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7,0/10
3564
LA TUA VALUTAZIONE
La storia di vita ispiratrice del nuotatore australiano Tony Fingleton.La storia di vita ispiratrice del nuotatore australiano Tony Fingleton.La storia di vita ispiratrice del nuotatore australiano Tony Fingleton.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 15 candidature totali
Recensioni in evidenza
This true story of Australian swimmer Tony Fingleton is not your typical "inspirational" tale of rising above the odds to become a champion, it is rather a tale about the real meaning of success. Success is about realising yourself, not the deeds you do or the medals you win. For Tony this was a tough lesson to learn.
The film is brilliantly directed by Russell Mulcahy, who shows unusual restraint, without losing his dynamic and unique style. Some of his direction here reminded me of his work on "Queer As Folk", as he manages to stylise the action without sacrificing the emotional integrity of the screenplay (which was written by Fingleton himself). Although the film is set in the 1950s and 1960s, Mulcahy refuses to become a slave to the period, instead he utilises 21st century editing styles, including the truly thrilling use of split-screens for the race sequences, and a terrific electronic music score, to make this period tale utterly contemporary.
The performances are nothing short of spectacular. Jesse Spencer, who plays Tony, seems set for international stardom. With the face of an angel, and the body of a god, he can hardly fail to make an impression - but he can really act as well! He is ably supported by two of the greatest actors in the world today, and they're both Aussies - Judy Davis and Geoffrey Rush, who play Tony's parents. The story focuses on Tony's relationship with his father, a very strained and complex relationship. Rush's performance is probably his best screen work to date (yes, even better than "Shine"!), as he creates a multi-dimensional being out of what could have been a cliched villain. And Davis just keeps getting better and better as an actress. As the long-suffering mother, she completely avoids cliche, and invests the character with zest, warmth, love and anger. She is dynamite! Tim Draxl is also impressive as Tony's brother John - at once jealous and proud, and Mitchell Dellevergin is perfect as the young Tony. All the performances are excellent, although I could have done without the comic cameo by Dawn Fraser, which harms the emotional intensity of one very important scene.
Perhaps the film hammers its themes a little too relentlessly, but it's easy to forgive a film that has this much heart. Given the right distribution I think this film will go on to great international acclaim, and strong box-office. Another Aussie classic to treasure!
The film is brilliantly directed by Russell Mulcahy, who shows unusual restraint, without losing his dynamic and unique style. Some of his direction here reminded me of his work on "Queer As Folk", as he manages to stylise the action without sacrificing the emotional integrity of the screenplay (which was written by Fingleton himself). Although the film is set in the 1950s and 1960s, Mulcahy refuses to become a slave to the period, instead he utilises 21st century editing styles, including the truly thrilling use of split-screens for the race sequences, and a terrific electronic music score, to make this period tale utterly contemporary.
The performances are nothing short of spectacular. Jesse Spencer, who plays Tony, seems set for international stardom. With the face of an angel, and the body of a god, he can hardly fail to make an impression - but he can really act as well! He is ably supported by two of the greatest actors in the world today, and they're both Aussies - Judy Davis and Geoffrey Rush, who play Tony's parents. The story focuses on Tony's relationship with his father, a very strained and complex relationship. Rush's performance is probably his best screen work to date (yes, even better than "Shine"!), as he creates a multi-dimensional being out of what could have been a cliched villain. And Davis just keeps getting better and better as an actress. As the long-suffering mother, she completely avoids cliche, and invests the character with zest, warmth, love and anger. She is dynamite! Tim Draxl is also impressive as Tony's brother John - at once jealous and proud, and Mitchell Dellevergin is perfect as the young Tony. All the performances are excellent, although I could have done without the comic cameo by Dawn Fraser, which harms the emotional intensity of one very important scene.
Perhaps the film hammers its themes a little too relentlessly, but it's easy to forgive a film that has this much heart. Given the right distribution I think this film will go on to great international acclaim, and strong box-office. Another Aussie classic to treasure!
