first 5 minutes of the movie. No character development to speak of, and they certainly didn't change or grow during the course of the movie. Everett and Stone had zero chemistry, so the love scenes just looked forced and awkward. On top of all this, the film had no flow to it what-so-ever; it cut back and forth so quick and so often it was hard to keep track. Somehow it did manage to keep my attention throughout, so I guess that buys it a few points....but in general, this is a very poor film. Don't bother wasting 100 minutes of your life, watch something else.

2.5/10

In 1951, two British diplomats who are actually Soviet spies escape to Moscow indicating British intelligence has been infiltrated at the highest level. Then it's 1961 Beriut. Leo Cauffield (Rupert Everett) and Sally (Sharon Stone) fall in love, and she would leave her husband for him. Four years later, Leo disappears and he's accused of being a Soviet spy. Then she is told that he has gone to Moscow freely.

It's a small thing but the movie opening and subsequent text has this computer font. It indicates a 70s motif which clashes with the era of the movie. Then the movie takes too long to get going. This is based on a true story, and the story moves at a pedestrian pace. The dialog is uninspired. As for Sharon Stone, she is miscast in this role. Even thought she has dyed her hair dark, she can't hide her flashy Hollywood persona. The material is there for the taking, but this is not movie for it. The lack of style, ill-fitting acting, and weak dialog all add up to a weak production.