Aggiungi una trama nella tua linguaEighteen year old Ariel is in love with her caring father, who lives with her in the upper middle class part of Vancouver. When he starts dating again, she becomes violently jealous, fails t... Leggi tuttoEighteen year old Ariel is in love with her caring father, who lives with her in the upper middle class part of Vancouver. When he starts dating again, she becomes violently jealous, fails to seduce him, and turns to female boxing.Eighteen year old Ariel is in love with her caring father, who lives with her in the upper middle class part of Vancouver. When he starts dating again, she becomes violently jealous, fails to seduce him, and turns to female boxing.
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Recensioni in evidenza
It's easy to over-look the real issues in the film Punch when it contains such outrageous plot element as female topless boxing, but that would be a mistake. The film is more about the relationship between father and daughter, about dealing with loss, anger, and reclaiming one's emotional self.
The script is well-written and the performances are real. There is a real risk of it turning into melodrama but director Guy Bennett does a good job preventing that by keeping the characters and situations real.
The film deals with many complex issues but does not ruin it by trying to provide us with answers to everything but simply presents them and leaving the rest to the audience. That takes guts... as it does when one makes a film with female topless boxing and wishes to be taken seriously.
The script is well-written and the performances are real. There is a real risk of it turning into melodrama but director Guy Bennett does a good job preventing that by keeping the characters and situations real.
The film deals with many complex issues but does not ruin it by trying to provide us with answers to everything but simply presents them and leaving the rest to the audience. That takes guts... as it does when one makes a film with female topless boxing and wishes to be taken seriously.
This is what the movie box says: "Ariel is a girl with more than her fair share of personal problems. When she learns to take out her frustrations in the boxing ring, she find it just might be her chance to fight for a better life." The front of the box has a pic of Ariel, played extremely well by Sonja Bennet, with a tank top and her hands wrapped for boxing-a little spatter of blood-standing in a boxing pose. Now, the problem with that is that never once in the movie did she learn to box. And never once in the movie did she get inside a boxing ring!
Now, if you just ignore those facts, this film is a great movie. It was well directed-Guy Bennett's first film. Michael Riley plays Ariel's father and he was quite impressive. What this film is really about is a young girl, who's trauma from her mother's death has made her a mean antisocial type, who's possessive of her father. There is a very obvious sexual tension between her and her father as a result of her taking on the housewife role of her mother, and this is really the the base of the story. After assaulting his new girlfriend, she's forced to grow up and take responsibility for her life and her actions by the victim's sister- an undefeated topless boxer. That part, as others here have said, was just for titillation. She learns to grow, to let go, and to experience life through the consequences of her actions. This is a great movie, well acted and directed. Well told. There are a handful of short, well done fight scenes-especially the one at the climax. I don't want to say to much her and give anything away. Pick it up for a good conversation piece, not date-night with the town tough girl. Just ignore the stuff on the back of the box.
Now, if you just ignore those facts, this film is a great movie. It was well directed-Guy Bennett's first film. Michael Riley plays Ariel's father and he was quite impressive. What this film is really about is a young girl, who's trauma from her mother's death has made her a mean antisocial type, who's possessive of her father. There is a very obvious sexual tension between her and her father as a result of her taking on the housewife role of her mother, and this is really the the base of the story. After assaulting his new girlfriend, she's forced to grow up and take responsibility for her life and her actions by the victim's sister- an undefeated topless boxer. That part, as others here have said, was just for titillation. She learns to grow, to let go, and to experience life through the consequences of her actions. This is a great movie, well acted and directed. Well told. There are a handful of short, well done fight scenes-especially the one at the climax. I don't want to say to much her and give anything away. Pick it up for a good conversation piece, not date-night with the town tough girl. Just ignore the stuff on the back of the box.
I loved this movie. "Punch" isn't easy to watch (especially for those of us who live with a teenage daughter of our own!), but it is worth the effort. What an interesting film.
It is well-acted across the board. The dialogue is tight, hard, funny, rude -- and then moving and lovely. (It is worth seeing twice just for Michael Riley's beautiful monologue on how he met Ariel's mother.)