This well acted true story drama is a difficult movie and wont be particularly popular. I gave it an 8 out of 10 although I've got to say I didn't like it so much as appreciate it. The test of a good drama for me is whether you talk about it and question aspects of it after its over. This certainly had me and my wife talking, mainly about the relationships issues that it generates (particularly those between parents and their kids). I won't be recommending this to every friend, but for those that I know that appreciate a movie that makes you think, it gets my vote of confidence. My final comment regards Tony Fingleton himself. If you are out there reading this Tony, all I can say is that I wish you and your family in New York every happiness and success. Nobody should have to experience the kind of torment brought upon you by your father.
I grew up in Sydney during the 1950's and although my childhood was good it wasn't the "good old days" people like to reminisce about.
This film captures the Australia of the 1950's perfectly.
An insular nation still coming to grips with who it was and where it was going.
As a child I saw men traumatised by the war or the depression; unable to express their feelings and as trapped in their roles as were the women.
Rush and Davies were superb as were the actors who played the children.
What a pity Tony had to escape to the USA. Has anything really changed?
A great little Australian Movie
This film captures the Australia of the 1950's perfectly.
An insular nation still coming to grips with who it was and where it was going.
As a child I saw men traumatised by the war or the depression; unable to express their feelings and as trapped in their roles as were the women.
Rush and Davies were superb as were the actors who played the children.
What a pity Tony had to escape to the USA. Has anything really changed?
A great little Australian Movie
Since all the reviews I read on this film so far are from Australia, I couldn`t resist to comment on it, if just for showing that it made the other side of the world :-). I bought the DVD because I already am a fan of Jesse Spencer (though I never had the chance to see his "Neighbour"-appearances) - I like him in "Stranded". So I bought the DVD of "Swimming upstream" and was really impressed by his acting-skills. The story lacks a little tempo at times, but the characters played by Jesse Spencer and Judy Davis are really coming to life very well. And the way I dislike Geoffrey Rush`s character is proof of his good job either. Contrary to a previous review I read, I liked the use of the editing machine during the swimming sequences just fine. The only thing that struck me was the music during those sequences, that just was dramatic all right, but way to modern for the time that movie played in. With a little more tempo this might have been a top-league drama, but it still deserves to be better known and I will certainly recommend it to friends of drama-movies.
I hope for Jesse Spencer to find more roles that bring out his talent and make him even better known worldwide. It`s not often that good looks and talent go together (Kevin Zegers is another fine actor that deserves to be better known...).
I still wonder, why Tony`s father disliked his own son that much...I wish no kid would have to live through something like that. Ever!
I hope for Jesse Spencer to find more roles that bring out his talent and make him even better known worldwide. It`s not often that good looks and talent go together (Kevin Zegers is another fine actor that deserves to be better known...).
I still wonder, why Tony`s father disliked his own son that much...I wish no kid would have to live through something like that. Ever!
This film has two fantastic leads....Geoffrey Rush and Judy Davis. These two characters are developed well in an interesting script. Swimming is so much part of our culture and history. It's great to see a film that captures the drama of competition
Lo sapevi?
- QuizIn the movie, Tony competes in the 100-meter backstroke, winning a silver medal at the Empire Games in 1962. In 1962, the Empire Games swimming events were measured in yards, and Tony won silver behind another Australian in the 220-yard event. When he is later told that "your event was today" in reference to the 1964 Olympics, it refers to the 200-meter backstroke - the 100 wasn't contested in Tokyo.
- Citazioni
Tony Fingleton: [narrating] It's funny how the stumbling blocks of life can help make us better people. I never had the support of my father, but in the end that's what gave me the strength to seek something more than I could've ever imagined. Something in another world.
- Versioni alternativeThe United States release has several scenes cut or shortened compared to the Australian release. These have been included in the extras on the DVD's. The ending of the US version is very different from the Australian version. The Australian version has Tony's dad appearing at the pool in the end scene, whereas the US version it is his coach.
- ConnessioniFeatured in Swimming Upstream: The Making of a Champion (2005)
- Colonne sonoreAdagio for Strings
Written by Samuel Barber
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Swimming Upstream
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 54.965 USD
- Fine settimana di apertura Stati Uniti e Canada
- 24.520 USD
- 6 feb 2005
- Lordo in tutto il mondo
- 791.154 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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