Codice Homer: A Different Loyalty

Sharon Stone turned in a very strong performance as the wife of Kim Philby the British double agent. Why the producers chose not to use real names nor to do some basic research about the Soviet Union in the 1960s is a mystery.

One viewer already has made the point that many technical mistakes in the film were made. Least of which is the view of Christ the Savior Cathedral that was rebuilt in the 1990s and did not exist in Moscow in the 1960s. Additional mistakes include Aerorus instead of Aeroflot and probably the encounter that Sharon Stone had with the CIA in the USA. It would have been the FBI and any meeting would have taken place at the local Federal Building to protect the FBI agents from any accusations. The biggest error was the continual use of the word Russia or Russian for Soviet Union. When I lived in Leningrad as a student in 1974 one rarely heard the word Russia. It was only used in the context of language or culture but never in terms of governance like the Russian Embassy, Russian government etc.. in the USSR. There was great emphasis on the use of the word Soviet Union.

In general, the movie was a bit slow, there was some effort at moral equivalence between the West and the USSR but the acting was good and most viewers will draw the conclusion that a great drama was played out not only between the Philby character and his country but also with his wife and family.

The DVD packaging describes this movies as a thriller, and as if to underline that, shows a picture of helicopters circling an exploding van while a guy with a gun runs away.

This movie is not a thriller, and there are no explosions or helicopters. (What was that on the packaging? Clip art?) When I'm in the mood for explosions and helicopters, it's a disappointment to bring home a movie that instead has as its big moments someone breaking down a door or fingerprinting someone.

This movie is a rambling, disjointed drama. It wasn't completely awful, but was like real life in that the story doesn't completely make sense and doesn't work artistically. (And if they'd shown one more Casablanca-esquire foggy airfield, I'd have screamed.) It's just a bunch of confusing stuff that happens, and then other stuff happens, and who cares about any of those people? And we spent the first 45 minutes trying to tell the various dark-haired women apart. Or maybe they were all the same woman. Still don't know.

Watching this movie was a very disappointing experience. The premise was good (like with most movies out there), but the execution was just atrocious, and the story was unrealistic at best. For example, the movie shows us that a westerner was allowed to go in and out of Soviet Union, as well as go though streets of Moscow without any surveillance in the midst of cold war!!

Moreover, the actors seemed like they were made out of wood in terms of expressiveness. The story was painfully slow and was heading nowhere, really: nothing changed nor happened though the entire movie...

Funny how our protagonists had a view at the Basilica of Christ the Saviour in early 70s (Destroyed in early 20th century, restored in late 90s by the mayor of Moscow)... This and many other anachronisms give out the fact that the production team didn't even research the subject of their work before filming...

2/10

Sharon Stone is the product of the Hollywood marketing machine but sadly again displays the fact that she just can't act. As always she's always too intense and comes across with first year drama school responses. This movie is a bore and it's understandable that it never got a theatre release. Messy and boring. Supposedly based on Kim Philby, so why the silly name changes? Rupert Everett must have needed the money or been obliged to take part through contractual obligations. He's a fine actor and tried hard in this dog but simply couldn't make any headway with his co-"star" and a lousy shallow script. At least they could have done some basic research and got some of the planes, buildings and cars right!

I just saw A different loyalty on DVD, and was very pleasantly surprised (especially after seeing the trailer). The story was extremely interesting and powerful. Sharon Stone and Rupert Everett were both fine in their parts, though their love story wasn't made completely believable (the second half of the movie was by far better than the beginning, and Sharon Stone actually did a great job portraying this woman). It took me a while to get used to the looks of the movie, though (I'm still not sure why the flashbacks looked so much like an erotic movie from the 70ies). But what an incredible story and a great and subtle script.