Sonja Bennett is scary as the angry teen protagonist. Utterly unlikable - what a huge risk for a young actress. Bravo to her. Michael Riley is perfect as the Dad. I also loved Marcia Laskowski's performance of Mary - a highly believable, likable, attractive woman somewhere in her thirties. I enjoyed seeing a romantic lead who looked like someone I might actually meet somehwere - someone real. Vincent Gale is - as always - incredible as the complex bartender. And Katherine Kirkpatrick simply rocks as Beth the big boxer. Meredith McGeachie is also impressive as "Julie the Beauty".
It's hard to say more without giving stuff away, which I don't want to do, because I hope that lots of peole get to see this movie.
It is well-acted across the board. The dialogue is tight, hard, funny, rude -- and then moving and lovely. (It is worth seeing twice just for Michael Riley's beautiful monologue on how he met Ariel's mother.)
Sonja Bennett is scary as the angry teen protagonist. Utterly unlikable - what a huge risk for a young actress. Bravo to her. Michael Riley is perfect as the Dad. I also loved Marcia Laskowski's performance of Mary - a highly believable, likable, attractive woman somewhere in her thirties. I enjoyed seeing a romantic lead who looked like someone I might actually meet somehwere - someone real. Vincent Gale is - as always - incredible as the complex bartender. And Katherine Kirkpatrick simply rocks as Beth the big boxer. Meredith McGeachie is also impressive as "Julie the Beauty".
It's hard to say more without giving stuff away, which I don't want to do, because I hope that lots of peole get to see this movie.
I really enjoyed this movie. The characters draw you in. I was intrigued from the beginning. The characters are very well written. I was surprised by the complexity of the female characters. Women can be very hard to understand. I loved how complex the female characters were. Especially because they are so rare to see. The daughter is very well written. Julie the Beauty could benefit from more character development. Extremely well acted. KUDOS to all involved. I would have sworn this was written by a female. Excellent. I liked all the female characters and felt the tortured existence of the male "dad" lead. Great flick. Even my non film-minded Pakistani husband enjoyed it.
My comment to my wife when we were watching this was: "This looks like a Hal Hartley movie, but everyone is a lot meaner than they usually are in his films."
Punch is an interesting exploration of issues surrounding codependent family relationships, honor, and the exciting word of topless women's boxing.
Early in the film, I found almost all of the characters to be somewhat excessive in their violence, stunted emotions and knee-jerk reactions to the world around them. More depth was revealed toward the end, but in a somewhat heavy-handed way. Despite this, I think Punch offers something a little different than the usual fare, at least for viewers in the U.S. (It is possible that Canadians may be used to slightly more contemplative works.) If you don't mind watching your characters develop all of the way through the film (some of the exposition takes quite a while), or are willing to pass the intervening time watching topless women's boxing, you might find it worthwhile.
Punch is an interesting exploration of issues surrounding codependent family relationships, honor, and the exciting word of topless women's boxing.
Early in the film, I found almost all of the characters to be somewhat excessive in their violence, stunted emotions and knee-jerk reactions to the world around them. More depth was revealed toward the end, but in a somewhat heavy-handed way. Despite this, I think Punch offers something a little different than the usual fare, at least for viewers in the U.S. (It is possible that Canadians may be used to slightly more contemplative works.) If you don't mind watching your characters develop all of the way through the film (some of the exposition takes quite a while), or are willing to pass the intervening time watching topless women's boxing, you might find it worthwhile.
Lo sapevi?
- QuizThe main character Ariel is portrayed by Sonja Bennett, daughter of the writer/director of the film, Guy Bennett. The father excused himself from the set when they shot the more revealing scene in which his daughter is sitting naked on a bed with her legs apart in an attempt to seduce her tutor, and watched from a monitor in another room. But the idea of putting his daughter in this vulnerable position never gave him pause for a moment. "Everything is subservient to the drama," Guy Bennett explained.
- Curiosità sui creditiSPECIAL THANKS TO: Mr. and Mrs. Bennett All our Volunteers
- ConnessioniReferences X-Files (1993)
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Dettagli
Botteghino
- Budget
- 1.200.000 CA$ (previsto)
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
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