Biker Boyz

If you want to see a pointless story, dragged out over a full 1hour 50 minute film, then check this out, I can honestly get what was the plan, fast and furious but on bikes instead, but every moment you feel a story is coming or we might be getting somewhere with this film, it is simply either forgotten, or just falls flat. I would have said the only redeeming part was the fact Laurence fishburne had been involved in the project, but even his storyline is just dull. If we could have a son of anarchy type of film mixed to fast & furious then this could have worked, but this is typical sort of films coming out in the early 2000's, still this film is better than Torque. I would say, if you want something on that pays no attention, something you want on when doing work, or just not actually watching the film just doing other things then check it out, but I wouldn't recommend actually watching the film, as the story itself as mentioned just isn't really there, several cliche are thrown in during the film. Good luck if you do choice to watch.

The movie is barely even entertaining unless you are with a group of drinking buddies making fun of it. The only reason to watch the forced plot, weak dialogue, music video camera work waste of time is if you love motorcycles, and like watching stunts performed on them. Even then, if you really want to see that, just go get a specialty film. FOR BIKE ENTHUSIAST ONLY.

Basically Fast and Furious on motorcycles.

I'm a motorcycle fan, I loved this movie, the bikes are really amazing, stunts, soundtrack and etc.

Okay, the plot is very generic and predictable, but not every movie is required to have deep plots, sometimes you just need to entertain the audience, which this movie achieves. In addition, it's no masterpiece, but it's still a great movie, especially for those who like motorcycles like me.

Lots of whacky dialogue makes for very low under the bus film like Biker Boyz, definitely watchable though! I like how I was 10 when the trailer came out damn I miss being little! Decent cast, soundtrack, and drama; I give it credit where it's earned.

The days of Harley-Davidsons mastering the road are over. Nowadays color and plastic coat the fastest and most coveted motorcycles in the land, and `Biker Boyz' heralds the passing with unrestrained glee.

Set among African-American biker clubs in Southern California, the film follows Kid (Derek Luke), a prodigious young motorcycle racer, in his quest for the title of `King of Cali,' currently held by Smoke (Lawrence Fishburne), leader of the Black Knights bike club. Smoke hesitates in accepting Kid's challenges, citing that Kid is not a member of a legitimate club. In one scene, Kid addresses Smoke's assistant with anger and frustration: `Are you racing? Or are you just blowin' smoke?' Kid begins his own club (the aptly named `Biker Boyz') and sets out for the crown of fastest biker. The rest of the film follows a sort of formula we have seen before, with the underdog taking on the inhumanly skilled antagonist at the end. Though the plot is weak, the talent both onscreen and off push the film into something the script alone could not hold. The actors, for the most part, excel in their respective roles. Fishburne turns what may have been a trivial role into one exuding sincerity and masculinity, holding to an effectively pensive and reserved demeanor. His presence on the screen legitimizes the film as not just another `Days of Thunder.' Fishburne's charisma must have extended to the rest of the cast, as even Kid Rock, who made his film debut in 2001's deplorable `Joe Dirt,' portrays his character with gusto and road-wise scruffiness. Director Reggie Rock Bythewood makes his presence felt in the film. Bythewood made a splash at Sundance a few years ago with his debut `Dancing in September.' With `Biker Boyz,' he manages to pull off something slightly extraordinary: he makes motorcycle racing entertaining. The camera freewheels around smoking tires, colorful racing suits and bouncing nightclubs with dizzying ease. His film is loosely based on a feature from the Los Angeles New Times on the biking subculture in California, and Bythewood tries to bring a sense of biker culture to the screen. The nonfiction foundation of the film shines through, displaying a bizarre sense of camaraderie between cyclists similar to that of a fraternal order.

Despite its basically inane premise, the movie is not all bad. The poor title and plot outline summons memories of `Rollerball' and the like, but do not be deceived. `Biker Boyz' inspires some sense of genuine excitement and intrigue. As entertainment, it works on the same level as last year's `Spider-Man.' It cannot be praised as a piece of art, but the craftsmanship of the film is undeniable, which grants it a begrudged recommendation.