Luster

The film had the edginess and campiness of a Greg Araki film, with some moments cinematography and character development reminiscent of Gus Van Sant. The characters were sexy, quirky and fun to watch. The story was engaging. The production quality (lighting and sound) was lacking a bit, but not too bad. Hopefully we will see more of Justin Herwick, who played the lead role. He reminded me of River Phoneix. Supporting actor Jonah Blechman (who played Billy) was adorable and his character added some punch to the film. Those who like a mix of raunchiness and reality with the esoteric and attempts to "be deep" will enjoy the film. I definitely did.

Luster is a coming of age story about a group of 20 & 30 somethings in L.A. in the midst of an odyssey into their teens. And they are soooo cool & punk rock. They've got that really rebellious "I'm REAL punk rock & I'm not a poseur & you ARE & the rest of the world sux" thing from high school still going pretty strong.

Everyone in LA is infatuated with the lead character Jackson, even the "guy next door" who stalks him at work. I'm not sure why, since I was eventually hoping someone would smack Jackson upside the head & shut him up.

Amongst the film's problems are too many story lines & subplots fighting for attention, none of which seem to blend or create a sense of relevance to Jackson's life or a cohesive central theme. The worst of these is an S & M subplot that seems terribly contrived, misplaced, & rings totally false with the rest of the film's "realism."

There are a couple of funny moments, like the photographer & the interaction with her "subject."

And of course there are a couple of full frontals from a really good looking guy, which help this situation along slightly.

But worse of all, I never felt for a minute why Jackson was lusting for these guys & guys were lusting for him. There's no sexual chemistry in this movie between anyone. NADA. Just a bunch of obnoxious & pretentious brats pretending to deal with "real life" & "art." Yuck.

Plenty of better queer films out there.

See it if you must.

Reminiscent – I was never part of that scene, but I recognise many of the situations. Funny – in the right places, and the few dark parts of the comedy are … appropriately dark. Quirky, and unexpectedly thoughtful – or thought-provoking, in not too deep a way. Some of it's emotionally symbolic, which sounds a bit arty but it's not; it's down-to-earth.

Luster is not all of those things at once in any one part of the film, nor should it be. It's a smart mix that's effectively packaged. More than OK, I felt positively good after watching it.

There's some caricature, and that's expected, but it's fitting. The characters' emotions are totally human. The timeline is enjoyably ridiculous, but I don't imagine for a moment that this was intended to be realistic. Cramming the whole thing into a single weekend is part of the essence of what makes the package effective. I shan't spoil the plot by commenting on the other essential parts.

Incidentally, it's not the orgy that's pictured on the cover (I never expected it to be – a friend recommended the movie over a decade ago).

A memorable film that I'll keep, and certainly watch again, more than once. For that alone, I want to give it 8/10.

Some of it's 9/10. Overall, it's a 7 – take your time, set aside any preconceptions, watch and enjoy.

Luster is more a movie about a guy who happens to be gay ,not a GAY movie. Jackson is an amazing character for this film because like this film although he is strange he is believable and thats how the whole film is dramatic enough to be a movie but not so much that you find no common ground. The relationship between characters is amazing and As a gay guy i can honestly admit i have "fallen in love" a million times before learning the person's last name like how Jackson is crazy over billy who he knows nothing about. That impulse for a connection is totally believable and the film makes you look at the characters and go i have a friend like that or more importantly "i am like that"

I knew this was going to be a `cool' flick from the opening credits that just list the first names of the cast and crew, but it isn't without its flaws as well. Namely some campy acting, a customer in a record store squealing for Madonna, to numerous subplots that tend to bring down the film as well as audio that tends to be muffled in spots. But overall the more it went on the more I accepted and enjoyed these vagabonds and the flaws found within.

The story centers around a punky, skateboard, party goer, poet, named Jackson (Justin Herwick), who works at a record shop called, how appropriate, `No Life'. After waking up from the aftermath of an orgy he inquires about a boy who was there, Billy (Jonah Blechman) with whom he develops an infatuation for and decides to track down. Who wouldn't! He's a cutey but he he too has some flaws. Needless to say Billy is the boy toy of a record mogel played by Willie Garson (Sarah Jessica Parker's gay friend Stanford on Sex and the City) who gets off on getting beat up. It does get a bit ugly and some people might not like the S&M. Throw in Jackson's hunky cousin Jed(Barry Wyatt), a clean cut collegiate type customer at the store (Sean Thibodeau) who's in love with Jackson, a lesbian friend named Alyssa (Pamela Gidley) who screws around with Jed and is later found out by her lover, and you get a smorgasboard of a soap opera. The one character I really wish had been more developed and with whom I felt something towards was Jackson's supposedly straight boss and friend at the record shop, Sam (Shane Powers). He gives a real emotional performance at the end and his story only scratched the surface. The other performances are hit and miss. Sometimes they're great and then at other times it seems campy and silly. It's a real mixed bag along with the storylines. Take it for what it's worth though and you'll have fun with these characters, their loves, lusts, and losses. The DVD is stereo and the transfer is a bit grainy but it only adds to the seediness of the tale. I didn't expect much more from a low budget `indie' and it also includes a short documentary with the director and a film commentary and trailers for other TLA releases.

Note: plenty of full frontal nudity From TLA Releasing